Tag Archives: Malcolm X

Nyame Brown

May 3, 2018 by
Photography by Bill Sitzmann

When Oakland, California, artist Nyame Brown arrived in Omaha for a four-month residency at the Bemis Center for Contemporary Arts, Nebraska’s biggest city wasn’t what he expected.

No, he wasn’t under the impression we all drove John Deere tractors through the streets. The more-fierce-than-friendly winter weather, though? Well, he knew January in Omaha was bone-chilling cold, but negative wind chills that rivaled the Antarctic wasn’t exactly the welcome he was looking for.

It wasn’t until he found out Malcolm X was born here in the heartland that he learned Omaha held its fair share of good surprises too.

“In light of the fact that Malcolm X was from Omaha and the breadth of Black Panther pride and history here, I saw Omaha in a new light. I saw a place my work could make a bigger impact,” Brown says.

As a multimedia illustrator, printmaker, and painter, Brown has devoted much of his work to exploring the perception of black people, merging aspects of the traditional with the imaginative and illustrating how the larger African diaspora has affected today’s pop culture. He continued this trend while serving as one of Bemis’ artists-in-residence from Jan. 10 to April 6 with his New Black Mythologies series.

“It’s got a narrative base with this mega story where random characters come into play,” Brown says. “Fantasy is the key element, but the catalyst was really the idea of slaves having to create an internal world outside of their reality to survive each day.”

To bring to life the inspired and inventive pieces, Brown looked at different folk symbols ranging from tribal tools to signs used by the Crips in Compton, and illustrated them to exist within one canvas. He also strived to be self-referential by including characters from previous work to create new myths where historical-based Afrofuturism meets abstractionism.

Further adding meaning, many of the pieces are symbolically made on blackboards. Instead of chalk, oil paints are used to show that the story of black culture is one that’s permanent and can’t be erased.

“The blackboards also harken back to the classroom,” Brown says. “These stories should already be known, so there’s an urgency to learn.”

Brown’s own story began during the summer of love in late ‘60s San Francisco when his mom, a fashion designer from New York, met his dad, a West Coast painter and sculptor. Watching two creators and growing up in a progressive city, Brown quickly learned art has the power to break down walls and shatter ceilings, especially for those at the fringe of society.

“Being exposed to art at an early age that showed African-Americans in a non-typical, hyper-realistic way had a profound impact on me,” Brown says. “I then wanted to create images that showed us not as stereotypes and not in the ways popular culture spoke to us.”

This drive led him to receive a bachelor’s degree from the Art Institute of Chicago and later a Master of Fine Arts from Yale University. He now hopes to inspire a new legion of young minds in the same way he was, currently serving as a faculty member at the Oakland School of Arts.

“Every day I see extraordinary talent and hope I show my students, especially those of color, that this career is possible for them,” Brown says.

Even with his devotion to the classroom keeping him busy more than 1,000 miles away, he was drawn to the Bemis artist-in-residence program and knew a break from teaching would be worth the opportunity. From peers and publications, he’d heard about Bemis for years and was itching for the chance to trade coastlines for cornfields.

Not only was he attracted to the prestige of the program, he says the ample creation and living area provided to each artist was a huge draw as well. After all, he comes from a city where space is at a premium, with average rent for a one-bedroom apartment stretching beyond $3,000. Additionally, the program offered access to a multitude of creative resources in the form of tools and actual human beings.

“Ultimately, I wanted to broaden my professional network and propagate the work I’m doing,” Brown says.

In today’s political environment, Brown says it’s never been more important for programs like this—one that’s built on attracting artists that make statements on identity, race, and culture—to connect creators and inspire them.

“With the climate we’re in now, black artists have a heightened responsibility,” Brown says. “There’s so much racism going on, so we have to be bold and put forth images that speak to that.”

Rocking a short-sleeved Malcolm X tee while showing off his work during one of those bone-chilling winter nights, it’s clear Brown has gone full blown Omahan. And when his residency is done, he hopes to make the trip from Big O to Big O (that’s Oakland to Omaha, of course) again, creating pieces that bring awareness to the Malcolm X Foundation.

