Tag Archives: University of Nebraska-Lincoln

Play Ball!

September 18, 2018 by
Photography by Bill Sitzmann

Mancuso: a name revered in the Omaha area for their family’s event planning business, Mid-America Expositions. 

From hosting grand events in Omaha’s late Civic Auditorium to formulating events like “Taste of Omaha,” the Mancusos’ impact has been felt in the Omaha area for more than 50 years. It is their passion for sports, however, that has held the family together. 

Youngest son Mike says his father, Bob Sr., grew up in Omaha with a heavy interest in sports thanks to Mike’s grandfather, Joe, being in charge of the city parks. Mike also says because his father grew up in a time without television and video games, sports were something he could easily focus on.

Bob Sr. took his passions to Kansas State University on a wrestling scholarship and later qualified to wrestle at the 1956 Olympic trials. However, before the trials started, Joe fell sick and passed away; Bob Sr. needed to move back to the area. Bob Sr. took a job coaching wrestling at Bellevue High School (now Bellevue East). He led the team to their first state championship, and within a few years, the University of Nebraska offered him a job coaching wrestling in Lincoln.

“Bob Devaney was just hired as the head football coach in 1962 and Frank Sevigne was the track coach, so he was just really enjoying the new environment and coaching at the time, as were us kids,” Mike says.   

Since their days in Lincoln, the Mancuso family has owned tickets to every season of Nebraska football.

“When my dad started coaching at Nebraska in the ’60s, he got a couple of seats for every football game,” Mike says. “We’ve kept those seats every year since it’s a tradition of ours to attend every game, through the good and the bad.”

Mike says he best remembers Saturdays at Memorial Stadium with his dad.

One October 1994 game in Lincoln has remained apparent in his mind.  

“It was a huge Big 8 matchup with Colorado, and Brook Berringer got the call at quarterback because Bobby Newcombe wasn’t feeling too good,” Mike says.  “We had the tunnel walk and HuskerVision for the first time, and [then] Colorado came out before we [Nebraska] came out onto the field. And because of that, I can just remember the stadium…going absolutely nuts.” 

For most games, the Mancusos have traveled to Memorial Stadium from Omaha. The family’s residence in Lincoln was cut short, in part due to Mike entreating his father to move home.

“1964 is when our family decided to move back to Omaha, since coaching, at the time, wasn’t paid in a substantial amount like it is today,” Mike says with a laugh. “I inspired our dad to start [Mid-America Expositions] and come to Omaha to start managing events.”

Mike and his older brothers, Bob Jr. and Joe, took their Cornhusker pride and athletic passion to the ball diamonds and courts of Omaha. Bob Sr. was also a prominent figure in the Omaha sports community.

“We grew up around Omaha sports, playing in a variety of different leagues,” Mike says. “Like his dad, my dad also coached a lot, mainly because he loved teaching. He also was very involved in the Greater Omaha Sports Committee, originated by my uncle Charlie, and continued by my dad after Charlie’s death.”

Mike says his dad’s involvement in the Greater Omaha Sports Committee created many surreal experiences as a child, where he and his brothers worked as bat, and ball, boys for Major League Baseball and National Basketball Association exhibition games.

“I remember one time I was a ball boy underneath the hoop and Sam Lacey was the big center and ‘Tiny’  Nate Archibald was the little guard,” Mike says, speaking of two Kansas City Kings players. “During the game, Lacey went after a ball and tumbled into the stands, causing everyone to [launch] their pops, creating a mess. I had to get my towel out and clean it up in front of everybody.”  

At the core of the Greater Omaha Sports Committee, and the city, was the College World Series. Bob Sr. and fellow committee members often held a welcome luncheon for all the participating teams, hoping to provide unforgettable experiences in Omaha.

The Mancusos’ contribution and involvement in college baseball’s grand series carried on throughout the tournament as Mike and his brothers helped to enhance the experience in any way possible. 

“We would run the dugouts, trying to clean them up between each game,” Mike says. “We worked the fields, and if we had time, would run up and clean the press box. Up there we took care of the press by giving them something to eat and plenty of water to drink at the games. We’ll just say I made a lot of Zesto runs.”

A newspaper clipping from Wilmer Mizell’s appearance in Omaha

One time his father even gave up their family’s premier seats to former Saint Louis Cardinals pitcher and U.S. congressman Wilmer “Vinegar Bend” Mizell.

“Ben Mizell came in for breakfast one morning before the games to speak in front of some of the players who were involved with the Fellowship of Christian Athletes,” Mike says.  “After the speech, my dad generously told him to take our seats, kicking my brothers and I out.  Luckily, there were spots up top in the GA [general admission] section, and at that age we liked to run around anyway.”

Like Bob Sr., his three boys also played college sports. Mike inherited his father’s passion for wrestling, taking his talents to Iowa State University. Bob Jr. also took the Mancuso name to Ames, though for baseball, while Joe played baseball at the University of Nebraska-Omaha.

Although the brothers now longer watch sports with their dad, who passed away in 2015, in many ways, sports act as a microcosm in demonstrating the core aspects of family, which is why the Mancuso brothers’ passion in athletics ceases to fade.


Visit showofficeonline.com for more information.

This article was printed in the August/September 2018 edition of B2B.

A souvenier given to CWS teams

The Ham Ma’am

July 20, 2018 by
Photography by Bill Sitzmann

For Ella Weber, her career as a professional artist began where all the greats get their start—bathing in a tub filled with 40 gallons of sprinkles. 

After working in a frozen yogurt shop, she was inspired by the toppings to capture artificial happiness in a video as part of her graduate thesis project. The final close-up shots show sprinkles moving around her body like mesmerizing multicolored waves. She’s practically swimming in a sea of rainbow sugar. Then, suddenly, Weber shoves fistful after fistful of sprinkles in her mouth and proceeds to regurgitate them. This is performance art that’s not for the faint of heart…or stomach.  

