Tag Archives: Kansas State University

CJ Mills

December 23, 2016 by
Photography by Bill Sitzmann

On a fresh autumn night, chatter filled a Lincoln home-turned-music-venue. A few guests trickled through the front door. “No big deal,” CJ Mills thought. It was just a handful of people. Moments later, more appeared. The trickle turned to a flood. All of a sudden, there were 80 people jam-packed against the makeshift stage.

An astonished Mills stood two feet from the standing-room-only crowd. “I couldn’t breathe,” recalls the 31-year-old singer from Omaha. “I went out the side door to take a few deep breaths.”

The moment was surreal.

This was all new to her. The jam-packed house party. The live acoustic sessions. The impromptu performances and scheduled studio time.

Life as a new musician moves fast—a constant hustle.

Three years earlier, Mills (a self-proclaimed introvert) could have never fathomed performing in front of other people. Yet, her soulful, bluesy-folk voice has garnered quite the reputation as a crowd-pleaser. Singing her most cherished words—short poems in lyrical form—only heightened the level of intimacy.

cjmills1Mills has a profound gift for turning raw expressions of human frailness into something bordering on sacred. There’s something about her voice that commands complete attention. She can make a song cry.

She began singing in church as a young child. “I had always been singing since I was a kid. My family was very religious…Because I could sing, I was always made to,” says Mills, who began writing poetry during her early years.

“As a kid, I was huge into reading,” she says. “When I did something well, my mom would take me to the library or buy me a book.”

Soon after, Mills felt compelled to write her own short stories, which turned into poetry she later sang. That was, perhaps, her earliest simultaneous personal and artistic growth.

As a teen, singing wasn’t much of a highlight. She attended Marian High School, then ran track at Kansas State University, but was injured her junior year. While weightlifting, she squatted heavy one day and suffered a bulging disc. “Only time heals that wound,” she says.

Six months to be exact. With all the down time, she saw a decorative ukulele and taught herself how to play. She progressed to a guitar rather quickly. “I didn’t like the way it was strung,” she says of the first right-handed guitar she purchased, “so I flipped it upside down and restrung it so I could play it left-handed.”

Ambidexterity is kind of her thing. “I’m pretty even-handed. I write with both hands,” she says. “[But] I could not play that guitar. I don’t know why. Seemed so odd to me. After a month of trying, I Googled how to restring it.”

In terms of playing chords, she learned by listening to others. She was influenced by the stylings of Lauryn Hill, India.Arie, and Tracy Chapman. “Simple chords, yet, powerful lyrics,” she says. Their music spoke volumes to how Mills hoped to be perceived as an artist someday. Writing songs was a natural next step.

Mills graduated from college, then went on to the workforce. She became a health inspector, not the restaurant kind. More like the Breaking Bad kind. Off stage, she has been sent to investigate meth labs.

Mills has been playing live music for about three years, and with a band for one year. The band—featuring Mitch Towne, David Hawkins, and Max Stehr—has been a great collaboration of like minds, she says.

Mills began to develop her own individual style after college. Blending a mixture of reggae, folk storytelling, jazz melodies, and atmospheric harmonies. She performed her first show at Pizza Shoppe Collective in December 2013. There, she met All Young Girls Are Machine Guns frontwoman Rebecca Lowry, who took to Mills. She asked her to take the stage with her at a local venue.

Now for the whirlwind. Mills released her illuminating debut EP Quiet in 2015, which appeared on multiple lists of the year’s best Nebraska releases. She played the inaugural Femme Fest (organized by Lowry) that same year and returned as the festival’s headliner on Sept. 2.

Since then, Mills has stayed busy playing shows in Omaha and Lincoln. The music newcomer was featured at this year’s Maha Music Festival. Most notably, Mills was nominated for two Omaha Entertainment and Arts Awards: Best Singer-Songwriter and Artist of the Year.

Although she’s insanely talented, she’s modest and humble. “The only time I feel comfortable with music is when I’m by myself creating music or on stage playing it,” she says.

Back to that special autumn night. Mills turned that ordinary Lincoln house party into a musical theater.

She composed herself before stepping back on stage, frenetically rapping as she moved through her song “Retail Star” before launching into “I Can’t Be.”

Visit soundcloud.com/cjmillsmusic for more information.

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The Object Enthusiast

June 26, 2015 by
Photography by Bill Sitzmann

This article appears in May/June 2015 The Encounter.

For artists dreaming of making a living from art, Emily Reinhardt’s life must seem like the ultimate fantasy. Every day, the 26-year-old turns down high-end retailers and specialty boutiques who are clamoring to carry her distinctive ceramic vases, tumblers, vessels, tableware and signature ring dishes. Demand is so high, in fact, she’s having difficulty keeping up with orders.

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It’s a great problem to have, one Reinhardt never would have envisioned several years ago. That’s because she didn’t set out to be a ceramist. She initially studied photography at Kansas State University, but after receiving oblique praise from a professor while taking a ceramics class, she realized clay was her medium. “For my first project, I made sculptural mounds with indentations to hold bowls, and a professor walked by and said, ‘That’s pretty good,’” Reinhardt recalls. “My teacher said, ‘He never says that! You should definitely change your major!’ I walked right over to the office and made the switch.”

The professor was Yoshi Ikeda, a ceramist known for works imbued with serene symmetry. He saw something in Reinhardt, so much so that when he retired, he gave her his kiln and wheel. “He told me, ‘I wouldn’t give this to any of your other classmates,’” she remembers. “Yoshi had a way of seeing something in you before you saw it. Without that equipment, I never would have been able to do what I’m doing.”

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Before then, however, Reinhardt needed a lucky break, one that came via a broken foot in 2013. Her boyfriend received a job in Omaha, but instead of joining him that summer, she had to wait until September. In the meantime, she prepared for the move by opening her store, The Object Enthusiast, on Etsy. “I ended up doing it purely as a way to get rid of pottery,” she explains. “I was just getting rid of stuff. I wasn’t planning on starting a business. I really didn’t think it was feasible.”

Feasible it was. Shortly after opening, Etsy contacted her about featuring her work on its homepage in September. Reinhardt’s profile skyrocketed. “It led to a lot of sales,” she says. “I had to make everything to order. That first holiday season was insane!”

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Things got crazier. In 2014, retailer Anthropologie approached Reinhardt about carrying a limited run of her small dishes, which can be used for rings, bracelets, and other delicate sundries. Additional retailers quickly took note, and today Reinhardt’s elegant ceramic wares can be found in shops as far away as Australia as well as closer to home at Hutch in Midtown Crossing.

All of this has led Reinhardt to move her studio from her cramped basement into a downtown workspace, where she is expanding her collection to include tableware as well as other new items.

The young artist associates Omaha with much of this success. “When I moved here, I started making what I wanted to make,” Reinhardt reflects. “I feel like I can kind of equate all of the good things that have happened with Omaha. This is such a great place.”

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