Omaha Magazine launched their May/June 2017 edition on April 30, 2017, with a party at the Bookworm. Click below to watch the program.
Andrew Easton taught students how to create projects from wood. His son, Andrew W. Easton, taught students how to properly create a balance sheet and how to use their left pinkie fingers to type the letter “q.”
Andrew D. Easton, the third teacher in line to carry the family name, had no problem choosing a career.
“My dad and grandfather were inspirations to me,” he says. “Just seeing them being willing to serve other people, and being there for students and to help them with their pursuits.”
The current pedagogue answering to the name Mr. Easton educates young minds in ways vastly different from his forefathers.
While teaching English at Gardner Edgerton High School in Gardner, Kansas, he realized his pupils needed stimulation and motivation. He began teaching from the school library, where they processed essays on computers or read books from the comfort of couches. Easton walked around the room and answered questions.
“About three weeks in, some kids were done,” Easton says. “I asked those kids to get together and discuss the book (Frank McCourt’s Angela’s Ashes). We had a competition in front of the principal. It made for a better use of their time.”
Those students who had not finished reading the book continued reading.
“That type of learning is called a flex model,” Easton says. “I didn’t know it at the time. I appreciated that we could get a lot of personal attention and one-on-one feedback.”
Four years ago, Easton and his wife moved to Omaha. Andrew found a job with Westside High School and expanded on his flex model. He arranged the classroom furniture to assemble different areas for group study or individual study, and created a goal sheet for his students. Then he experimented with videos to give students another choice of instruction.
Easton became like a high school student again, in order to create better videos.
“Matt Rasgorshek (a fellow Westside teacher) said he’d be happy to have me in his intro to video class,” Easton says. In order to learn, he forsook lunch for lectures, sitting alongside some of his English students.
“He wanted to know everything about video production,” says Rasgorshek, Westside’s former broadcast adviser now teaching at Creighton Prep. “Whenever he had an open period he would come in, take notes, ask questions. He’d come into my office and bounce ideas off of me.”
Easton had discovered a new passion, and by the end of the year, he made 40 videos to work into his teachings.
Some students desire a traditional learning format, however. When a student asked if he would lecture to her, Easton began lecturing to a small group while the others worked individually.
“The kids, he instantly hooked them,” says Rasgorshek. “All of them were engaged all the time. It was pretty cool to watch. Even in my classroom, the kids took to him.” FamilyGuide
Nicholas Wasserberger and Mark Steffan are almost, well, In Real Life meme generators. “We really feel that immersing people in an artificial environment, in a bubble, in a world, is amazing,” Wasserberger says. “We want to immerse them in a certain genre, a theme, so that everyone can have this experience, this nostalgia.”
Together, Wasserberger and Steffan are the Church of Tomorrow, an avant-garde party-planning duo responsible for themed events in Benson galleries and Downtown Omaha nightclubs. They’ve also collaborated with local band Icky Blossoms and North Sea Films for video styling, as well as local dance-party group GOO.
The Church specializes in themes of music and fashion from the ’70s, ’80s, and ’90s. “With events at, like, [House of] Loom, we come up with the ideas and concepts and themes,” Steffan says. “We promote it. We decorate it. We set the theme, the mood. And then we discuss with the DJs what the music genre should be. We set up the environment.”
“There’s a lot of history and education that goes into it,” Wasserberger says of their event prep. For example, their inaugural David Bowie tribute party last October at House of Loom was a study in glam rock. “Other cities around the nation throw David Bowie parties,” Steffan points out, “which just brings Omaha to a greater connectivity with other cities’ night-life culture.”
“Nobody’s trying to be too cool. We can see how people find the humor in what we do. It looks completely outrageous, and we’re completely outrageous, and we can laugh about that.” – Mark Steffan
“Our New Romantic Party was based off of one club that ran in London for, like, six months,” Wasserberger says. Such ’80s London nightclubs started a trend of evenings dedicated to specific themes. “Boy George came from there,” Steffan says. “Duran Duran. Spandau Ballet. Changed music forever.”
Wasserberger and Steffan encourage party-goers to dress to the theme. “It’s Halloween all year-round,” Steffan says. Realizing that not everyone is up on the movements or music they select, they try to educate the masses ahead of time. In the weeks leading up to a party, they post links on Facebook Event pages to documentaries such as Paris Is Burning or songs like “All Tomorrow’s Parties” by The Velvet Underground.
“We want to let people in Omaha experience where the roots of music and youth movements and nightclubbing came from,” Wasserberger says.
Last January, the Sweatshop Gallery in Benson asked Church of Tomorrow to create “a full-on art installation” for their Afterbirth show during the neighborhood’s First Friday art crawl. “We went thrifting for about three or four weeks just picking up the ugliest stuff. Kids’ bed sheets, after-Christmas-sale tinsel,” Wasserberger says. “We put the sheets on the walls and spray-painted them with political symbols, grabbed every disco light we could find in Omaha.”
“They both have a very distinct style,” says Caitlin Little of Sweatshop Gallery, “and they were able in this instance to transform thought into feeling and experience. The events they put on are meant to challenge the normal, beat the boring, and provide an all-inclusive, full-force fun time.”
“We wanted to present what our physical chapel would look like,” Steffan says. “This is basically our religion, these are things we like to do, and they’re sometimes a little more progressive.” They both are advocates of women’s and transgender rights and radical homosexuality.
To fully immerse people in their passions and ideals, the pair burned incense and filled the gallery with flashing lights, projections, and obscure disco music. “It was a sensory overload,” Wasserberger says.
Little agrees. “Afterbirth in particular was like going to a sleepover in their brains!”
About 200 people came, they estimate. “That’s probably an average crowd,” Steffan says. “We get more at Loom,” Wasserberger counters.