“There is a fairly large amount of work being made in the Omaha echo chamber that’s void of anything I would consider stimulating or surprising. Then there’s Ella Weber,” says Joel Damon, curator and founder of Project Project, a local independent art space. “She’s a breath of fresh air covered in Black Forest ham and beige vinyl siding.”

That’s right, this girl has a thing for ham. She’s a foodie, but not in the typical sense. Don’t look at her Instagram for shots of chic eats or expect Weber to whip up Chopped-inspired dishes for dinner. Instead, she uses food as a medium in videos and sculptural installations to explore the relationship between consumerism, sexuality, and religion. 

“I use food because I’m always thinking of it symbolically,” Weber says. “I hope my work makes viewers hungry for questioning and looking at life a different way.”

With a pastor father, Weber spent much of her childhood on the move, living in towns so small it was practically required for her to play sports so there were enough girls to form a team. Then, her family relocated to a suburb of Chicago where she discovered a great art program and sports teams that required players to have actual athletic skills. Just like that, it was hello to creativity and bye-bye to basketball. 

Her inner jock still compelled her to attend the University of Nebraska-Lincoln and become part of Husker nation. As a freshman, she knew she wanted to cheer on the Big Red but wasn’t sure what path to take with art. 

“Before college, I had no clue I needed to open my eyes. I didn’t even know or understand what printmaking was,” Weber says. “I thought of it as ancient graphic design.” 

Ultimately, Weber specialized in printmaking for both undergrad and her University of Kansas graduate degree. In the two years since schooling, however, her career has been more about lunchmeat than lithography.

To save money, she moved into her parents’ West Omaha home, living a suburban life and working behind the Hy-Vee deli counter between artistic residencies. She looks at this idyllic version of Nebraska’s good life as research. 

“I was this depressed meat person, but then I had a change of heart,” Weber says. “I began to think of the deli job as a studio. When I clocked in, it was time to make art.”

What followed were more than 6,000 videos and selfies with slices of ham, some dressed up with smiley faces, of course. A bond with an oven-roasted chicken was also formed. Part performance art and part friendship, she decided to take home this chicken after it had slipped from the slicer onto the floor. Instead of just throwing it away, she showed her bird bud six months of Nebraska nice living. When it was time to part (because, after half a year, meat doesn’t smell so neat), a service was even held in Memorial Park for the chicken.

“I don’t know how she does it, but Ella makes sliced meat look like macro-porn and vintage high-end wallpaper. It’s completely bonkers in the best way,” Damon says. 

She’s just recently finished her seventh residency, teaching video and animation classes in Utica, New York. While there, she also curated a solo show where her suburbia/deli-land research came into play. During it, she showed a video that spliced images of neighborhood walks with a meat slicer, all to demonstrate the banality and repetition of everyday life.

“I’m trying to enable the viewer to see and connect with the absurdities and beauty that surrounds us all,” Weber says. “If your eyes are open to the everyday, you can find humor and hidden meaning in the most mundane and ordinary things—like sliced ham.”

Now home from New York, Weber has a lot on her plate. This summer, she’ll have an exhibition at The Union for Contemporary Art, followed by adjunct teaching of drawing classes for the University of Nebraska-Omaha in the fall. 

When she does find some free time, Weber expects it’ll be eaten up by work on a semi-autobiographical book, titled The Deli Diaries, and potentially more Hy-Vee “research.” 

“Me and the deli, it’s like a bad romantic relationship where my friends will kill me if I go back,” Weber says. “But I might need to refresh my memory, digest it all, and then I’ll be ready to write about deeper things than just ham.”


Visit ellaweber.com for the artist’s personal website. Her exhibition, Sounds Good, will run from July 20 to Aug. 25 at the Union for Contemporary Art. Learn more at u-ca.org.

This article was printed in the July/August 2018 edition of Omaha Magazine. 

High Fidelity Dreaming

January 19, 2018 by
Photography by Bill Sitzmann

When you talk with Kate Dussault, it’s obvious how important music is to her.

“I can’t imagine a life without music,” Dussault says. “It’s where I learned a lot. It’s the focus of so many memories. It invades every part of every one of my senses. You can’t eat music, but if you could, I would.”

Her musical passion isn’t merely a personal preoccupation. Dussault wants to share her passion with others and help grow the Omaha music community. That passion is what led her to found the Hi-Fi House.

Dussault, who was raised in Omaha and attended the University of Nebraska-Lincoln, grew up in a music-loving family. Her father worked in radio and frequently brought records home, and she and each of her six siblings owned a turntable. She then spent a great deal of her career working in music. She worked in radio—for studios on both coasts—and for venture capitalist firms, performing due diligence whenever they sought to acquire the rights to music and evaluating marketing plans and budgets.

But the idea for the Hi-Fi House came about when Dussault, who was living in Los Angeles at the time, learned that the famous Capitol Records Building in Los Angeles was being converted into condominiums. The city landmark is a round building that resembles a stack of music records. Frank Sinatra, Paul McCartney, and the Beach Boys are among the many famous artists who have recorded music in its famous echo chambers.

“It was always to me the most iconic music building in America,” Dussault says. “And the fact that they were turning it into condos was just heartbreaking, and I thought that building should be something else.”

As Dussault sat in front of the Capitol Records Building for around four hours, she began to develop a new idea for the building, one where each floor was devoted to a specific type of music. Instead of apartments around the edges of the building, there would be “listening rooms” where people could listen to the music together.

You can see that idea at work in the Hi-Fi House, “a social listening room” located at 38th and Farnam streets in the building that used to house Joseph’s College of Barbering. From the outside, you may think it appears abandoned, but inside is what looks like a giant, carpeted living room with rings of couches and armchairs. Listeners can listen to everything from digital music to cassette tapes. Pictures of famous musicians hang on the walls, and the building hosts a massive collection of vinyl records.

