Tag Archives: failure

Looks Like We Got Us A Failure

October 3, 2016 by

We all know the old quote. “If at first you don’t succeed, try, try again.”

This kind of persistence is considered a virtue, especially when one is engaged in a noble pursuit like trying to cure the common cold, discovering America, or attempting to rig a bird feeder so that the squirrels can’t loot it, boldly, right in front of you, day after day, no matter what you do…but I digress.

“It is fine to celebrate success, but it is more important to heed the lessons of failure.”

Yeah, Bill Gates said that. Of course, there’s another old maxim: “That’s easy for you to say.” Bill Gates is the richest guy in the world, or close enough that it doesn’t make much difference. I mean how many diamond-encrusted, squirrel-proof bird feeders can one man use, right? Failure’s sting can be numbed more than a little bit by just one $55 billion success.

“They all laughed at Alexander Graham Bell. They all laughed at Steve Jobs.  They all laughed at Jeremy Geomorphia…”

And yet we have telephones, or at least we used to have them. Anyway, now we have “smartphones,” and nobody’s laughing anymore. Jeremy Geomorphia?  Well, they were right to laugh at him. Turned out nobody needed his innovative, non-slip collars for their pet boa constrictors.

People laughed at Chip Davis, too. But that’s exactly what he wanted them to do.   

When the kid out of Ohio came to Omaha to work for an advertising agency, he brought the funny. He and Bill Fries put together the “Old Home Filler-Up an’ Keep on A-Truckin’ Cafe” campaign for Old Home Bread. It was a huge success. That success naturally led to Davis and Bill (under the pseudonym C.W. McCall) catching the CB radio wave and surfing it all the way to a number one hit song, “Convoy.”

Within two years, Davis was riding the wave even higher. No less a Hollywood icon than Sam Peckinpah was bringing Rubber Duck, Pig Pen, and Sodbuster to life on the silver screen in a big-budget movie starring Kris Kristofferson and Ali McGraw. The 1978 flick remains a cult classic to this day, and…interesting fact: Convoy was the biggest grossing box office success of the legendary director’s career.

Davis wasn’t finished succeeding. About the same time “Convoy” was taking the pop music world by storm, he started a little thing called Mannheim Steamroller. FYI, the moniker comes from “Mannheim Roller,” a crescendo passage having a melodic line over an ostinato bass line originating in the Mannheim school of composition in the 18th century. Add a little Christmas in the `80s and the rest is, as they say, history—or just plain success.

Success. Success. Success. So what’s missing?  Ah yes, failure. Where’s the failure? What huge mistake taught Davis a valuable lesson? What misstep gave Davis the chance to appreciate all of his success?

In a word, his biggest failure was me.

Disco was running big in the `70s. Really big. Davis decided to paddle towards that ocean swell. Thus he produced the dance club classic, “I am the Boogie Man,” a disco anthem for the ages. The lead vocalist? Me. But this time the muse had misled Davis. Almost simultaneously, Steve Dahl held “Disco Demolition Night” in 1979 at Comiskey Park in Chicago and nearly destroyed the venerable stadium when a riot broke out. Disco was dead.

There was an apocryphal story that thousands of unsold vinyl copies of “Boogie Man” were unceremoniously dumped in Davis’ driveway in the dead of a cold Nebraska night. It was the biggest disaster of his long career.

And I was to blame.

If it is true as Sophocles said, “There is no success without failure,” then I must finally take credit where credit is due. 

Chip, you’re welcome.

OtisXIIOtis XII hosts the radio program, Early Morning Classics with Otis XII, on 90.7 KVNO, weekday mornings from 5-9 a.m. Visit kvno.org for more information.

Courtney Kenny

March 25, 2013 by
Photography by Bill Sitzmann and Courtney Kenny

Courtney Kenny’s favorite piece, currently, is a self-portrait in charcoal. Tousled pale hair is set off by a careless smirk. And a huge, red, acrylic “F” circled over her face and checkmarked for emphasis. The unforgiving letter is the epitome of every student’s nightmares.

“When I was doing Failure,” Kenny says, “I was stressed and frustrated. I’d just got declined from some gallery, so I was stressed about that and kind of feeling like a failure.”

Her friends couldn’t understand it. “They’d say, ‘Why do you feel like a failure?’” Kenny recalls. After all, she of all her peers from Bethany College (she graduated last December) had been in juried shows as a sophomore and had her first solo exhibition as a freshman. She’s what you might call driven.IMG_4256 copy

The reaction she gets when applying to galleries and shows is usually along the lines of “You’re how old? What, 23?”

“It leads me to believe more artists wait till they’re older to show,” Kenny says, adding that most students aren’t even thinking about shows in college, just making art. “I was doing things my peers weren’t,” she says. Determined to get her work seen, she felt her way along with “lots of research, lots of trial and error, lots of rejection, lots of failure.” And even if she doesn’t sell as many pieces as she wants at the shows she does get into, she knows each show is an addition to her résumé. “It’s always better to be able to say, ‘Hey, I currently have a show here,’” Kenny points out. “That alone, other galleries perk up a little bit.”

All the while, she’s amassed a body of work in what she calls “unrealistic realism.” The style is realistic, with people and animals portrayed in fine detail with graphite, charcoal, acrylic, or oil, but the subject matter is unrealistic. Elements are drawn in such a way as to make viewers look twice. Is that…real? Could it be real?IMG_7354 copy

Consider, for example, the Nude Bitch. At first glance, the charcoal and acrylic piece is a study of a tired beagle sacked out on a couch. But upon closer inspection, a viewer might notice the rose petals. And are those draped sheets? “That one’s making fun of the nude model,” Kenny says. “No one gets it at first.”

She’s always looking for the quirk, the sense of humor, the hint of tongue-in-cheek. Artists such as Banksy, Chuck Close, and Francoise Nielly encourage her to embrace a subtle wit in her own work. And, perhaps, a tendency to poke fun at art itself. “I’ve always respected artists more who, if they do a piece that’s just three stripes on a canvas, and then I see another piece of theirs that does show they have the technical skills, I can accept the first piece,” Kenny says. “Then you know it’s intentional, not a cover-up for the fact that they can’t draw.”

For Kenny, drawing is where it all began, and she’s taken certain elements from drawing into her painting. For example, nearly all of her work is in black and white. Drawing in black and white is typical, but a black-and-white oil painting raises eyebrows. “It’s more honed in,” she says. “Minimalist. That’s also why most of my pieces don’t have a ton in the background.” A good example of this stark minimalism would be Unravel, a mixed media work with yarn and acrylic.IMG_3961 copy

Kenny does reserve splashes of color to draw focus, such as the In Bloom series. “Too much color,” she says, “and you’re almost noticing the color over the medium.” But she lets her viewers be the judges, saying she wants to provide a direction but not specific answers as to what her art has to say.

Kenny recently wrapped up a month-long show at the Crossroads Art District in Kansas City in March. Her next show will be at the Kimmel Harding Nelson Center for the Arts in Nebraska City in July. For more information, visit courtneykennyart.com.