Tag Archives: 90s

The Church of Tomorrow

August 30, 2013 by
Photography by Bill Sitzmann and Dillon Gitano

Nicholas Wasserberger and Mark Steffan are almost, well, In Real Life meme generators. “We really feel that immersing people in an artificial environment, in a bubble, in a world, is amazing,” Wasserberger says. “We want to immerse them in a certain genre, a theme, so that everyone can have this experience, this nostalgia.”

Together, Wasserberger and Steffan are the Church of Tomorrow, an avant-garde party-planning duo responsible for themed events in Benson galleries and Downtown Omaha nightclubs. They’ve also collaborated with local band Icky Blossoms and North Sea Films for video styling, as well as local dance-party group GOO.

The Church specializes in themes of music and fashion from the ’70s, ’80s, and ’90s. “With events at, like, [House of] Loom, we come up with the ideas and concepts and themes,” Steffan says. “We promote it. We decorate it. We set the theme, the mood. And then we discuss with the DJs what the music genre should be. We set up the environment.”

“There’s a lot of history and education that goes into it,” Wasserberger says of their event prep. For example, their inaugural David Bowie tribute party last October at House of Loom was a study in glam rock. “Other cities around the nation throw David Bowie parties,” Steffan points out, “which just brings Omaha to a greater connectivity with other cities’ night-life culture.”

“Nobody’s trying to be too cool. We can see how people find the humor in what we do. It looks completely outrageous, and we’re completely outrageous, and we can laugh about that.” – Mark Steffan

“Our New Romantic Party was based off of one club that ran in London for, like, six months,” Wasserberger says. Such ’80s London nightclubs started a trend of evenings dedicated to specific themes. “Boy George came from there,” Steffan says. “Duran Duran. Spandau Ballet. Changed music forever.”

Wasserberger and Steffan encourage party-goers to dress to the theme. “It’s Halloween all year-round,” Steffan says. Realizing that not everyone is up on the movements or music they select, they try to educate the masses ahead of time. In the weeks leading up to a party, they post links on Facebook Event pages to documentaries such as Paris Is Burning or songs like “All Tomorrow’s Parties” by The Velvet Underground.

“We want to let people in Omaha experience where the roots of music and youth movements and nightclubbing came from,” Wasserberger says.

Last January, the Sweatshop Gallery in Benson asked Church of Tomorrow to create “a full-on art installation” for their Afterbirth show during the neighborhood’s First Friday art crawl. “We went thrifting for about three or four weeks just picking up the ugliest stuff. Kids’ bed sheets, after-Christmas-sale tinsel,” Wasserberger says. “We put the sheets on the walls and spray-painted them with political symbols, grabbed every disco light we could find in Omaha.”

“They both have a very distinct style,” says Caitlin Little of Sweatshop Gallery, “and they were able in this instance to transform thought into feeling and experience. The events they put on are meant to challenge the normal, beat the boring, and provide an all-inclusive, full-force fun time.”

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“We wanted to present what our physical chapel would look like,” Steffan says. “This is basically our religion, these are things we like to do, and they’re sometimes a little more progressive.” They both are advocates of women’s and transgender rights and radical homosexuality.

To fully immerse people in their passions and ideals, the pair burned incense and filled the gallery with flashing lights, projections, and obscure disco music. “It was a sensory overload,” Wasserberger says.

Little agrees. “Afterbirth in particular was like going to a sleepover in their brains!”

About 200 people came, they estimate. “That’s probably an average crowd,” Steffan says. “We get more at Loom,” Wasserberger counters.

“Everybody that comes to our events, they’re the nicest people,” Steffan says. “Nobody’s trying to be too cool. We can see how people find the humor in what we do. It looks completely outrageous, and we’re completely outrageous, and we can laugh about that.”

If there’s money involved, the two split the profit 50-50. Their one-of-a-kind buttons help fund their parties, too. Steffan and Wasserberger wear them out on the town, and if someone admires one, “Oh, they’re $2,” Steffan says, “take one.” They also design the buttons that Icky Blossoms takes on tour. The pair splits cover charges among themselves and an event’s DJs. “We’re pretty savvy about thrifting,” Steffan says.

House of Loom co-owner Brent Crampton agrees. “Their DIY method of throwing a party is raw yet fabulously tacky,” he says. “Meaning, I’ll give them $100 for decorations, and they’ll make the place look like a thousand bucks.” He adds that, quite simply, the Church of Tomorrow is his favorite promoter to work with. “They come up with some of the off-the-wall, almost forgotten corners of culture to celebrate.”

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Crampton points out that the pair not only designs and decorates an event, they clean up after it as well. “At the end of the night when everyone just wants to get paid and go home, they’ll stick around and help the staff clean. It’s quite amazing.”

“Everything we do, we do sober,” Wasserberger says. “Which surprises a lot of people. If we were sloppy at a party, come 1:30 in the morning, we would not still be on the dance floor keeping everyone there.”

Steffan has been clean and sober for two and a half years. “And in the last two and a half years, I’ve been the most creative I’ve ever been.”

