Tag Archives: Kat Moser

Kat Moser’s Photographs

February 25, 2013 by
Photography by Bill Sitzmann

Kat Moser “fell in love with photography” while watching a cousin develop pictures in a home darkroom, and although she was only 6, her heart was won. It would be more than 50 years before she acknowledged herself as an artist, but there was no hesitation in her choice of medium. Watching figures emerge onto the paper floating in emulsion had seemed magical to the child. Today, she still attests, “It’s all about the alchemy.”

There does seem to be a spirit of the ancient mystical pursuit of transformation in Moser’s photographs. Women’s gleaming bodies float effortlessly in sun-sparkled bodies of water; branches reflected in streams write runic formulae in the sky; rough buttes are recast in silver and shadow. “Ethereal, mystical, spiritual—these are just some of the words I use to describe my work,” she says in her artist statement. “All three represent the primal connections we have with Mother Earth and her female qualities. I am deeply moved by the powerful yet often unseen worlds that surround and link us to life’s profound mysteries.”

"Morning at Fontenelle"

“Morning at Fontenelle”

Moser’s direction is intuitive, sensitive. She is attuned to myths and fairy tales, and the wordless understanding nurtured by decades of yogic practice. At the same time, her work is honed by learning from contemporary masters and enriched by discerning study of the genre and perspectives widened by travel. She is knowledgeable and demanding of the process necessary to achieve the desired finished effect—the look of infrared film.

Infrared light exists just beyond our range of vision; cameras using this spectrum capture a view we can never see—strong colors and contrasts, milky-white foliage, and porcelain skin. With IR film no longer readily available, Moser has customized two digital cameras to produce infrared’s other-worldly images.

“I’ve always been interested in spirit photography [of the late 19th century],” she says. “I loved the romantic, Victorian, ethereal quality of infrared from the first time I saw it. The longer I use it, the more interested I am in its possibilities.”

"Frozen Blooms"

“Frozen Blooms”

Moser’s photographs transform the familiar into images as fragile and foreign as dreams. A title, “Mahoney Retreat” from the series “Other Worlds – Inner Life,” leaves viewers retracing their own memories of the nearby park. In “Pool of Tears,” the pattern of overhead branches echoes dark-wet strands of hair. Delineated against a broad white back, the composition is both the scene and its reflection, illustrating the series’ title, “Illusions of Water.”

One of Moser’s models, Kristi Mattini, worked at Nouvelle Eve when invited to participate. “I have a long history of ballet,” Mattini says. “Sometimes, there’s a theme, but usually I just go through the dance movements in water. It’s impossible to hold a pose, which shows how good she is at catching the moment.” In the same way that Moser isolates a fleeting image and imbues it with a sense of timelessness, she creates an artwork of an individual. “Even if I’m standing next to my photograph,” Mattini says, “people don’t realize it’s me, and I can appreciate the work without feeling self-centered.”

"Isadora"

“Isadora”

In Moser’s years between little girl and award-winning photographer, there was a degree in fashion merchandising, work as a buyer, and Nouvelle Eve, a high-end women’s boutique in the Old Market. For nearly 40 years she expressed her creativity in developing the store, the brand, and the clientele. The photographs she enjoyed taking liaised with the shop’s sophisticated marketing profile. In those years too, she and her husband renovated a condo and established Jackson Artworks, ahead of the curve in living the Old Market life.

“I loved retail, loved that lifestyle, but I reached a turning point,” she says. “It was very clear to me.” The time had arrived to recognize and embrace the artist that had been waiting all those years. “I believe that everything I’ve done has been foundational to my life as an artist.” In the past few years, the Mosers have sold the shop and the gallery, generating a tremendous sense of freedom, and finally time, Moser says, to “relearn how to play.”

"Mahoney Retreat"

“Mahoney Retreat”

During her long apprenticeship, she gained a thorough understanding of infrared’s characteristics, always moving toward more subtle and mysterious results. [Note: All Moser’s images are created photographically; none are Photoshopped.] Looking ahead, she would like to explore adding techniques, such as encaustic, or printing on surfaces other than paper. The knowledge she has acquired over a lifetime hasn’t dimmed the awe of her first experience. “Oh, no,” she says with a smile. “The expertise allows the magic to happen.”

Kat Moser’s work is handled exclusively by Anderson O’Brien Fine Art (aobfineart.com).

In Memoriam: George Eisenberg

August 20, 2012 by
Photography by Nebraska Jewish Historical Society

The late George Eisenberg, 88, appreciated the historic Old Market the way few people do because of his many relationships to it. His experience encompassed the Market’s life as a wholesale produce center and eventual transformation into an arts-culture destination and trendy neighborhood.

He began working in the Old Market as a peddler’s son, manning a fruit stall alongside his father, Ben, and brother, Hymie, in what was then the Omaha City Market. Later, he founded and ran a successful niche business with Hymie supplying national food manufacturers’ thrown-away bits of onions and potatoes. The brothers, known as “the potato and onion kings of the U.S.,” officed in adjoining warehouses their father kept for storage and distribution. Eisenberg held onto the building even after the produce market disbanded and the area fell into decline. As the area transitioned and property rates skyrocketed, he became a well-positioned landlord and active Old Market Business Association and Omaha Downtown Improvement District member.

“He went to the meetings and spoke his mind,” son Steve Eisenberg says. More than speak his mind, Eisenberg oversaw the careful renovation of his building and secured many of the lamp posts that adorn the Old Market.

The Eisenberg property at 414-418 South 10th Street housed many tenants over the years, and today is home to J.D. Tucker’s and Stadium View sports bars.

Eisenberg-on-truck-copy_2

Eisenberg was half of the wholesaler Eisenberg and Rothstein Co.

As the Old Market grew, he became one of its biggest advocates and enjoyed playing the role of unofficial historian. He’s remembered as a gentle lion who proudly shared the district’s past with business owners, visitors, media, and anyone interested in its history. He loved telling stories of what used to be a teeming Old World marketplace where Jewish, Italian, and other ethnic merchants dickered with customers over the price of fruit and vegetables.

“Something he really enjoyed doing, especially in his retirement, was going down there and letting people know where the Old Market came from and where it’s going. Up till his last days, he saw such a bright future for the Old Market and was very proud of what all was going on down there,” says Steve.

“George was just terrific, a real gentleman, also a wonderful character with a great sense of humor and compassion. He was revered as an ‘elder statesman,’” says Old Market Business Association member Angela Barry. “He was very sharp and knowledgeable about the neighborhood’s history. Even in his later years, he lovingly and passionately cared about the business of the Old Market.

“He really was something special. When I heard of his passing, it was a sad day.”

Nouvelle Eve owner Kat Moser will remember Eisenberg for his wise and generous business counsel.

Steve Eisenberg will remember his father as “a very hard worker who, even in retirement, kept busy promoting other people’s businesses and the Old Market area itself.”

The Eisenberg presence will live on there. “My siblings and I promised him we’re never selling the building,” says Steve. “It’s staying in the family, and we’re going to run it like he did.”

With Eisenberg’s passing and his peddler pal, Joe Vitale, preceding him in death a year earlier, the last sources with first-hand knowledge of the Omaha City Market are gone. But they leave behind an Old Market legacy not soon forgotten.

Read more of Leo Adam Biga’s work at leoadambiga.wordpress.com.