Tag Archives: charcoal

The Fabric of Life

January 15, 2017 by
Photography by Bill Sitzmann

When Ian Rose and Robert Voelte moved to a new condo on the top floor of the historic Beebe & Runyan Lofts, northeast of the Old Market and Gene Leahy Mall at Ninth and Douglas streets, the location provided everything the elementary educators and arts enthusiasts were looking for.

“We’re able to walk to the Holland. We’re able to walk to the Orpheum, the Old Market, all the parks down here. We’re also members of Film Streams, so we can walk over there as well,” Voelte says. “And as much as we’re passionate about teaching, we’re also passionate about travel. We’re close to the airport, which makes it really convenient because we do travel quite a bit, and it’s easy to get there.”

textiles1However, the spacious two-bedroom, two-bath, 1,700-square-foot unit just can’t accommodate their entire collection of beloved artworks, furnishings, accents, and decor carefully selected over 30 years. So rather than giving up a sizable percentage of these treasures or relegating them to permanent storage, Voelte has come up with an inspired solution: change out decor and refresh the look of his and Rose’s home twice a year.

“I thought about how museums only have a small percentage of their holdings on display at any one time,” he explains. “I decided to adapt that idea for my home and only display a limited amount of my belongings at one time, rotating things in and out. I am able to appreciate my home and the decor even more because everything always seems new and fresh to me.”

The process evokes good memories of past adventures, old friends, and even the story of how each item was acquired, Voelte says. The pieces come from all over the world, and much was purchased during or influenced by travel. Core favorites include an antique Chinese chicken coop used to store dishes and linens; an antique Japanese kitchen cabinet that serves as a bookcase in the master bedroom; hand-carved one-piece spider tables from the Bamileke tribe in Cameroon; mid-century walnut Eames chairs; Akari washi—paper lantern lamps made by Noguchi in Japan; and Verner Panton dining chairs.

textiles31textiles6“I think our home is very unique,” he says. “My style is eclectic with Asian, African, natural, classic, and utilitarian themes. Authentic vintage textiles previously used in utilitarian ways—indigos from around the world, Indonesian ikats, Japanese obis, African tie-dyed raffia skirts, and Kuba cloth—are often the inspiration that begins the design process.”

It’s never quite the same look twice, Voelte adds, but he does work around his core pieces as well as some palette constants.

“In late spring or summer, the feeling is lighter and fewer items are on display. The mood is brighter with hand-dyed indigo fabrics, khakis, whites, creams, and seashells—things I associate with summer because we are both teachers who look forward to travel, socializing, relaxation—recharging our batteries,” Voelte says. “In the fall and winter, decor gets changed out, including rugs, artwork, and linens, as well as some furniture rearrangement. It is a more spiritual, reflective, introspective time, which is reflected in darker colors: purples, charcoal, Chinese red. The decor is more layered with design elements.”

The Renaissance Revival-style building in which the couple’s condo is located was built in 1913 to serve as a warehouse and showroom. The original architect was John McDonald, best known for the Joslyn Castle. The Beebe & Runyan building was listed on the National Register of Historic Places in 1998. Rose and Voelte purchased their condo as a raw space following the building’s 2007 conversion.

“When we walked in, we immediately were drawn to the exterior brick wall on the west side, which has two inlaid brick arches that span three windows each,” Voelte says. “It is quite eye-catching.”

textiles1Their unit boasts sloped ceilings that reach a height of 16 feet, original brick walls, and wood posts and columns. They finished the space as a semi-open loft designed with custom finishes and natural materials like walnut cabinetry built by hand, honed marble counters, and slate tile or refinished original birdseye maple floors.

Every detail shows thought and consideration, like backsplash tiles that were hand-carried in a suitcase from California. Niche and built-in shelves highlight special artworks. “Everything has to be aesthetically pleasing to me or it won’t be in my house,” Voelte says.

