Midwestern farmland can be described in many ways. Paisley, however, is not a descriptor that normally comes to mind. Artist Jenny Kruger, however, often sees paisley on the farm—at least in paint.
Her art consists of colorful floral patterns serving as backdrops to barns or rural settings. Everyday landscapes become surreal. The brightly hued paintings are nostalgic, byproducts of Kruger’s nomadic youth.
Home has always been more of a feeling than a physical place for the artist. Her works are more about what she remembers than what a place actually looked like.
“I never really had a strong sense of home being tied to a location,” says Kruger. “It’s memories.”
Lately, her work has become bigger and grander. Kruger is currently working on a triptych that will measure 6 feet wide by the time she finishes the three panels. “I keep getting bigger because I think the landscapes need to breathe,” she says.
She works on the weekends and whenever time allows in her life, in between raising two young boys and managing a career as dean of Communications, Education, and Fine Art at Iowa Western Community College. She also squeezes in time to occasionally illustrate for publications such as The New York Times.
Painting has taken a backseat in her life right now, but it hasn’t gone away.
“It’s important to me. If I stop painting, this job wouldn’t work for me,” admits Kruger of her position at the college.
It wasn’t always this way. For much of her life, art was everything to her.
Kruger spent her early years in Salt Lake City, with countless hours devoted to drawing pictures in her bedroom. As the scenery started to change, the constant in her life was art.
Before she reached age 10, she spent a year learning Spanish in Monterey, Mexico, and then sailed the East Coast with her family.
Following a year at sea, her family settled down in Indiana. Kruger pursued art head on, encouraged by her parents, who enrolled her in advanced art classes. She painted in Florence, Italy, while a college student. A Fulbright scholarship sent her to Barcelona, where she could paint nonstop.
A favorite artist growing up was the American realist Andrew Wyeth, and while you can spot a hint of his realist influence in Kruger’s work, her own traveling has definitely flavored the trajectory and style of her painting.
“I saw many different sceneries, different ways of living, different kinds of people, and different ways of learning,” says Kruger.
While studying for her master’s degree in New York City, she dabbled in portraits, but also began painting images of water towers, adding a floral background. Eventually, she ended up in Nebraska, where her surroundings now inspire her frequently and at strange times, like while driving to work. She’ll see a striking wrapping paper pattern and save it to be her creative muse later.
After her boys are tucked in bed, Kruger is in her basement studio, revisiting her collection of muses and memories, and trying to build enough pieces for her next solo show.
Visit jennykruger.com for more information.