It seems like the stereotypically idyllic life of a poet: a gravel path leading to a house in the woods, one that calls to mind Walden Pond and literary greats such as Ralph Waldo Emerson and Henry David Thoreau. Poet Matt Mason and his wife, poet Sarah McKinstry-Brown, share that home with daughters Sophia Mason, 11, Lucia Mason, 7, and rescue dog Max. Their lives are as busy and hectic as those of any other working parents—even if they do revolve around words and the constant effort to construct them into something profound and beautiful.

“Being two poets seems like this really romantic existence,” explains McKinstry-Brown, “but it’s a lot of hard work and love, sweat, tears, and making time for the kids. Sometimes I wish people would have more of an understanding of how hard it is.”

The couple’s professional achievements speak to exactly how hard, especially in terms of how hard each poet works. Mason, 46, is executive director of the Nebraska Writers Collective. He won a Pushcart Prize and served as a cultural envoy for the U.S. State Department to Botswana, Nepal, and Belarus. McKinstry-Brown, 38, leads literary workshops and garnered the Academy of American Poets Prize as well as a Blue Light Book Award for her full-length collection of poetry, Cradling Monsoons. Each has received Nebraska Books Awards, and they are influential members of Omaha’s flourishing poetry slam scene, a scene that Mason was instrumental in creating.

The poets met in 2002, when McKinstry-Brown appeared at a poetry slam in Omaha. “I announced on stage that it was my birthday, and Matt ordered me a piece of cheesecake,” the mother of two remembers. “It was carrot cake,” Mason interjects. “No, it was cheesecake,” responds McKinstry-Brown. “Carrot cake,” insists Mason.

While poetry drew Mason and McKinstry-Brown together, Sophia and Lucia, who both attend St. Philip Neri Catholic School, remain nonplussed about what their father and mother do for a living. When asked what they think about their parents’ jobs, they shrug their shoulders.

“It’s funny,” remarks McKinstry-Brown. “It makes you realize how much your idea of normal is and how it’s shaped. Sophia’s asked a few times if everyone has a photograph on the back of a book. They’ve grown up going to a lot of readings. It’s their normal, and they’re very blasé about it.”

Indeed, rather than talk about their parents, the sisters are focused on Max’s affectionate antics and the next door neighbor’s puppy, which is staring plaintively into the living room window hoping to gain entry. “Don’t let the puppy in—we’ll never get rid of him!” exclaims McKinstry-Brown. The girls exchange mischievous glances as if trying to figure out how to get around this order without getting into trouble.

Each girl has a personality that mirrors one parent. Sophia, who sports a pixie cut and wears a t-shirt and shorts, is serious and introspective like her father. A Minecraft enthusiast, she loves the different worlds she can build. “There are so many things in it,” Sophia explains. “You can build absolutely anything. You can build a castle. I’ve gone really far.”

Lucia, despite being laid low with a cough, is outgoing like her mother and sprawls comfortably across the floor in a white sparkly dress. She loves to cook and is competitive with her sister in developing recipes. “Sophia likes gross stuff,” she observes with an impish grin before rattling off some of the ingredients for one of her sandwiches. “It had bread, yogurt, and chocolate sauce,” she recounts.

Even so, what Mason and McKinstry-Brown do for a living has influenced their daughters. At a young age, the sisters set up poetry slams, performing to audiences of stuffed animals seated around the living room couch. Sophia is interested in writing a children’s book with her mother titled Max at the Window, which would imagine the family pet’s fanciful daydreams while the the girls are at school. “I was thinking that for ‘about the author’ we should put something about Max and put glasses on him for his photo,” she suggests.

While the girls may not always be aware of the challenges facing full-time poets, Mason is keenly so, indicating they’ve just returned from Disneyland. “It was our first real family vacation,” he says. “You look at how everyone lives very different lives from us, and there is a certain attraction to that.”

“Like everyone else, it’s figuring out what’s sustainable,” McKinstry-Brown adds. “It’s more challenging because of the path we’ve chosen. The girls have given us so much of our art and how we see the world. They have given us so much insight. I’m really, really proud of us.”