Tag Archives: radio

Mark McGaugh

February 27, 2018 by
Photography by Bill Sitzmann

Mark McGaugh describes himself as “that kid everybody always thought was going to be a doctor or a president.” Known as a young child for reading the encyclopedia and watching the History Channel, it’s no surprise that this 24-year-old’s inquiring mind was fascinated by the possibilities of music. His musical career began in the fourth grade, with a recorder class at Belvedere Elementary School.

By fifth grade, he made his first forays into hip-hop during freestyle rapping sessions in the library with friends. It wasn’t until middle school at King Science & Technology Magnet Center when he picked up the alto saxophone that McGaugh started to explore the worlds of classical and jazz music. Omaha North brought the opportunity to join drumline, but the music alone wasn’t enough to protect a teenage McGaugh from the social pressures he faced.

“Growing up here in North Omaha, in a single-parent household, it’s rough. The story goes on and on, but I went through it,” he says.

When he found himself embroiled in some trouble during his junior year, the young man had to step back and decide what he wanted his focus to be. “It was a turning point in my life,” McGaugh reflects on getting caught up with the wrong crowd as a moment when he chose to dedicate his life to music.

Although hip-hop, church choir, and the musical endeavors of family members have always been in the background, McGaugh realized that his interests in music could only go so far when limited to school band. “To be a DJ, or you know, a little black boy on the corner rapping bars, you can [only] get so far here in Nebraska.” Fortunately, his mother always strongly supported her son’s musical interests, provided he focus on his education first.

When he graduated from North High in 2011, that focus on academic achievement culminated in an opportunity to attend Florida A&M University.

“I flew the coop,” he recalls. “I went to Florida with a dream.” That dream was centered around widening his musical horizons, but the young man found his perspective changing about life as a whole. “Going to Florida A&M, which is a historically black school, just seeing the different perspective of what’s possible for me, that definitely opened my eyes to a lot of things.”

During college, McGaugh discovered a passion for broadcast journalism. As he earned his degree in the field, he hosted campus radio shows that investigated some of the most intense national news issues of the time. From an exclusive interview with the mayor of Flint in the heat of the city’s devastating water crisis, to reporting on violence against students at a Georgia Donald Trump rally, to debate over Florida’s infamous “Stand Your Ground” law, McGaugh provided valuable insight and information to his community. “That was a big eye-opener,” he says of the talk show.

While diving into broadcast journalism, McGaugh never lost sight of his dream to pursue music. In addition to his more intense Saturday morning show, he covered sports news and hosted a hip-hop show for campus radio. When he wasn’t studying, he was working for a local music promotion agency to help independent record labels distribute their sound.

“That was a good insight into seeing how the music industry works,” McGaugh says. He learned about the importance of understanding what goes into deciding whose music gets played, met artists, and made connections. He reports that “it’s really an effort over talent thing.”

While he was earning his degree and working with promoters across Florida, McGaugh didn’t forget the needs of his hometown. Upon graduation, he returned to Omaha and could clearly see voids in the artistic community—as well as the potential of the city. “There was an actual music scene that was here when I came back from Florida that wasn’t here when I left.” He refers to a number of musical players changing the Omaha scene—Reverb Lounge, Slowdown, One Percent Productions, and Make Believe Records—all giving new energy to budding artists across the city.

Inspired by these new efforts to invigorate the local music scene, McGaugh made a commitment to making a difference in the musical landscape of the city through community radio. The new Mind and Soul 101.3 station, housed inside the Malcolm X Memorial Foundation on Evans Street, was just the type of platform McGaugh wanted to help develop in his community. He began as assistant program director at the station in January 2017, and now hosts “Lunchtime Live,” formats shows, looks up stories, and keeps things running smoothly to give voice to his community.

“My ultimate goal with being at this radio station is making sure that the message of the community isn’t watered down or isn’t ignored,” McGaugh explains. As he continues to pursue his own passion for music and a newfound interest in DJing, he loves being a part of the platform that shares the messages of all types of people in his city and gives new artists a chance to have their voices heard. McGaugh believes that with the help of organizations like Mind & Soul, the future for Omaha music is bright. “Ultimately, the goal is just to help the world.”