“I think this place’s mission is a very unique one,” says Jon Ochsner, an employee at the Hi-Fi House who catalogues records and helps host shows and programs. “To me, it’s a dream. It’s like a dream come true that I never knew I had.”

During the day, the Hi-Fi House is a musicology lab, hosting events for children and high school students, providing services like music therapy to the elderly and other programs. Dussault says that the daytime mission of the space is also to help grow and improve Omaha’s music community.

For instance, the house hosts the “Curly Martin Jazz Lab.”

“Curly Martin came to us and said there was no place in Omaha for a guy like him to play,” Dussault says.

Martin is from Omaha and an acclaimed drummer who, along with son Terrace, was nominated for the 2017 Grammy for Best R&B Album. His jazz lab is an ongoing project designed to introduce people to multiple forms of jazz and to teach them about the prolific history of jazz in Omaha.

At night, the venue is a private club that occasionally hosts live shows and album release parties. Dussault says it has also become a popular stop for bands coming through Omaha who just want to unwind before shows.

True to her mission of being an asset to the music scene, as well as a place that is welcome to people of creative and artistic bents, Dussault says it was important to provide something new. The Hi-Fi House isn’t a library or a record store or a coffee shop precisely because Dussault wanted it to be fresh.

“I think the hardest thing in developing a new business is finding out how you can live in a community and not cannibalize what’s already there,” Dussault says. “It’s easy to do what everybody else did and do it a little better, or invest a little bit more money in it, but to me that’s not helping. We want to support the venues in town, not compete with the venues in town.”

Dussault and Ochsner both say they’d like to see Hi-Fi Houses in other cities.

“The last 20 years we had this sort of personal revolution in music,” Ochsner says. “It was my iPod with my music, my headphones, my playlist. I think the mission of bringing people a social listening experience, bringing that back to people…I just think it’s very necessary.”

Dussault says it’s a challenge to not be seen as “elitist,” or to give the impression that people who don’t know a lot about music aren’t welcome.

“We built this place so that it was comfortable for people from age 5 to 99,” she says. “We believe in sharing music with everybody.”

Visit hifi.house for more information.

This article appears in the January/February 2018 edition of Omaha Magazine.

 

The State of Volleyball

December 27, 2017 by
Photography by Bill Sitzmann

For generations, football gave Nebraska a statewide identity. But with Husker gridiron fortunes flagging, volleyball is the new signature sport with booming participation and success.

Here and nationally, more girls now play volleyball than basketball (according to the National Federation of State High School Associations).

“It’s the main or premier sport for women right now,” Doane University coach Gwen Egbert says.

Omaha has become a volleyball showcase. The city hosted NCAA Division I Finals in 2006, 2008, and 2015, with the Cornhuskers competing on all three occasions (winning the national title in 2006 and 2015).

Packed crowds at the CenturyLink Center will once again welcome the nation’s top teams when Omaha hosts the championships in 2020. Meanwhile, Creighton University is emerging as another major volleyball powerhouse, and the University of Nebraska-Omaha has made strides in the Mavericks’ first two years of full Division I eligibility since joining the Summit Conference.

In the 2017 NCAA tournament, Creighton advanced to the second round (but fell to Michigan State). As this edition of Omaha Magazine went to press, the Cornhuskers headed to regionals in hopeful pursuit of a fifth national championship.

“The fact Nebraska has done and drawn so well, and that kids are seeing the sport at a high level at a young age, gets people excited to play,” says Husker legend Karen Dahlgren Schonewise, who coaches for Nebraska Elite club volleyball and Duchesne Academy in Omaha.

The University of Nebraska-Lincoln first reached a national title game with Schonewise in 1986. The dominant defensive player set Nebraska’s career record for solo blocks (132)—a record that still stands—before going on to play professionally. (The Cornhuskers didn’t win the national championship until 1995.)

Skutt freshman and future Husker Lindsay Krause and current Creighton standout Brittany Witt (a Marian grad)

“I think the amount of kids that play in Nebraska is No. 1, per capita, in the country. I think the level of play is far higher than many states in the country,” says Omaha Skutt Catholic coach Renee Saunders, whose star freshman, 6-foot-3 Lindsay Krause, is a UNL verbal commit.

Volleyball’s attraction starts with plentiful scholarships, top-flight coaching, TV coverage, and professional playing opportunities.

Few states match the fan support found here.

“We have probably the most educated fans in the nation,” Saunders says. “They’re a great fan base. They know how to support their teams, and they’re very embracing of volleyball in general.”

The lack of physical contact appeals to some girls. The frequent team huddles after rallies draw others.

Omaha Northwest High School coach Shannon Walker says “the camaraderie” is huge. You really have to work together as a unit, communicate, and be six people moving within a tiny space.”

Volleyball’s hold is rural and urban in a state that has produced All-Americans, national champions, and Olympians.

The Husker program has been elite since the 1980s. Its architect, former UNL coach Terry Pettit, planted the seeds that grew this second-to-none volleyball culture.

“He really spearheaded a grassroots effort to build the sport,” says Creighton coach Kirsten Bernthal Booth. “Besides winning, he also worked diligently to train our high school coaches.”

“It’s important to realize this goes back many years,” former Husker (2009-2012) Gina Mancuso says, “and I think a lot of credit goes to Terry Pettit. He created such an awesome program with high standards and expectations.”

Pettit products like Gwen Egbert have carried those winning ways to coaching successful club and high school programs and working area camps. Egbert built a dynasty at Papillion-LaVista South before going to Doane. Several Papio South players have excelled as Huskers (the Rolzen twins, Kelly Hunter, etc.).

Their paths inspired future Husker Lindsay Krause.

“Seeing the success is a big motivation to want to play,” Krause says. “Just watching all the success everyone has in this state makes you feel like it’s all the more possible for you to be able to do that.”

