Tag Archives: mantel

Faux Fireplace

October 24, 2013 by
Photography by Bill Sitzmann

Like an e-book without pages or a tweet without wings, a modern fireplace doesn’t need flames to be among the hottest of home trends. That’s exactly what Angie Hall, a busy mother of four, created for the dining room of her spacious, yet cozy West Omaha home.

She says that after the initial phase of installing the fireplace mantel and surround, she wasn’t sure what she wanted to do next. “Sometimes, I don’t always know how I’m going to get to what I want,” she explains, “so I just kind of leave it.”

Hall’s ability to let projects brew, and her taste for “otherness,” blend together in revealing a unique style of rustic-meets-slightly-Victorian.

The last thing she wants is for her house to look like she ordered it directly out of a catalog. “I like interesting things that are not in everybody else’s house,” she says.

No stranger to home projects, Hall is an outside sales rep for Lumbermen’s, a hearth and home store. She began her career at The Fireplace Center in Lincoln, a store owned by her mother, Maureen Sutton. But Hall attests that anyone can do this project, “as long as you are not afraid to get some tools out.”

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First, the mantel had to be trimmed because it was too tall for the room. She then hired a contractor for the difficult task of mounting the mantel.

To give the gypsum mantel and surround the look of limestone, Hall coated them with metallic paint and wiped over that with a black glaze, “to give it a dirty look,” says the woman who honed her painting skills at the Kelly S. King Academy of Faux Painting and Decorative Finishing in Omaha.

When she came upon a trendy glass tile at Menard’s, she knew it was perfect. “I loved the colors.” And the tile’s unconventional placement? “I thought it would be cool to run it vertical because I don’t like doing things they way they are supposed to be done,” she says with a mischievous laugh.

The most challenging part for Hall was figuring out how to cut the tiles for the arch. That’s when her mother’s flair for home design came in handy. “We both like projects, so we just jump right in and get it done,” says Sutton. The two crafted a template, and practiced using a tile saw on some cheap ceramic tile Hall had laying around.

Short two pieces of tile, Hall returned to Menard’s, where she also found a solution for the hearth—the white tile that resembles brick. “I originally was going to put an antique mirror there.”

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The cast iron relief in a fleur-de-lis design was a gift from Sutton found while antiquing. Hall highlighted it with some metallic paints. “I jazzed it up a little. I didn’t like it plain.”

Combining savvy in antiques, a frugal sensibility, and a little bit of elbow grease, Hall achieved the perfect look.

“I like finding things that need a little love that I can make my own,” she adds.

Total time spent was about eight hours. Costs will vary, depending on materials selected. Tile can range from as little as $30 to the-sky’s-the-limit for this fun project.

British Regency, French Chic

February 25, 2013 by
Photography by Bill Sitzmann

“My favorite thing in life is to read a book and be cozy,” confesses Julie Kenney. So when she is designing a space in her Dundee home, she thinks, “Would I want to sit here and read a book?”

Thus, it is no surprise that one of her most-loved spots in the house is a small chair and robin’s egg “poof,” as she dubs the felted, flower ottoman, tucked by the fireplace in her living room. On cold, rainy days, a crackling fire with cup of tea and engrossing book are the tickets to contentment.20130111_bs_0634 copy

Kenney and her husband bought the Georgian brick 13 years ago. Though the architecture is purely British Regency, her interior decorating is unabashedly French chic. She mixes wood, iron, and upholstered furnishings and is drawn to crystal chandeliers and light fixtures. Silver-framed snapshots capturing family and friends are clustered on a French country side table, and works by local artists Paula Wallace and Dan Boylan hang conventionally on walls and unconventionally from molding and overlapping windows. Kenney would call it “shabby chic,” though even a cursory peek into her foyer would indicate it is more “chic” than “shabby.”20130111_bs_0640 copy

Kenney only fills her home with items she loves, though the space for which they are intended is rarely where they end up. “I buy things because I like them. Then, I find a place for them,” she reveals.

The sideboard in the entry called three other spots home before landing in its present location. But it shouldn’t get too comfortable there; Kenney has a propensity to move smaller pieces of furniture and decorative accents around. It keeps things feeling fresh in her home, she says.

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She also likes to pair investment pieces with inexpensive finds. To wit: the high-back upholstered couch facing the fireplace and the chair kitty-corner to it in the entryway. The couch was a substantial purchase. Its Old World character and metal stud trim caught her eye. But then while perusing the nooks and crannies of McMillan’s Antiques on 50th and Leavenworth (the day the Kenney family moved into the house, no less), she spied her sofa’s black sheep of a step-brother—a slightly banged-up wingback chair very nearly the same color with almost identical bronze-stud trim—and promptly purchased it for a song.

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But that is Kenney’s way. Be open to possibility. Look for fun additions in the most unlikely spots. The crystal chandelier in the dining room is a modern (albeit a good one) replica of a French antique. She made the chairs at the ends of the table her own by reupholstering hand-me-downs from a friend. The hanging light fixtures on either side of the bed in the master bedroom were cast-offs from another friend who thought them “God-awful.” Kenney didn’t. She snatched them up off her friend’s front stoop (literally) like a wide-eyed kid given free rein in a candy shop.

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Whimsy is important to Kenney. Function does not preclude fancy; utilitarian does not mean ugly. After searching for a canister set in vein, Kenney decided to store her dried goods in glass containers. Cluster them on an antique silver tray and you’ve added another layer of interest. The greenery adorning her kitchen light is last Christmas’ mantel decoration. “I use the bay leaves in soups and cooking all year,” Kenney shares.

And the miniature serving platters filled with lemons and limes? They are actually antique silver ash trays. So, yes, they come out at parties still…But to a healthier end this time around.

Small spaces are her favorite. Sometimes, it’s just a nook she has created in a larger room: her reading spot or her children’s computer space, tucked into the corner of her living room and delineated with a bookshelf “wall.”

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Sometimes, it’s an actual room. Guests, she says, gravitate to the butler’s pantry during gatherings, with its Toile paper and dimpled and dented concrete countertops. She is particular to her office space off the master bedroom. The walls are painted black and white stripes—“because I’ve always wanted a black-and-white-striped room”­—and the ceiling is papered. An oversized red, lacquered mirror which was intended for her foyer adds a dramatic pop of color to the room.

Large or small, home for Kenney is where her family gathers. “I would rather be home than anywhere else,” she contently confides.