This article appears in the March/April 2018 edition of Encounter

Some Free Advice

December 3, 2017 by
Photography by Bill Sitzmann

There is of course, an old saying, “Free advice is worth every penny you spent on it.” But then, I’ve never had enough money to afford any truly valuable advice, so I’ve come to trust in a few nuggets given to me gratis over the years. Besides, that old saying is in and of itself “free,” isn’t it? Life is full of logic loops.

Oscar Wilde—in a book I paid for, so it was therefore not in the worthless category—once said, “I always pass on good advice. It is the only thing to do with it. It is never of any use to oneself.” With that in mind, I offer you a few gems, no charge.

I had an uncle who left the farm to move to New York City back when Times Square was, shall we say, a bit more “grown up” than the current Calvin Klein version. In fact, he once claimed that while there, he met a heavily armed Kurt Russell trying to escape the island. Anyway, when he returned to his small Iowa hometown years later, he said to me…

“Never trust a naked bus driver.”

It’s a bit of advice that still rings true.

I once had a friend whose home went up in flames, a total loss. When I ran into him a week or so after the conflagration he seemed remarkably sanguine despite the disaster. I asked him how he could be so accepting of the calamity, and he leaned over his third pint of the night and told me…

“Never own so much that you’ll be secretly pleased to watch your house burn down.”

Possessions do evolve into clutter, don’t they?

I recently ran into a woman I had dated a few times in high school before she tore out my heart and stomped on it. Every teenage romance is dramatic, don’t you agree? She recounted to me that she had subsequently been married six times and divorced five. “Wow,” I said. “That’s a lot of failed marriages.” After she finished laughing, she replied, “Failed? Not failures by any stretch. Four were victories and one was a draw.” As for the institution, she advised me…

“Marriage is like a track meet. The pistol should be used at the start, not the finish.”

I’m not sure I understand the gun’s role at all, but I have to admit she had more experience than I do.

Most advice that we get in life seems to be about money. Heck, there’s a whole profession full of people called “financial advisers.” Some of them are even licensed. Go figure. I once spoke to one of those folks. I’d avoided them for years, but after the 37th invitation to a “free” steak dinner at a local eatery, I found myself a bit peckish and decided to take these money gurus up on the deal. After the some-what subpar sirloin was consumed, I found myself cornered by one of these name-tagged hustlers who babbled at me incessantly while I searched vainly for that lint-covered extra-strength Tums I knew I had left in my sports coat pocket a few months earlier.

After he mentioned how my money should work for me, and I explained that my money was as lazy as I was, he brought out the big guns. “You need a plan,” he said, which was no surprise since he was a planner. Suddenly, something my grandmother had told me years earlier popped into my head.

“Money is like cheese. If you’ve got more than you can eat in a week, invite some folks over.”

He wandered off. I went home. I leave you with this last bit of free advice, though I have no “license” to do so…

If someone tries to bait you with free meat, stay in the Barcalounger.


Otis Twelve hosts the radio program Early Morning Classics with Otis Twelve on 90.7 KVNO, weekday mornings from 5-9 a.m. Visit kvno.org for more information

This column was printed in the November/December 2017 edition of Omaha Magazine. 

Listen to Otis read this column in his own words here:

Lunch With Buffett

August 13, 2017 by
Photography by Bill Sitzmann

With food-inspired songs such as “Charleston’s,” “Medium Rare,” and the album’s title track, the duo displays a penchant for sweet-sounding beats and aspirations to dine with Omaha’s most affluent resident, Warren Buffett.

They speculate that arranging lunch with the local billionaire would be easier than getting airplay on local radio stations.

“We want to be heard,” Big Tate says. “The radio DJ abides by guidelines that [forbid] touching the streets. They are afraid to challenge the norm.”

“Radio is stagnant,” Absolut-P adds. “It isn’t as influential as it once was. If we want to make an impact, we’d be better off putting together a lunch with Warren Buffett and creating a buzz from that.”

Or maybe just make up a song about having lunch with Buffett.

Big Tate

That sort of creative thinking would be the driving force behind Absolut-P (aka Stevin Taylor) and Big Tate (aka James Buckley) collaborating on the album.

The idea came from another friend’s fateful encounter with Buffett at a now-closed Omaha steakhouse known to be one of Buffett’s favorite local restaurants.