“In all my work now and [in] the future, I hope the community sees themselves reflected back as who they really are,” Brown says. “We’re not mutated characters, we’re not stereotypes, we’re fully realized and that’s powerful.”

Visit bemiscenter.org to find out more about the residency program.

This article appears in the May/June 2018 edition of Encounter. 

Symone Sanders’ Iowa Odyssey

December 18, 2015 by
Photography by Bill Sitzmann

Symone Sanders’ childhood dream never came true.

As a young girl Sanders created an alter ego, that of an intrepid news professional she named Donna Burns. She would grab a spoon as a microphone and report live (from the kitchen of her home) in covering breaking news all across the globe.

“I so wanted to be Donna Burns,” Sanders said. “I so wanted to be that person.”

Donna Burns never really left her, she’s just been just turned inside out. Now Sanders is the one having microphones thrust in her face.

Last August the 25-year-old (she turned 26 in December) was hired as Bernie Sanders’ national press secretary. At a time when many of her classmates from Creighton University’s class of 2013 were still clawing for that first entry-level position somewhere—anywhere—Sanders was taking the national stage in handling an army of “Donna Burns” for the Vermont Senator.

The Mercy High School graduate who had earlier attended Sacred Heart School is the daughter of Terri and Daniel Sanders. Her first taste of politics came as a 10-year-old through her involvement with Girls Inc. At 16 she would be selected by the organization to introduce President Bill Clinton when he spoke at a 2006 Girls Inc. event in Omaha.

Omaha Magazine caught up with her at Bernie Sanders’ state campaign headquarters in Des Moines, Iowa, the day before the Nov. 14 National Democratic Debates at Drake University.


“I feel like I was in the right place at the right time,” she demurred in describing her formative years in Omaha. “Things were pretty stagnant in this town at one time. Now Omaha is breeding superstars. This city set me up for everything I’ve done. It’s an amazing place for exposure, opportunity, and access, and there are so many efforts moving the needle in a good direction…Willie Barney at the Empowerment Network [where Sanders was once communications, events, and outreach manager], the folks at the Urban League, the NAACP, Heartland Workforce [Solutions], Inclusive Communities, Women’s Center for Advancement, and tons of others. There are so many great organizations guiding young people and kids in building better lives and a better city. They’re doing it right, and they’re doing it right there in Omaha.”

In 2014, only 11 months after graduating from college, Sanders would become deputy communications director for Nebraska Democrat Chuck Hassebrook’s unsuccessful gubernatorial bid.

“Symone is the kind of person that people just love to be around,” said Hassebrook, who spent his career at the Center for Rural Affairs, including 18 years as a University of Nebraska Regent. “She’s very smart, but it is her principles and ethics that I perhaps most admire. I’m a huge Symone fan. She’s a person that I hope will be running things someday.”

The day after votes were tallied in the 2014 election Sanders was on a plane to Washington, D.C. to begin a job with Global Trade Watch, an arm of Public Citizen, the nonprofit advocacy think tank founded by Ralph Nader in 1971 to represent consumer interests in Congress.

Also passionate about issues surrounding juvenile justice, Sanders has served on the board of the Nebraska Coalition for Juvenile Justice and recently stepped down as the national chair of the Coalition for Juvenile Justice Youth Committee.

“The system isn’t set up well for minority communities,” Sanders explained as staff and volunteers scurried throughout the campaign headquarters in Des Moines in the run-up to the debate. “Young people need to be involved in juvenile justice because this is so often a young person issue. My brother was incarcerated when he was young. I’ve been arrested myself—I told Bernie all about that right upfront—and this is an epidemic. Black and brown kids are being locked up at a disproportionate rate. It’s a school-to-prison pipeline. What so many of them need is help, jobs—not jail.”

Sanders is also aligned with the Black Lives Matter movement, and it was through that relationship that the campaign team first came to know her. She was brought in to advise the candidate shortly after Black Lives Matter protesters had interrupted a campaign rally in Seattle.

She met with Bernie Sanders to help him better understand and connect with a voting bloc that skews toward Hillary Clinton. Two hours later she was his national press secretary.