The space was also designed with entertaining, especially dinner parties for family and friends, in mind.

“I love to cook, so I spend a lot of time in the kitchen,” Rose says. “Our kitchen is so open that even when you’re in the kitchen, you’re not detached from the rest of the home. I can still be in the middle of what’s going on.”

“As much as we love to travel, we love our home,” Voelte says. “We have a great life!”

Visit beeberunyan.com for more information. OmahaHome

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Courtney Kenny

March 25, 2013 by
Photography by Bill Sitzmann and Courtney Kenny

Courtney Kenny’s favorite piece, currently, is a self-portrait in charcoal. Tousled pale hair is set off by a careless smirk. And a huge, red, acrylic “F” circled over her face and checkmarked for emphasis. The unforgiving letter is the epitome of every student’s nightmares.

“When I was doing Failure,” Kenny says, “I was stressed and frustrated. I’d just got declined from some gallery, so I was stressed about that and kind of feeling like a failure.”

Her friends couldn’t understand it. “They’d say, ‘Why do you feel like a failure?’” Kenny recalls. After all, she of all her peers from Bethany College (she graduated last December) had been in juried shows as a sophomore and had her first solo exhibition as a freshman. She’s what you might call driven.IMG_4256 copy

The reaction she gets when applying to galleries and shows is usually along the lines of “You’re how old? What, 23?”

“It leads me to believe more artists wait till they’re older to show,” Kenny says, adding that most students aren’t even thinking about shows in college, just making art. “I was doing things my peers weren’t,” she says. Determined to get her work seen, she felt her way along with “lots of research, lots of trial and error, lots of rejection, lots of failure.” And even if she doesn’t sell as many pieces as she wants at the shows she does get into, she knows each show is an addition to her résumé. “It’s always better to be able to say, ‘Hey, I currently have a show here,’” Kenny points out. “That alone, other galleries perk up a little bit.”

All the while, she’s amassed a body of work in what she calls “unrealistic realism.” The style is realistic, with people and animals portrayed in fine detail with graphite, charcoal, acrylic, or oil, but the subject matter is unrealistic. Elements are drawn in such a way as to make viewers look twice. Is that…real? Could it be real?IMG_7354 copy

Consider, for example, the Nude Bitch. At first glance, the charcoal and acrylic piece is a study of a tired beagle sacked out on a couch. But upon closer inspection, a viewer might notice the rose petals. And are those draped sheets? “That one’s making fun of the nude model,” Kenny says. “No one gets it at first.”

She’s always looking for the quirk, the sense of humor, the hint of tongue-in-cheek. Artists such as Banksy, Chuck Close, and Francoise Nielly encourage her to embrace a subtle wit in her own work. And, perhaps, a tendency to poke fun at art itself. “I’ve always respected artists more who, if they do a piece that’s just three stripes on a canvas, and then I see another piece of theirs that does show they have the technical skills, I can accept the first piece,” Kenny says. “Then you know it’s intentional, not a cover-up for the fact that they can’t draw.”

For Kenny, drawing is where it all began, and she’s taken certain elements from drawing into her painting. For example, nearly all of her work is in black and white. Drawing in black and white is typical, but a black-and-white oil painting raises eyebrows. “It’s more honed in,” she says. “Minimalist. That’s also why most of my pieces don’t have a ton in the background.” A good example of this stark minimalism would be Unravel, a mixed media work with yarn and acrylic.IMG_3961 copy

Kenny does reserve splashes of color to draw focus, such as the In Bloom series. “Too much color,” she says, “and you’re almost noticing the color over the medium.” But she lets her viewers be the judges, saying she wants to provide a direction but not specific answers as to what her art has to say.

Kenny recently wrapped up a month-long show at the Crossroads Art District in Kansas City in March. Her next show will be at the Kimmel Harding Nelson Center for the Arts in Nebraska City in July. For more information, visit courtneykennyart.com.