“A friend of mine happened to be eating at Piccolo Pete’s when she called to tell me that Warren Buffett and Bill Gates were sitting across from her,” Big Tate recalls. “I told her that I needed her to get a picture of them by any means. I’m always thinking of ways to promote our music with imagery and catchy choruses. I was sure that I could come up with a song for that image.”

Big Tate was familiar with Buffett’s history of auctioning off a “power lunch” for charity. In 2016, an anonymous bidder paid $3,456,789 for the experience, with the money going to benefit the Glide Foundation, a San Francisco nonprofit dedicated to helping homeless and underprivileged residents.

For months, Big Tate continued to stew over his idea. Later in 2016, he partnered with local producer Absolut-P (the P stands for “Perfection”), and they were able to create an infectious melody.

The song’s music video even featured a faux cameo by Buffett (thanks to a cut-out photograph of the billionaire’s face pasted over one of their friends).

They consider it an homage to the wealthy hometown hero.

“We’re from the north side of Omaha, and you don’t see those types of people on the north side,” Big Tate explains. “Other than Bud Crawford, it’s hard to relate to anyone on such a big stage. It’s good to look up to self-made men.”

Absolut-P

“As independent artists, Warren Buffett’s entrepreneurial spirit gives us a sense of self-pride,” Absolut-P says. “He shows us that by investing in ourselves we can reap big rewards.” 

One such investment involved professional mastering for the album by Rick Carson at Make Believe Studios. Absolut-P and Big Tate hope the song resonates with fans of hip-hop, Omaha, and Buffett alike. They released the album Dec. 31, 2016 (with a parental advisory warning for explicit content).

“The album-making process was so organic,” says Big Tate, explaining that hip-hop works best when pursued in a natural, fun way. “We just made songs about what we like; everyone likes to eat at a nice restaurant and order a good prime rib. That made us think of Charleston’s; they have some of the best steaks in Omaha. I like my steak well-done, but I’ve heard that they are very good medium-rare.”

When asked where they would like to take Buffett for lunch, both agree that Time Out Foods or The Taste’s of Soul Cafe would be a good place to accommodate them.

“I’m sure Warren Buffett is used to eating at the finest establishments,” Absolut-P says. “I’d want to give him a taste of our roots with some good food for the soul.”

Find Big Tate on Twitter at @BigTate402 and Absolut-P at @IAmAbsolutP. Both musicians frequently release new songs on social media. Their respective Soundcloud accounts are soundcloud.com/big-tate and soundcloud.com/absolut-p. Lunch with Buffett is available on iTunes, Spotify, Tidal, Spinrilla, Google Play, and YouTube. Copies are sold at Homer’s in downtown Omaha.

This article appears in the July/August 2017 edition of Omaha Magazine.

*Editor’s note: The printed edition misspelled Taylor’s first name as Steven.

Sexy & Slow

March 31, 2017 by
Photography by Keith Binder

Is it terrible the pain in Peedi Rothsteen’s voice is musically satisfying?

His honest mix of pleasure and vulnerability blended over incredibly sexy slow jams makes your knees buckle.

Rothsteen knew he was tapping a vein when he emerged on Omaha’s music scene nearly two years ago with a brand new sound unlike any of his other rhythm and blues projects.

Many may know him as lead singer to Voodoo Method or “P. Minor,” a local R&B artist and former radio personality, but he’s since evolved from typical masculine crooning. His delicate vocals now have depth. Musical grit, if you will. And, ultimately, rock influenced his creative trajectory.

Watching the evolution of Rothsteen has been quite entrancing. A lyrical twist intrinsically influenced only by time and experiences.

Music is second nature to the Chicago-born singer, who played trumpet and French horn as a child. He sang for his high school and church choirs. In fact, he got his start as a scrawny 7-year-old who took his church talent show stage in an oversized suit, patent leather shoes,  and a skinny black tie belting out Bobby Brown’s “Roni.”

Music was a persistent influence in his early years, but he stepped into his own in 2006 while working at Omaha’s hip-hop radio station Hot 107.7 FM.