“The original Civil Rights Movement,” Sanders said, “is a phrase that was coined so that everyday Americans could understand the issues…so they could wrap their heads around it. That’s what Black Lives Matter is. It’s the same movement, the same ideals, but now for a new generation. There’s nothing new about the movement. It’s the same struggle. It’s the same people shaking things up for social justice. Malcolm X, John Lewis, and Martin Luther King didn’t call themselves Civil Rights leaders. They were just…leaders.”

Sanders has a magnetic personality and speaks in a rapid-fire, staccato fashion. Trying to keep up with her words in transcribing the interview from a micro-recorder was a nightmare of stops and starts, pauses and rewinds. But just as she is known for her mile-a-minute delivery, Sanders also knows when to take it down a notch or three.

During the pre-debate walkthrough of the auditorium, spin room, and media center on the Drake campus later that day, she became a deliberate, finely modulated machine that spoke in an even, deliberate tone in asking questions and soaking up every detail of where, when, and how the candidate and campaign team would navigate the crucial debates in the state where America first goes to the polls in the process of nominating and electing the next occupant of the Oval Office.


And a chance encounter in the spin room had her taking her foot completely off the gas in coasting into a warm, engaging exchange with Donna Brazile, the political strategist and analyst who ran Al Gore’s 2000 presidential campaign and now acts as vice chairwoman of the Democratic National Committee.

Sanders demonstrates a razor-sharp grasp of issues, policy, facts, and figures, and only hesitates when the ever-focused media pro is tossed questions about her personal life that take her at least temporarily out of campaign mode.

It took her seemingly forever, for example, to be able to conjure up her Burlington, Vermont, mailing address when that information was requested so that she could be sent a copy of this magazine. And a query about how many nights she’s slept in her own bed since taking the press secretary gig drew—if only for a nanosecond—a blank stare.

And then she was instantly “on” again in flashing her broad, trademark, light-up-the-room smile in replying, “Bed? You mean my air mattress? I don’t have time to furnish a place. The only beds I sleep in these days are in hotels.”

Over the course of the campaign Sanders has spent a lot of time crisscrossing the nation with Dr. Cornel West. The activist, author, and philosopher is a major Bernie supporter and was again stumping with the candidate in Des Moines.

“Symone Sanders is a visionary,” West told Omaha Magazine the next evening moments before he was to take the microphone as the headliner at a pre-debate tailgate rally where, true to its name, he and other speakers addressed the crowd from the tailgate of a well-worn farm truck in the state where agriculture rules and corn is king. “She has the power to be the voice of her generation. She has the intellect, the moral compassion, and the energy to become a great leader.”

Also “Feeling the Bern” at the rally that night was Creighton senior Dawaune Hayes.

“Symone was always involved in everything on campus,” Hayes said. “She was involved in everything all over town. Everyone at Creighton knew she could change the world someday. Now she’s actually doing it.”

Sanders may already be well on her way to becoming a world-changer, but one thing she hopes remains the same is the secret recipe at Time Out Chicken on North 30th Street.

“The first job I ever had was at Time Out,” she said, “and I worked there all through high school and college when I could—even after college. I miss Omaha. I miss my family. I would kill for some Time Out Chicken right now. And I miss the girls at Girls Inc.”

“Symone was the epitome of a Girls Inc. girl,” said Roberta Wilhelm, the organization’s executive director. “She was heavily involved in our media literacy program called Girls Make the Message. That’s where the girls made their own public service announcements and created their own messages to the world. Not surprisingly, Symone took to that like a fish to water. Ironically, the theme was Girls for President, and now she’s working on a real presidential campaign. Symone is doing big things. She’s going to matter.”

And what message will Sanders deliver the next time she has a chance to visit her hometown Girls Inc.?

“Be smart. Be strong. Be bold,” she said in echoing the nonprofit’s tagline. “You can do anything you set your mind to. Anything. Omaha needs you. The world needs you.”

Donna Burns covered a lot of stories from that kitchen in north Omaha, but it looks like she missed the most important one. Now her creator would be the interview of a lifetime for the ace reporter.