Many top former players go on to coach here, and most remain even after they achieve great success.

Walker says quality coaches don’t leave because “it’s the hotbed of volleyball—they’re staying here and growing home talent now.”

“It’s us colleges that reap the benefits,” Bernthal Booth says.

Pettit says it’s a matter of “success breeds success.”

Schonewise agrees, saying, “Once you see success, others want to try it and do it and more programs become successful.”

“The standard is high and people want to be at that high level. They don’t want to be mediocre,” UNO coach Rose Shires says.

Wayne State, Kearney, Hastings, and Bellevue all boast top small college programs. In 2017, Doane was the first Nebraska National Association of Intercollegiate Athletics program to record 1,000 wins.

“We’ve got great Division I, Division II, NAIA, and junior college volleyball programs,” says Bernthal Booth, who took the Creighton job in part due to the area’s rich talent base. She feels CU’s breakout success coincided with the 2008 opening of D.J. Sokol Arena, which she considers among the nation’s best volleyball facilities.

“All these colleges in Nebraska are in the top 25 in their respective divisions,” Saunders says. “It’s crazy how high the level of play has gone, and I think it’s going to keep going that way.”

“It’s really built a great fan base of support,” Mancuso says, “and I think the reason the state produces a lot of great volleyball players is the fact we have great high school coaches, great college programs, and great club programs.”

Club programs are talent pipelines. There are far more today than even a decade ago. Their explosion has meant youth getting involved at younger ages and training/playing year-round. Nebraska Elite is building a new facility to accommodate all the action.

“The athleticism found in the state has always been pretty high, but the level of play has definitely improved. The kids playing today are more skilled. The game is faster,” Egbert says. “When I started out, you’d maybe have one or two really good players, and now you could have a whole team of really good players.”

“You have your pick of dozens of clubs, and a lot of those clubs compete at the USA national qualifiers and get their players that exposure,” says Shannon Walker, the Northwest High School coach who is also the director of the Omaha Starlings volleyball club.

“Volleyball is such a joy to be a part of in this state,” Mancuso says.

Gina Mancuso

“It’s cool to be a part of everything going on in Nebraska and watching it grow and develop,” Skutt freshman phenom Krause says.

“My goal is to make Lindsay ready to play top-level Division I volleyball by the time she graduates here,” Saunders says. “She already has the physicality, the competitive edge, the smarts. Now it’s just getting her to play to her full potential, which she hasn’t had to yet because she’s always been bigger than everybody. She’s definitely not shy of challenges. I feel like every time I give her a challenge, she steps up and delivers.”

Krause values that Saunders “gives great feedback on things I have to fix.”

Native Nebraskans dot the rosters of in-state and out-of-state programs. Along with Krause, Elkhorn South freshman Rylee Gray—who holds scholarship offers from Nebraska and Creighton—may emerge as another next big name from the Omaha metro. But they are both still a few years from the collegiate level.

UNO’s Shires says “impassioned” coaches like Saunders are why volleyball is rooted and embraced here. Shires came to Omaha from Texas to join the dominant program Janice Kruger built for the Mavericks at the Division II level. Kruger, now head coach at the University of Maryland, was previously captain of the Cornhuskers’ team (1977).

Further enhancing the volleyball culture, Shires says, is having former Olympian Jordan Larson and current pro Gina Mancuso come back and work with local players. Mancuso’s pro career has taken her around the world. She wants the players she works with at UNO, where she’s an assistant, to “see where it can take them.”

As volleyball has taken off, it’s grown more diverse. Most clubs are suburban-based and priced beyond the means of many inner-city families. The Omaha Starlings provide an alternative option. “Our fees are significantly lower than everybody else’s,” says Walker, the club’s director and Northwestern’s coach. “Anybody that can’t afford to pay, we scholarship.”

Broadening volleyball’s reach, she says, “is so necessary. As a result, we do have a pretty diverse group of kids. I’ve had so many really talented athletes and great kids who would have never been able to afford other clubs. We’re trying to even the scale and offer that same experience to kids who have the interest and the ability but just can’t afford it.”

“It’s very exciting to see diversity in the sport—it’s been a long time coming,” Schonewise says.

Forty-five Starlings have earned scholarships, some to historically black colleges and universities. Star grad Samara West (Omaha North) ended up at Iowa State.

Starlings have figured prominently in Omaha Northwest’s rise from also-ran to contender. Eight of nine varsity players in 2017 played for the club.

Walker knew volleyball had big potential, yet it’s exceeded her expectations. She says while competition is fierce among Nebraska coaches and players, they share a love that finds them, when not competing against each other, cheering on their fellows in this ever-growing volleyball family/community.

“It’s awesome,” Walker says. “But I don’t think we’ve come anywhere close to reaching our peak yet.”

This article was printed in the January/February 2018 edition of Omaha Magazine.

Neil Astle

September 17, 2017 by
Photography by Bill Sitzmann

It is not often that an Omaha architect is featured in The New York Times and Architectural Digest, but the reputation of Neil Astle is noteworthy for much more than mere publication clippings. His local homes and buildings remain architectural treasures in the Omaha metro.

Daniel Naegele, associate professor of architecture at Iowa State University and co-author of the soon-to-be-published Astle & Omaha, says his buildings are “highlights of architecture.” Bruce Wrightsman, assistant professor of architecture at Kansas State University and the other co-author adds, “Astle had a profound effect upon architecture in the state of Nebraska.”

Tollefson House (Wausa, Nebraska)

In 2008, Astle was posthumously awarded the Harry F. Cunningham Gold Medal for Architectural Excellence in the State of Nebraska—the highest honor that the regional chapter of the American Institute of Architects can bestow in recognition of distinguished architectural achievement. This path to praise was laid in a dedication to material detailing and modernist ideologies.