P. Minor became a local R&B crooner who opened for some of the early 2000s’ hottest hip-hop musicians, including Donell Jones, Ciara, Akon, Ludacris, Ying Yang Twins, and Yung Joc. At the time, his single “Can I” was one of the most requested songs at the radio station. He garnered radio play outside Nebraska. His song “Keys to the Club” played in Arkansas, Missouri, and Minnesota.

Omaha’s R&B scene still is relatively small. Only a handful of soulful singers have landed regular gigs or made successful albums. He was tired of being stuck in a genre filled with repetitive melodies and predictable style. So he tried his hand at a new genre: rock.

“I liked the energy of rock music,” he says.

Minor was introduced to a couple of guys who were putting together a band. After a few jam sessions in 2007, the group formed Voodoo Method. With that band he toured and learned more about music than he’d ever imagine.

Voodoo Method featured an unexpectedly good combination of punch riffs, accurate lyrics being soulfully delivered by Minor, who almost always sported a tuxedo shirt and bow tie.

In the eight years performing with the band, his songwriting, voice, and look changed. He stepped into his own distinctive, expressive style. It was multi-dimensional.

“In rock, you have to be ready to take it up another level,” he says. “You have to be able to get out of your level. You have to be a magnetic frontman and push your vocals. And, without being in a band, I wouldn’t … my sound wouldn’t have developed that way.”

Voodoo Method is still around.  “We’re taking our time writing and just exploring music,” Minor explains.

But he got the bug for R&B music again.

“I wasn’t trying to get out or push anything, just exorcise my own demons,” he says.

He knocked the rust off and started producing again.

“What if I take what I’ve learned with the band and some of those experiences and move them over with R&B,” he ponders. “I might have success.”

All the while, he was producing a podcast and doing audio production.

“I wanted to create something new.”

He quietly started making R&B music again, he says. “A few songs here and there and then it started to feel good.”

So, here he is: a promising, ambitious, and talented songwriter and musician with one foot in rock, and the other in soul. This musical metamorphosis brought him to create his stage
persona, “Peedi Rothsteen.”

“Peedi” is a family nickname that stuck and Rothsteen is homage to Sam “Ace” Rothstein of Martin Scorsese’s brilliant and brutal 1995 film Casino.

Ace’s claim to fame is being an excellent gambler, he says. The way he approached the game. He knew all the ins and outs to gambling and could pick a winner.

“That the way I feel about music,” he says. “I know a song, what it needs. I know how to pick a winner. That to me, it’s symbolic.”

Hence, the brilliantly collaborative Peedi Rothsteen.

“There aren’t many things I can do great,” he adds. “Music is one. I work really hard, too. What comes out in the end is something people can enjoy.”

In 2015, Rothsteen released his debut EP Moments Before,  a five-song compilation of incredibly soulful lyrics. The music scene took notice. That same year, Rothsteen took home the Best New Artist award at the 2015 Omaha Entertainment and Arts Awards.

Exactly a year to the date, Rothsteen released Moments During, a five-track EP follow-up. The songs are full of foot-stomping grooves and fiery grooves vocals. Two songs to wrap your nodding noggin’ around are “Righteous Giant” and “Clap.” Rothsteen hopes to continue his music collection by releasing Moments After this summer–same June 11 date, of course.

His audience is just as diverse. Young. Old. Black. White. Metal. Soft rock.

“I don’t want to be just one thing,” Rothsteen says.

“In rock, you can go anywhere you want,” he says. “Good music will never be bad. It doesn’t matter how you box it up, how you deliver it.”

This article was printed in the March/April 2017 edition of Encounter.

Revamped Radio

March 18, 2017 by
Photography by Bill Sitzmann

When the band Train came to Omaha’s Baxter Arena for a concert in December 2016, there were plenty of flashing lights and excited fans. “But when the lights go out and the audience starts screaming, there’s no rush like it in the world,” says Andy Ruback, general manager of NRG Media. Ruback knows a great deal about screaming fans—when a big concert comes to town the likelihood is that Ruback had his hand in the planning. His role as general manager has evolved over the years from managing radio stations to include managing events brought to town by NRG Media Live.

The business is a natural fit for NRG, which owns stations ranging from Power 106.9 to 1290 KOIL. The company was looking to the future for broadcasting and leaning toward live shows as a way to increase profitability. NRG used their strengths in connecting people to music to expand into the business of concert production. With the radio stations’ on-air talent knowing their listeners’ preferences, the media company naturally knew what acts had potential to bring in revenue, and which ones might not.

