Tag Archives: Salvador Dali

Home is Where the Art Is

December 25, 2012 by
Photography by Bill Sitzmann

“We’re living in the area my mother always wanted to live in,” notes architect Steven Conley of the Indian Hills home he shares with his wife, Darcy Beck, an Omaha Realtor, interior designer, and home stager.

In a sense, the spirits of both Steven’s mother and Darcy’s parents do inhabit the house. Within moments of welcoming visitors, Darcy introduces them to her late mother, Anna Beck (exotic beauty, self-taught artist, Hindu dancer, and universally adored Air Force wife) via paintings of East Indian dancers the latter created as a teenager; and her late father, esteemed Major General A.J. Beck, via signed Dali lithographs and original rosewood and orange leather Eames chairs that he loved, as well as a humorous coffee-table topper of boxing gloves signed by Leon Spinks.

Two large framed and signed lithographs by Salvador Dali are featured in the living room.

Two large framed and signed lithographs by Salvador Dali are featured in the living room.

Steven chimes in with an introduction to Irma, a bigger-than-life sculpture in the entryway that his mother, also named Irma, purchased for him when she downsized her home.

The couple has complemented the art of their parents with their own collection, including a prominently displayed painting by their next-door neighbor, the artist Jill Rizzo, two large ballerina torsos by another local artist gracing their dining room wall, a turquoise-encrusted bull’s head, redolent of Georgia O’Keefe, mounted in their stairway, and a witty ceramic “paper bag” luminaria that Steven gave to Darcy. “Who gives his wife a brown paper bag?” he cracks with a twinkle in his eye.

Dining room chairs made of woven seatbelt material are surprisingly comfortable and serve as conversation pieces.

Dining room chairs made of woven seatbelt material serve as conversation pieces.

The home, built in 1964, is just what you’d expect from a couple who makes their living bringing life to beautiful spaces. Originally owned by Jay Swanson, whose father, Gilbert, was one of Indian Hills’ premier developers, the cubist-style structure was renovated by the local architect legend, Don Polsky, who added the front porch, as well as the sunroom where the couple and their pets (two standard poodles and a cat, all from the Nebraska Humane Society) like to hang out.

After purchasing the home in 2006, Steven oversaw a second renovation by tearing down interior walls to create a completely open, public space. In the more private sleeping quarters of the house, solid-core doors boast a single, thin gleaming ribbon of aluminum, an adornment notioned
by Steven.

White decorative plates that Darcy bought on clearance are used in a bedroom as wall art.

White decorative plates that Darcy bought on clearance are used in a bedroom as wall art.

To this, Darcy adds her stylist’s eye with an expertly curated mix of high and low. Despite her profession, there’s nothing stagey here. Instead, the home is a deeply personal expression of warmth, elegance, and fun. And something else: the unexpected.

“We’re equal-opportunity shoppers,” she explains, plucking a statuette from a shelf to reveal a Marshall’s $16.99 price tag on the bottom. And that turquoise bull’s head? Right above it is a bleached white one that Darcy picked up at Z Gallerie.

Surreal in Omaha

October 25, 2012 by
Photography by Bill Sitzmann

“I’m into surrealism, as you can probably tell,” says artist Conrad Hinz with a laugh. That may be the one thing all viewers will agree on about his collection, showing at Hot Shops Art Center in November. Dream-like paintings with titles like Spirit Pope, Going for a Ride on the Other Side, and The Minotaur all but guarantee each visitor will walk away with a unique interpretation of Hinz’s work.

A Journey Through Surrealism and the Experimental contains 27 original pieces, the work of two to five years for the Nebraska artist. “I use a lot of Nebraska imagery,” Hinz says, “but I pull a lot from dreams, too. They show irrationality. It makes things more fun.” His laugh is always at the ready. “I like to have fun with things.”

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Though Hinz is following in the footsteps of the surrealist greats by studying Freud (as did his inspiration, Salvador Dalí) and using the glazing technique of the old masters, he has his own ideas about what makes great art. “If someone doesn’t stop and look at art, I’m not sure if that’s a successful painting.”

For Hinz, the true tell of a great painting is the passing of the thrift store test. “Fifty years from now,” he says, “would someone pick up my art in a thrift store so they can have the frame, or would they want to hang my own painting on their wall?”

He’s picked up more than a few pieces himself that way. For example, two paintings hanging in his living room reflect identical scenes at Cadaqués, a small fishing town where Dalí lived in his adulthood. One painting is circa 1898 and from a thrift store, and the other was buried in Hinz’s mother’s closet and dated 1925.

 “I use a lot of Nebraska imagery. I pull a lot from dreams, too. They show irrationality. It makes things more fun.”

Speaking of Hinz’s mother, the influence from her half-Lakota heritage can be seen throughout his artwork and specifically in his Sundance piece. “The spiritualists, the healers. They were the celebrities in that age.” Hinz says he tries not to “hit people over the head” with his spirituality in his art. “There’s no agenda. I just want to make people aware that God is there. We’re more than our body.”

Spiritualism and Hinz’s sense of fun come together in Radio Spirit. “My grandpa was a ham radio operator,” he says, “and I just thought, wouldn’t it be great if I could talk to him through one of those things?” The Norman Rockwell-esque painting depicts a young man with headphones watching in awe as a ghostly figure emerges from his radio. “I think I like to tell a story,” Hinz says of the piece.

Radio Spirit is a painting inspired by Hinz's grandfather and the works of Norman Rockwell.

Radio Spirit is a painting inspired by Hinz’s grandfather and the works of Norman Rockwell.

As with his art, Hinz has a specific feel that he wants his Hot Shops show to generate. “I want people to have a bit of fun,” he says. “Laugh, joke—I want it to be like going to see your favorite musician. I hate things that are stuffy and too quiet.” He adds that he’s tossed around the thought of hiring a mariachi band or maybe riding in on a bike with tin cans.

Hinz says he’s always exploring, whether it’s deconstructing the traditional gallery show or testing a new perspective in art. “Why would I not explore? Sometimes you get nowhere, but at least you tried something. It doesn’t matter if fame is there or not.”

You can see more of Hinz’ works at Hot Shops Nov. 2-25, 2012. For more information, visit hotshopsartscenter.com.