Wasserberger will occasionally have a drink. “Never when I’m working,” he clarifies, “because you don’t need it. The true freaks are always sober. Like Boy George. Sober now.”

Steffan has plans to promote Church of Tomorrow events in New York after he settles in from his move in May to be with partner Joey Koneko. “And then when he comes back for visits, we’ll do more together here,” Wasserberger says, such as the second David Bowie Tribute this Oct. 5 at House of Loom. He also hints that he already has things set up to do on his own with Sweatshop Gallery and Loom.

Party Animal Style

Style is (obviously) a huge part of life for Wasserberger and Steffan. Their inspirations include such flamboyant names as Boy George, David Bowie, Vivienne Westwood, Isabella Blow, Leigh Bowery, and Anna Biaggi. “Otherwise, our style is just wear what you want,” Wasserberger says. He points to his shirt that he bought for a dollar, but his pants are Versace, no matter that he found them at Goodwill. “As long as you feel good, you’re going to look it.”

“I think that’s what it all basically comes down to,” Steffan says. “Our bodies are the medium for our art.”

“Sometimes we look really shallow, but there’s philosophy behind this,” Wasserberger says. “We know fashion history. If you make fun of us for wearing skirts, we’ll tell you that skirts were invented by men for men.”

Steffan and Wassberger at their David Bowie tribute party

Steffan and Wassberger at their David Bowie tribute party

Fortunately, Omaha has amazing thrifting, and Steffan and Wasserberger know where to find it all: The Salvation Army, Second Chance, Shop Around the Corner. “I don’t invest in fine art or other collectibles,” Steffan says. “Purchasing clothes, that’s my collection. There’s only a few things I’d pay a lot of money for, but it has to be really special.”

“If we pay $3 for most of our wardrobe,” Wasserberger explains, “then we can afford that one special item.”

Their experiments extend to hair as well. Wasserberger’s lavender hair is a result of Steffan’s experimentation with toner and fabric dyes. “Constant evolution is key,” Steffan says. “When you get stuck in the same old routine, that’s when you start feeling trapped.”

“It blows our minds when other people are like, that’s so foreign,” Wasserberger says. “Why should it be? Everyone should be constantly changing. It’s a really positive thing.”

The Acoustic Gangster

August 20, 2012 by
Photography by minorwhitestudios

When musician Brian Alexander first arrived in Omaha, he decided on a big approach to introduce himself to the local music scene.

Alexander, who also goes by “the Acoustic Gangster,” plastered his image across three billboards in town, adorned with the phrase, “Having your own billboard is pretty gangster.”

“I knew I was fresh to the area,” Alexander says. “I wanted to put myself out there and blow up.”

Alexander says the gambit was pricey but ultimately worth it. And that’s not the only wild purchase Alexander has made to promote himself. He also has a life-size cardboard cutout of himself that he hauls around to gigs. Alexander says people try to buy it, steal it, drunk girls try to talk to it, and guys have even tried to pick fights with it. Everybody seems to take pictures with it, too. “That’s been one of the most interesting purchases I’ve ever made,” says Alexander, who enjoys being a bit eccentric.

But Alexander hasn’t relied solely on having his own cardboard doppleganger and putting his face on billboards to build his audience. He’s also spent time building tight relationships with local bars and clubs where he plays, especially Stiles Pub (1204 Howard St.) and Parliament Pub’s Shops of Legacy and Old Market locations.

“I’m really loyal to people that give you chances,” Alexander says.

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During Alexander’s sets, he relies on a selection of covers that point toward the sort of music that he writes. There’s plenty of ‘90s-era material from acts like The Smashing Pumpkins, Live, Blind Melon, and the Presidents of the United States. Alexander says he seeks to give his audience a little bit of adolescent nostaglia. “I do stuff that brings them back to high school,” he says.

Alexander’s music takes those influences and combines them with a modern acoustic pop feel that brings to mind contemporary acts like Jason Mraz, Eric Hutchinson, and G. Love. His latest single, “Lemonade,” brings that light-hearted pop vibe together with a simple beat and acoustic guitar.

Omaha may have become Alexander’s musical home, but it was a long journey before he arrived in town. Alexander lived in Martha’s Vineyard, Mass., before attending Penn State University.

His first impulse for pursuing a music career was to pack up for Nashville, but soon an Omaha friend that Alexander had met while studying abroad in France convinced him to give Nebraska a try.

Before long, Alexander had settled down in Omaha and began playing regular gigs. Then one night at a gig, a fan called him over to the bar to buy him a drink, slung his arm around Alexander’s shoulder, and introduced him as “my man, the Acoustic Gangster, Brian Alexander.”

There was no shaking the name, Alexander says. “It kind of stuck in my head the rest of the night,” he recalls.

And it helped him with the dilemma of just how to stand out from the crowd of singer-songwriters out there. In looking up the number of Brian Alexanders on Facebook, he encountered hundreds. That number dropped dramatically for the newly minted nickname. “Sure enough, there were no ‘Acoustic Gangsters’ registered anywhere,” Alexander says.

Now, there’s one who’s eager to make fans any way he can.