Astle was born in Salt Lake City in 1933 and earned a degree in architecture from the University of Utah in 1958. The next year, he earned a Master of Architecture and Planning from Massachusetts Institute of Technology. The department was then chaired by Pietro Belluschi, designer of many high-profile buildings, including the Pan Am (now MetLife) Building in New York City. At MIT, Naegele says, “Astle would have been seduced by Eero Saarinen’s extremely popular Kresge Auditorium and Chapel and by Alvar Aalto’s Baker House auditorium.” The concrete-and-glass structure auditorium and brick dormitory with a large S-curve would later be reference points to many of his projects in Nebraska.

In 1964, Astle moved to Ralston; in 1965, he founded Neil Astle and Associates and began teaching architecture and community design at the University of Nebraska–Lincoln.

Benedictine Mission House (Schuyler, Nebraska)

From 1968–1981 his Omaha-based firm received six AIA Nebraska Design Awards, five Central State Awards and two Architectural Record Awards of Excellence. In 1983, he became a fellow in the AIA. Then in 1999, Astle received the Lifetime Achievement Award from the Utah Society of Institute of Architects—the first and still only Utah recipient of this award. Astle died in 2000, receiving the Cunningham Gold Medal from AIA Nebraska posthumously eight years later.

Why such lingering admiration for this Omaha-based architect?

Astle’s architectural style, now known as midcentury modern, confronts the expansive nature of suburbia with a counter solution: intense material and spatial investigations, along with honed detailing. As Naegele says, “The transition from man-made suburbia to Neil-made suburbia is one of Astle’s great accomplishments.”

Searching for authenticity in materials, Astle’s architecture was primarily fabricated in cedar and concrete—aging with the landscape of the site—finding continuity of interior and exterior space. Through their specific placement, these structures cascade on their sites. Like other architecture of the period, searching for simplicity was not simple.

The DeSoto Wildlife Center (Missouri Valley, Iowa)

With a focus on micro details (for example: hinging on cabinets and closet cladding) and using natural light and architectural space, many of his projects (including several Omaha-area homes and the DeSoto Wildlife Center in Missouri Valley, Iowa) strike an uncompromising balance of form, function, and the environment. 

In 1980, Architectural Digest described Astle’s award-winning work as “an architectural gem” and “unmistakably modern.” This respect continues to be felt by many of his contemporaries. Ross Miller, architectural designer at HDR, speaks to Astle’s legacy by simply stating, “he is a true architect.”

Visit aiane.org for more information about the regional chapter of the American Institute of Architects.

This article was printed in the September/October 2017 edition of Omaha Home.

Learn about two Neil Astle homes for sale recently in Omaha in this article’s companion piece: “Two Homes, One Architect”

Ball House (Omaha, Nebraska)

Louder Together

August 17, 2017 by
Photography by Bill Sitzmann

Lauren Martin was a small-town farm girl from McCook, Nebraska. She loved country music and never expected she would one day lead Maha—Nebraska’s pre-eminent annual music festival.

On Aug. 19, Martin oversees one of Maha’s boldest lineups ever. Headlined by the controversial hip-hop group Run The Jewels, Maha 2017 is poised to be one huge spectacle that promises to bring together a diverse group of concert-goers.

That kind of unity through music drives Martin, who got her first taste of it when she was a college student working on the campus program council at the University of Nebraska-Lincoln. “All of the sudden, I realized my favorite thing was to bring people together around experiences,” says Martin, who was named Maha’s first executive director in 2015.

While attending UNL, Martin helped bring such performers as singer-songwriter Jason Mraz and comedian Kathy Griffin to the university. After graduating, she wanted to continue exploring a career of booking musical talent.  Martin interned at Omaha-based Saddle Creek Records in 2007. The following summer, she found herself working at Live Nation, a global entertainment company in St. Louis. However, the Great Recession of 2008 cut her career plans short, forcing her to move back home and assess her future in the music industry.

“I came back to Omaha and felt like a dog with my tail between my legs because I failed—or because I couldn’t hack it—whatever it was” Martin says.

In 2009, Maha was born, and Martin took interest. Over the next few years, she wore many hats, including working as a house manager at Omaha Performing Arts and as programming director at Hear Nebraska. In 2012, she was given the reins to Maha’s social media accounts. She was also named to Maha’s board of directors that same year, eventually serving as vice president.

As she continued to work with Maha, Martin’s view of music changed, especially how it can affect people and bring them together. This feeling and sense of community is something she continues to incorporate into Maha.

“Now I realize music is something we all share, and it has a power to connect. It’s everything from a release, to a way to express yourself,” she says. “And while I myself am not a musician, I find that music helps me process things. It helps me connect with other people. It’s a passion in a way that music is an avenue for my fulfillment.”

Martin also worked in communications at the Omaha Community Foundation, where she helped implement Omaha Gives!, a 24-hour charity event aimed at raising money
for nonprofits.

Then, in 2015, something big happened—Maha sold out for the first time, thanks in large part to a phenomenal lineup that included Modest Mouse and Purity Ring.

“It caused everyone involved with Maha to realize that, if we want the event to continue and really be sustainable and see what even further impact we could have on the community, we needed someone full-time. That’s when I became the executive director,” Martin says.

She also emphasized that the popular festival, currently held at Stinson Park in Aksarben Village, is much more than music. The event serves as a medium for other nonprofits to receive attention.

“It’s about raising awareness,” she says, “not forcing anyone to learn about something or expose them to potential trigger topics.”

For example, this year the festival will have information about suicide, the second-leading cause of death for people ages 15 to 34 in the U.S. Martin says the majority of Maha’s demographic falls in this age range.

“Maha is more than a music festival. It’s a platform for engagement,” she says. “We realized not only can we be a platform for other organizations, but we can help spread education.”