“Everybody that comes to our events, they’re the nicest people,” Steffan says. “Nobody’s trying to be too cool. We can see how people find the humor in what we do. It looks completely outrageous, and we’re completely outrageous, and we can laugh about that.”
If there’s money involved, the two split the profit 50-50. Their one-of-a-kind buttons help fund their parties, too. Steffan and Wasserberger wear them out on the town, and if someone admires one, “Oh, they’re $2,” Steffan says, “take one.” They also design the buttons that Icky Blossoms takes on tour. The pair splits cover charges among themselves and an event’s DJs. “We’re pretty savvy about thrifting,” Steffan says.
House of Loom co-owner Brent Crampton agrees. “Their DIY method of throwing a party is raw yet fabulously tacky,” he says. “Meaning, I’ll give them $100 for decorations, and they’ll make the place look like a thousand bucks.” He adds that, quite simply, the Church of Tomorrow is his favorite promoter to work with. “They come up with some of the off-the-wall, almost forgotten corners of culture to celebrate.”
Crampton points out that the pair not only designs and decorates an event, they clean up after it as well. “At the end of the night when everyone just wants to get paid and go home, they’ll stick around and help the staff clean. It’s quite amazing.”
“Everything we do, we do sober,” Wasserberger says. “Which surprises a lot of people. If we were sloppy at a party, come 1:30 in the morning, we would not still be on the dance floor keeping everyone there.”
Steffan has been clean and sober for two and a half years. “And in the last two and a half years, I’ve been the most creative I’ve ever been.”
Wasserberger will occasionally have a drink. “Never when I’m working,” he clarifies, “because you don’t need it. The true freaks are always sober. Like Boy George. Sober now.”
Steffan has plans to promote Church of Tomorrow events in New York after he settles in from his move in May to be with partner Joey Koneko. “And then when he comes back for visits, we’ll do more together here,” Wasserberger says, such as the second David Bowie Tribute this Oct. 5 at House of Loom. He also hints that he already has things set up to do on his own with Sweatshop Gallery and Loom.
Party Animal Style
Style is (obviously) a huge part of life for Wasserberger and Steffan. Their inspirations include such flamboyant names as Boy George, David Bowie, Vivienne Westwood, Isabella Blow, Leigh Bowery, and Anna Biaggi. “Otherwise, our style is just wear what you want,” Wasserberger says. He points to his shirt that he bought for a dollar, but his pants are Versace, no matter that he found them at Goodwill. “As long as you feel good, you’re going to look it.”
“I think that’s what it all basically comes down to,” Steffan says. “Our bodies are the medium for our art.”
“Sometimes we look really shallow, but there’s philosophy behind this,” Wasserberger says. “We know fashion history. If you make fun of us for wearing skirts, we’ll tell you that skirts were invented by men for men.”
Fortunately, Omaha has amazing thrifting, and Steffan and Wasserberger know where to find it all: The Salvation Army, Second Chance, Shop Around the Corner. “I don’t invest in fine art or other collectibles,” Steffan says. “Purchasing clothes, that’s my collection. There’s only a few things I’d pay a lot of money for, but it has to be really special.”
“If we pay $3 for most of our wardrobe,” Wasserberger explains, “then we can afford that one special item.”
Their experiments extend to hair as well. Wasserberger’s lavender hair is a result of Steffan’s experimentation with toner and fabric dyes. “Constant evolution is key,” Steffan says. “When you get stuck in the same old routine, that’s when you start feeling trapped.”
“It blows our minds when other people are like, that’s so foreign,” Wasserberger says. “Why should it be? Everyone should be constantly changing. It’s a really positive thing.”
“I don’t hate on Nikon users,” photographer Joe Shearer declares. “I hope we can all get along. I’m pretty open-minded, but I’m going to blindly put my bias towards Canon because that’s all I’ve ever known.”
Shearer, 27, laughs easily, but at the core he’s extremely serious about his job. As photo editor of the University of Nebraska-Omaha’s Gateway newspaper since 2010, he knows the meaning of hard work. He graduated from Gross Catholic High School in 2002 and went to UNO the following semester. He wasn’t sure what he really wanted to do, but he knew from his experience in yearbook class that he liked photography.
“It all started in my sophomore year of high school,” he explains. “I didn’t really have any extracurricular activities or athletics I was into at the time, but yearbook stood out. I did design, writing, and photography and ended up enjoying photography the most.”
Armed with his first professional camera, the Canon 10D (of course), Shearer started snapping photos of concerts he attended, sporting events, and everyday life. Then he hit a few bumps in the road.
“Whatever I contribute and turn in, I don’t want it to be sloppily put together. It should be award-winning journalism every day.”
“Life is weird sometimes. I was out of school for a couple years,” he says. “I just worked and traveled while learning life lessons and seeing the real world on my own. The whole time I did continue shooting photography. I did a few things for The Reader and Gateway before I went back to school. I never stopped shooting photos. I was just trying to grow up.”
Once back in school as photo editor, Shearer forged ahead with his career. For the past three years, he’s won several first place trophies at Omaha Press Club’s Excellence in Journalism Awards. This year, he won Best Feature Story (video), Best Feature Story (print), Best Sports Photo, and Best Feature Photo in the student category, as well as the Best Photo Essay award in the professional category. He also landed an internship at KETV News, where he’s preparing for a career in photojournalism. His dream job would have something to do with ESPN, music, or traveling, although he insists he’s “not a sports nerd.”
“Whatever I contribute and turn in, I don’t want it to be sloppily put together,” he says. “It should be award-winning journalism every day. There are a lot of talented journalists and artists in the Omaha area. We have a lot of incredible television, radio, and print. It’s a very creative city. If I could be associated with all of the greats in town, that would great.”