Tag Archives: Britny Cordera Doane

Never Get Involved With a Writer

October 20, 2015 by
Photography by Bill Sitzmann

Never… Ever… Never, never, get involved with a writer.

Now, that is not to say that writers are not nice people.  Many of them are perfectly decent sorts, especially when they are sleeping.  It’s in their waking hours that they do most of their damage.

I know, you’re saying to yourself, “Otis, you’re a writer. Are you suggesting that we should avoid all contact with you?” I must reply, “Exactly.”

Now I know some very fine writers. Here in town Timothy Schaffert has kept the Omaha Lit Fest growing and penned some very fine novels including his latest, The Swan Gondola.  He seems okay.  Rebecca Rotert’s latest, Last Night at the Blue Angel is skillfully done and emotionally evocative indeed. She must certainly be safe to be around. Rainbow Rowell, former World Herald columnist, has turned out a few very successful books including Landline that just went into paperback. With a name like “Rainbow” how could she be any sort of a risk?  And Sean Doolittle keeps turning out gems like my favorite, Rain Dogs – all while also pitching for the Oakland Athletics. Go ahead, look it up.

Poets are a sub-set of “writer,” that are especially hazardous to your mental health. Matt Mason, The Baby That Ate Cincinnati, and his band of misfits at the Nebraska Writers Collective, including Michele Troxclair, who puts on the most amazing spoken word events around town, are supremely talented and not to be trifled with if you want to lead a settled, comfortable life. Britny Cordera Doane can make myth and madness sing, as she does in her collection, Wingmakers. She also writes poems on demand in the Old Market. Yeah, a busker with a typewriter.

Perfectly nice people, all of them.

Don’t be fooled.

Writers will steal from you. If you say something clever, like squirrels we will stuff it away into our verbal cheeks and use it in a chapter years later. You will not get any credit.

We will tell all of your secrets; family tales left best untold, quirks in your love life, or reveal your most reprehensible personal hygiene secrets by assigning them to a particularly disturbing villain in one of our stories.

We will lie. Remember that time you and Betty took the underage me to the movies and sat in the back row? We will remember it differently. Our graphic details will shock you and destroy your reputation. Our memoirs will completely shake your sense of reality, and perversely, after you read and re-read them, even you will begin to believe our version.

We will drive you crazy. “Do you like my book?”… or…“Do you get what my poem means?”… or…“I’m the greatest talent ever!” … or… “I’m the worst writer ever.” We will be euphoric and then suicidal all within a half-hour. Our insecurities will baffle and exhaust you.

And worst of all, writers are like the Naked Guy in Friends, sometimes you see things about us you can’t un-see.

If you hang around with us, be prepared to stand on the edge. Be ready for us to risk falling. Be careful we don’t take you with us.

I know all of this because I have a novel coming out this month. It’s the best book ever. Or, it’s the worst waste of paper since God invented gerbils. You should read it. You might learn something about yourself. Or, you shouldn’t. We’d both be safer then.

It’s just true.

Never…Ever…Never, never, get involved with a writer.

Otis Headshot

Britny Cordera Doane

July 10, 2015 by
Photography by Bill Sitzmann

This article appears in July/August 2015 The Encounter.

You may have seen Britny Cordera Doane sitting with her typewriter on Howard Street in the Old Market. The “Old Market Poet” is a common sight, typing up poems on commission.

“I’ve always been interested in doing something with the community in the Old Market, like the musicians do,” she says. “It’s really fun going out there and meeting different people and running into people I know already.”

“Interested” might be the key word here, because the 21-year-old Cordera certainly has many interests. Cordera has been a street poet for almost three years, since she graduated from high school in 2012. You can count on her being in the Old Market most days, weather permitting; barring days when she has school (she’s a full-time student at UNO, studying creative writing and religious studies).

By no means, though, does her interest in poetry begin and end with her work on Howard Street. Cordera considers poetry to be her calling and published her first book of verse and prose, Wingmakers, this past February with Pinyon Publishing.

“Being able to type at the typewriter and get poems written, even if people aren’t coming up, is also a great gift,” she says. “There are some nights where I write two or three poems that aren’t for other people.”

She writes daily and produces at least a couple of new works a week. (I can tell you from personal experience, dear reader, that’s a demanding output.)

“It’s important to write a lot and to write every day in order to get better, in order to hone your abilities,” she says.

When it comes to that honing process, Cordera has a long list of qualities she would like for her poems to have. In addition to being vivid and free of cliché, she wants her poetry to have musicality.

“I see music and poetry as being one and the same,” she says. “The thing with poetry is that if it doesn’t sound right, I’m not going to use it in my poem.”

Indeed, music was how Cordera became interested in street poetry in the first place. In addition to writing, she plays the violin, and it was her violin teacher who suggested she write poems in the Old Market. Beyond being musical, Cordera believes the poem should be deep and weighty.

“I like a poem that says something, that has deeper undertones to it,” she says. “I’m trying to connect a web of themes and ideals of the world. I’m trying to connect things that seem unconnected already, but are actually thoroughly connected.”

More than anything else, perhaps, the idea of a web tying together a large variety of interests sums up Cordera’s aesthetic. Her other affinities include history and mythology. Wingmakers itself is heavily influenced by ancient mythology, as well as the bird constellations.

As if all that weren’t enough, Cordera plans to pursue a master’s in either religious studies or classics after she graduates. She intends to write more poems and books. She’s also learning Latin and Greek and hopes to work as a translator.

You may be wondering at this point how she gets it all done.

“I just do it,” she says with a smile.

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