Martin adds that while information is available to event-goers, the staff aren’t trying to make attendees uncomfortable. “Because that isn’t the intent of anyone,” she says. “We’re not impacting the experience by throwing mental health in your face,” Martin says. “We’re not scared to talk about this. We want to be an organization that is listening to what is going on in our community.”

In addition to providing mental health information, other nonprofits team up with Maha as part of its community to culture and social activities.

This year Maha has again partnered with Louder Than a Bomb, an annual youth poetry slam with roots in Chicago that focuses on bringing teens together across all divides. The group was recently the subject of an award-winning documentary of the same name.

Another repeat partner is Omaha Girls Rock, a nonprofit that typically draws plenty of attention. The group empowers young women to voice creativity through music education and performance. In general, to “rock.”

“Maha is an event that connects and reflects the community,” Martin says. “In that kind of structure, you get to walk away saying ‘Omaha’s got some really cool stuff going on.’”

As Maha continues to grow, Martin says people are getting even more out of the music festival. To this date, the event has drawn music fans from 46 states, according to its website.

“While the music is seemingly the main event, you come to Maha and get so much more than that,” Martin says. “I thought I was getting involved with Maha for the music, but what kept me involved with Maha was all the people I’ve gotten to meet.”

Visit mahamusicfestival.com for more information.

This article appears in the July/August 2017 edition of Encounter.

 

Lauren Martin

Keeping Up With Kasher

February 3, 2017 by
Illustration by Derek Joy

Anyone who went to dances or homecoming festivities at Creighton Prep, Marian, Duchesne Academy, Cathedral, or other Omaha high schools from late-1989 through the early ’90s probably bounced their head to the beat of a cover band called The March Hares. At the time, no one realized they were witnessing one of the most original talents ever to come out of Omaha.

Tim Kasher,  “like most ragged teenage guitar players,” had already been bitten by the underground bug when he and four Prep mates, including Matt Maginn and Matt Oberst, older brother of future indie singer-songwriter Conor Oberst, formed the group. They performed covers of bands like The Clash, The Cure, and R.E.M. in public, while playing original music in one another’s basements.

“It was a good little business,” recalls Kasher fondly, from his home in Los Angeles. “We found what got us most excited and, instead of baseball, it was music.”

tim-kasherMore than 25 years later, music still gets the indie rocker excited and “out of bed every morning.”  He’s writing and recording original songs for his current bands, Cursive and The Good Life. He’s also using his degree in English from the University of Nebraska-Lincoln to write screenplays and, as always, testing the limits of his vocal cords.

“It’s definitely getting tougher to push the voice,” admits Kasher, 42, whose nasal and sometimes pitchy cries of anguish make his voice unmistakable. “I long to be 20 again, when I could scream as much as I wanted to. I can’t mistreat it now.”

Kasher will have to pace himself this spring when he goes on tour promoting a new solo album, his third. Titled No Resolution, the album comes out in March and, according to Kasher, features the lush sounds of strings, which he helped arrange.

True to form, Kasher wrote and directed a low-budget, feature-length film of the same name that uses all the songs from the album. “The film No Resolution is about a couple in their 30s who get engaged because she’s pregnant,” Kasher explains. “It’s set over New Year’s Eve, an appropriate backdrop to expose that the guy isn’t quite ready.”

Omahans saw an early edit of the film during the Omaha Film Festival last March. The final cut comes out this summer. Unlike many of his lyrics, the movie contains no autobiographical details. A happy and devoted Kasher married an editor at L.A. Weekly about one year ago. The couple live in the Silver Lake neighborhood, where they mingle with a sizeable group of Omaha transplants.
The musician’s private contentment hasn’t tempered his desire for professional independence. With the new year comes an announcement sure to send tremors through Omaha’s indie sphere: Kasher now has his own record label called 15 Passenger, a nod to an old touring van.

“The new album is on it. We also have all our master reels for Cursive, so we’re going to be releasing our back catalog, along with new stuff” he says. “We’re not planning on getting into the game of taking big gambles on new artists. Just self-releasing.”

What about Omaha-based Saddle Creek Records, the label formed and grown, in part, from Kasher’s talent? “Saddle Creek is alive and well. We’re just transitioning over.”

With a new album, new film, and a new record label, the beat goes on for Tim Kasher.

Visit timkasher.com for more information.

The Man Who Invented the College Football Playoff

December 28, 2016 by
Photography by Bill Sitzmann

There are scripts,but there’s also all kinds of room for improvisation. It’s improv. You get into character and run with it.

Larry Culpepper is either delusional or a consummate bullshitter, claiming, among other whoppers, that he created the College Football Playoff. He is raucous, chippy, and self-absorbed. His hair, shirt, visor, and flip-up glasses scream 1976. He’s a guy you’d buy a pop from, but likely shy away from having a beer with.

But Culpepper, the fictional character brought to life by actor/improv pro Jim Connor, is an increasingly beloved traveling minstrel who now transcends the Dr. Pepper brand he was created to peddle. Three years after his birth in an ad campaign with a potentially short leash, Culpepper now is mobbed by fans during live appearances; is part of a 10-part, football-season-long ad series; is the face of Dr. Pepper’s $35 million sponsorship of the College Football Playoff; and, increasingly, is a media darling beyond the confines of paid advertising slots.

For marketing purposes, Culpepper is from nowhere in particular. But in late August, Culpepper appeared on ESPN’s College Football Live and was asked to give his prediction for the playoff’s final four teams. His answer: Alabama, Clemson, LSU, and Nebraska (fresh off their losing season).

“Nebraska?” One commentator scoffed, before asking a cohort, “Is he from Nebraska or something?”

larryculpepper2Culpepper isn’t, but Connor is. For the Omaha native and Husker fan, that moment on ESPN illuminates why he has enjoyed playing Culpepper so much. “There are scripts, but there’s also all kinds of room for improvisation,” Connor says during a call from his home in Los Angeles. “It’s improv. You get into character and run with it. It’s a great time.”

