National Society of Colonial Dames diva Anne Thorne Weaver is at an age when she says and does what she wants. Fortunately for Omaha, this patron puts her money where her mouth is in supporting the arts.
When the new Blue Barn Theater opens this spring, the box office will be named in her honor for a major gift she made to the company. She admires the Blue Barn’s edgy work.
“I’m just very impressed with what they do,” says weaver. “There’s something about the intimacy of the smaller theater. I think they’ve done some wonderful productions. I think their new facility will be wonderful, and there won’t be any bats,” she adds in referring to a past production when an winged intruder darted overhead.
“I thought, that’s an interesting prop,” she quips, “and then realized it was a bat. Suddenly there was this thundering of shoes coming down in a mass exodus.”
Weaver likes that the theater’s new site on South 10th Street will be more visible than its Old Market digs. “I think it’s an exciting move and one of the things that’s really going to add to the Omaha scene.”
Her gift to Omaha Performing Arts made possible the Orpheum Theater’s Anne Thorne Weaver Lounge. The dedicated private space is a chic oasis for post-show receptions.
“I think it really puts a little wow into Omaha,” says its namesake, “and really adds a lot to any attraction you’re doing in the Orpheum.”
Outside the metro, her generosity’s recognized in the gift shop named after her at the Museum of Nebraska Art (MONA) in Kearney and the lobby gallery named for her at the Lake Art Center in Okoboji, Iowa. She also donated the center’s stained glass ceiling created by Bogenrief Studios.
She not only gives money but time to venues she believes in, serving on boards for Opera Omaha, the Omaha Symphony, the Omaha Community Playhouse, and MONA. She served on the Western Heritage Museum (now Durham Museum) board and was active in the Joslyn Women’s Association.
Weaver, whose civic volunteering includes the Nebraska Humane Society and the Junior League of Omaha, only gives to things she enjoys. “Life is too short, so why fuss around with something I don’t enjoy or work with people I don’t like. When you give, everything is given back.”
She traces her aesthetic appreciation to her late artist grandmother, Narcissa Niblack Thorne, renowned for her miniature rooms, dioramas, and shadow boxes. Some of her grandmother’s handiwork is displayed in framed cases hanging on the walls of Weaver’s exquisitely designed home, whose expansive sun room features two Bogenrief windows.
Surrounding herself with beauty comes naturally to Weaver, who grew up in the historic Terrace Hill home in Des Moines. The restored structure is now the Iowa governor’s mansion.
The well-traveled Weaver considers the vibrant arts scene here a cultural and economic asset that makes the city a more attractive place to live and visit. She takes pleasure helping the arts thrive and sampling all the region’s offerings.
“We all need music and art in our lives,” Weaver says.