Connor, the youngest of seven children (“which explains my personality right there,” he says), attended Creighton Prep, where, along with classmate Alexander Payne, he performed with the school’s improv acting troupe. He remembers one gig in particular that fueled his passion for the rush and satisfaction of successfully winging it for a crowd. “It was for a local service group,” he says. “We did some silly birthing scene, and the women in the group—you know, who had some experience with such a thing—really had a good time with it. It’s so cool when you connect with an audience.”

Connor was a gifted ham and public speaker. He served as vice president of the student council at Prep, wrote and acted in pep rally skits, and even placed first place for Humorous Interpretation at the National Forensic League’s National Speech Tournament in Minnesota.

After what he described as a “difficult” freshman year at the University of Nebraska-Lincoln (“it just wasn’t for me”), he transferred to Saint John’s University in Minnesota. After college, he moved to Boston and worked as a carpenter while performing in theater and short films, then moved to Denver to pursue his MFA in acting at the famed National Theatre Conservatory.

The goal, “was never to get famous,” he says. “I just wanted to make a living being an actor. I wanted acting to be my full-time job.”

A dream of tens of thousands who have moved to Los Angeles. And while at 54, Connor is no household name, he has succeeded at stringing together enough commercials and small parts to make acting his career.

Besides nearly 150 commercials, his film credits include Watchmen, Meet Dave, Blades of Glory, The Onion Movie, Home Invasion, and Horrible Bosses 2. Alexander Payne asked his old friend to give the drunken wedding-reception toast in About Schmidt.

He also had numerous recurring roles in television comedies such as Parks and Recreation, Brooklyn Nine-Nine, Scrubs, and The King of Queens.

In 2014, Connor and about 500 other actors auditioned for the role of the Dr. Pepper concessionaire in a national ad campaign targeting college football fans. Actors were given latitude to define the character and riff. Connor created an amalgam of “a lot of people I’ve known” to create Culpepper, a loud, proud, gregarious huckster who seems to actually believe—in the face of constantly presented information to the contrary—that he created the four-team college football playoff system.

For all of Culpepper’s failings, he’s also affable, wide-eyed, and childlike in his zeal for the job and the game, appealingly un-self-aware, and extremely clever. “Larry is a real guy, he’s a smart guy,” Connor says. “He’s just got some unusual ideas sometimes.”

larryculpepper1Among myriad other reasons why he claimed the Cornhuskers would make the playoffs: “Nebraska runs that classic passive-aggressive offense,” he told the ESPN crew. “They’re playin’ real nice, and then you’re like a puddle on the 50-yard line.”

It was inspired nonsense, which is the foundation to good improv, which is what Connor would love to spend the rest of his career getting paid a living wage to do.

Indeed, as Culpepper increasingly becomes a star beyond the confines of college-game broadcasts, as Dr. Pepper continues to expand the ad campaign (Connor’s character is now essentially the spokesman in football matters for the company, which AdWeek magazine estimated paid at least $35 million to be a “championship partner” in the College Football Playoff).

He is hoping to land more significant movie and television roles, especially in one of the increasing number of loosely scripted, improv-heavy comedies.

“I’m not going to get cast for scripted stuff in front of a studio audience,” he says. “That’s not what I’m built for.  Shows like Parks and Recreation—where you have space to work more freely with a talented group—that’s where I belong. That’s where I love to be.”

Visit larryculpepper.com for more information.

Classic Meets Contemporary in a Louisville Farmhouse

December 22, 2016 by
Photography by Bill Sitzmann

They say you can never go home again—but Kara Habrock managed to make it happen. The Louisville, Nebraska, native was living in Omaha with her husband when they felt pulled back toward their small­-town roots.

“We’re both from a small town and just couldn’t fight it,” Kara says. “I never envisioned I’d be back in my little hometown, but it’s worked out great.”

Monty Habrock, whom Kara met while attending the University of Nebraska-Lincoln, is originally from Emerson, Nebraska.

The Habrocks first moved to an old home on five acres just outside of Louisville. They lovingly remodeled the house, but it still wasn’t quite the right fit for their family, so they considered moving again. Kara had the perfect alternative in mind; in fact, it was a house she’d had on her mind practically her whole life. 

habrocks2
“This was definitely my idea,” Kara says, of the Habrocks’ current home, a 100-year-old, two-and-a-half-story, remodeled farmhouse poised on a hill at the edge of town. “I grew up two blocks away, and my bedroom window looked right at this house. There was an old barn with Dutch doors where the new barn is now, horses, and a paddock. I’d walk over as a little girl and pet the horses. This house was like an anchor on the end of town, just that big old white farmhouse, and I just loved it as a kid.”

In fact, when Kara was 12, her parents actually considered buying the same farmhouse, but instead opted to build their own new home. 

“I was just devastated. My mom still laughs to this day and says, ‘You never got that out of your head, did you?’ It was definitely a longtime dream,” Kara says.

Initially, Monty was not onboard. But the family had a front-row seat to a consistently re-emerging “for sale” sign each Sunday as they drove past the house on their way to church. In the end, it was a simple twist of traffic that brought Monty around.

“I surprised her on a Sunday morning. I was going into town for coffee and nearly got hit by a truck pulling out on the highway from our old house. I thought, ‘My kids are driving soon, and that could happen to them.’ So, I came in and said, ‘Kara, let’s buy that house.’ It’s only six blocks from school, I thought, they can’t hurt themselves,” Monty says with a laugh.

“I was in the shower washing my hair when he said that. I’ll never forget it. I called the realtor that afternoon before he could change his mind,” Kara says.

habrocks3Due to its age and the Habrocks’ ultimate vision, the property needed lots of work. They both work at Roloff Construction, originally owned by Kara’s father, Larry Roloff. These days, Kara is vice president and general manager; Monty is vice president and chief estimator. The majority of their work is underground, for example, sewer projects for MUD and establishing the underground infrastructure for the CenturyLink Center and TD Ameritrade Park. Although they don’t specialize in the type of construction needed to renovate their home, their experience nonetheless proved helpful.     

“The line of work we’re in, it makes you see what’s possible,” Kara says. “We have an eye for looking at a piece of ground and visualizing the possibilities, where a lot of people can’t. We knew it was possible, but it would be a long project.”

The Habrocks enlisted Steve Cramer of Cramer Kreski Designs as architect, Tom Slobodnik with Slobodnik Construction Group as builder, and Mary Murphy of the Interior Design Group as decorator.

“We had a great team put it together,” Monty says. “They really understood how we live and are all meticulous.”

Kara adds the team had a great eye for the Habrocks’ love of “old-fashioned style with a modern twist.”

“I’ve always had to reconcile my love of old things with my love for sleek, modern things. The inspiration for the design and decor of the house was to make that all make sense together in an eclectic mix of old and contemporary,” Kara says. 

Kara says it was crucial to preserve as much of the original, traditional foursquare farmhouse as possible, despite the need to basically gut it to update wiring, plumbing, heating, and air, while also executing an add-on. 

“I can still tell where everything in the house was,” says Kara, pointing out features like original doors that have been repurposed within the home and a stretch of siding from the original home that has been relocated to an entryway.

habrocks4

The Habrocks replaced the dilapidated old barn with a new structure they have dubbed the “party barn,” where they have hosted family graduation and anniversary parties, school and church club meetings, and other affairs. The barn is a bright, airy space with a kitchen, bathroom, and large main area that can be easily converted for any occasion. The family, which includes daughters Claire, 19, and Sophie, 15, as well as Foster, a 14-year-old mini Aussie, and Kooper, a 2-year-old full-size Aussie, even lived in the barn for eight months in 2013 while the main house was being completed.

The Habrocks love entertaining family and friends—whether that is a couple dozen folks for Thanksgiving or a small, impromptu gathering for Game 7 of the World Series—and their warm, laughter-filled home is the perfect space for welcoming guests. 

“We’re very casual and like to have people over. We did not want it to be formal. We wanted open spaces with great little nooks,” Kara says. “It’s a very lived-in house, and the biggest compliment we get is when people come in and say, ‘Oh, it’s just so cozy and comfortable’ because that’s definitely what we were going for. We love being home.” 

Visit louisvillenebraska.com for more information.

OmahaHome

habrocks1

Together A Greater Good

December 20, 2016 by
Photography by Bill Sitzmann

A mobile-friendly app created by two Omaha marketing pros has made giving to local charities easy for shoppers around town.

When folks download and use the Together A Greater Good app, they can scan their purchases from local participating businesses—including Big Mama’s Kitchen, The Bookworm, and Greenstreet Cycles—and donate a portion of the receipt amount to charities like American Cancer Society, the Open Door Mission, or a local school.

TAGG, founded in 2012, is the brainchild of Holly Baker and Leslie Fischer. Baker and Fischer studied marketing and business (Baker at the University of Nebraska-Lincoln, Fischer at the University of Nebraska-Omaha). The two met in 2007 while working at another startup, GiftCertificates.com. Although the two worked together for less than a year, the hectic, frenzied work environment helped forge a future partnership.

“You kind of bond through chaos,” Fischer says.

After leaving GiftCertificates.com, Fischer worked for the construction company EAD. While at EAD, Fischer juggled administrative, human resources, and marketing duties.

Coincidentally, both Baker and Fischer were pregnant around the same time while employed in their respective former jobs (Fischer at EAD, Baker at Qualia Clinical Services). Their gestations corresponded to the genesis of TAGG. When Baker was pregnant with her first child, she heard that Qualia was shuttering its Omaha operations. Around that time, Fischer asked Baker to help with some projects at EAD. And while Fischer was on maternity leave, she began brainstorming business ideas. One idea came from constantly being barraged by “cute kids wanting to sell stuff” for fundraising.

“I remember standing in my office, holding my resignation letter, thinking, ‘This is real. We’re doing this…”

– Leslie Fischer

Fischer says she remembers Baker saying, “Doesn’t there have to be a better way than this poor kid schlepping through all the neighborhoods?”

For Fischer and Baker, the Groupon business model kept coming up. The popular web coupon site Groupon offers different deals for products, services, and events. Specifically, Fischer and Baker were interested in taking Groupon’s voucher system for deals and applying it to fundraising. From early 2011 until May 2012, Baker and Fischer kept bouncing ideas around.

In May 2012, Baker and Fischer quit their jobs to devote all of their resources into launching TAGG.

“I remember standing in my office, holding my resignation letter, thinking, ‘This is real. We’re doing this,’” Fischer says.

Baker was pregnant at the time.

“I thought I was going to have a miscarriage from stress,” Baker says.


tagg1For most businesses, the first year of operation comes with a few horror stories. For Baker and Fischer, theirs revolved around the key component of TAGG—its website. After quitting in May 2012, Baker and Fischer planned to launch TAGG around the Fourth of July of that year. Unfortunately, the website developer, who was working in Colorado, hadn’t completed the back-end work for the website.

“I ended up spending the Fourth of July on the phone with our lawyer to get our code from this guy,” Fischer says.

Fischer and Baker agreed it was best to scrap the design and start fresh. They relaunched that fall.

Since launching, TAGG has gained 175 businesses committed to donating 5 percent of customers’ scanned receipts to local charities. Twenty thousand people have downloaded the TAGG app. And TAGG now operates out of a West Omaha office, a far cry from kitchen table conversations that created TAGG.

“It feels like forever ago, and yesterday at the same time,” Fischer says.

Visit togetheragreatergood.com for more information.