Ruback came to Omaha from Lincoln, where he served as general manager for their NRG stations. Upon his arrival at the NRG offices in Omaha in 2012, Ruback went full speed ahead. He says the intention was never to focus on live shows over radio shows; rather, he called his plans a method for “diversifying for growth.”

Concert production is a challenge that Ruback gladly accepted, but in it, found unique bumps in the road. Some of those bumps included special requirements, such as permits, that needed the legal team’s help. Shock rocker Alice Cooper, for example, required the team to acquire special insurance because of the pyrotechnics involved with his show. Ruback and his team figured out how to get the right insurance, and now know who to ask the next time someone wants to light up fireworks onstage.

Ruback says some of the more surprising challenges he and his team have faced come from smaller, more routine details.

“I would say it’s more about the crowd experience logistics,” Ruback says. “How do we try to work with the arenas to make sure there’s enough concessions on the floor? What should be the entry ticket price? What should be the price for the front row?”

Logistics is the simplest description for the business of producing concerts. Is the specific artist available at the time? Is there enough interest in this artist to fill the seats? Is a venue available on the day needed?

“We could have the great idea, and the right price, but there could be a UNO hockey game and a Lancers game on the night we want, and we’re out of luck,” Ruback says.

It is a revenue stream in which many community businesses desire to participate, and there are many ways for them to participate, including attaching their name to experiences such as meet-and-greets with the band before or after the show, and attaching their name to souvenirs. Attendees at the Train concert, for example, vied for flashing bracelets and cups branded with a sponsor’s logo. Signage prominently displayed throughout Baxter Arena featured sponsor logos.

The scenario is beneficial to everyone involved: the band gets to play to a well-attended venue, the fans get to enjoy the band, and the sponsors get to present their message in an effective way.

“On that day, no other media group is producing a concert,” Ruback says. “So you’re looking at content that advertisers want to be a part of, but no other client can do.”

The diversification proved wildly successful. Ruback says that since 2014, more than 100,000 people have attended an NRG Media Live event. Associate athletic director for University of Nebraska at Omaha Mike Kemp enjoys his business dealings with NRG Media Live and says that when Ruback puts on a concert at Baxter Arena “… it’s not just a concert—it’s an event. He has great vision and ideas and that’s the true charm of what he does.”

“I think NRG Media does a great job of engaging the community to get behind the events,” adds Kemp. NRG Media has the ability to promote coming shows using the radio stations on their roster and their strong social media presence. This equals solid attendance numbers at concerts and happy sponsors.

“Andy’s full of energy and great ideas,” Kemp says of Ruback. “He’s an honest guy with great enthusiasm for what he does.” Rubak’s vision has evolved NRG Media into much more than an organization simply running local radio stations. In fact, the next time there is a popular concert in town, there is an excellent chance that Ruback can be found there, smiling and enjoying the rush.

Visit nrgmedia.com for more information.

This article was printed in the Spring 2017 edition of B2B.

From The Editor

February 23, 2017 by

B2B Magazine started 2017 by highlighting the many successful women in business around Omaha, and this issue, we bring you the best of the city for business needs.

This contest is a bit different from the Best of Omaha, where the ballot is published online so anyone in the community can choose their favorites. In the Best of B2B contest, the winners are nominated on ballots printed in the 20,000 copies of the winter issue. Each issue of the magazine contained a ballot—a chance for readers to vote on favorite businesses that cater to the local business community (for example: business lunch, carpet cleaning, and much more).

How many of us can truly say we love our work? I do, actually. I look forward to coming to the office. A big part of this is that I work with an incredible team of creatives and salespeople, and one lizard. Yes, lizard—Spike the bearded dragon. Spike came to visit a couple of years ago when the publisher and his family left for Europe, and he has been with us since. He’s docile, usually sitting under his heat lamp hanging around. Sometimes when I am really feeling overwhelmed, I walk downstairs to his aquarium and watch him for a moment, sunning himself, enjoying life.

In the spring issue, we bring you the story of Envoy, which keep cats, dogs, and even a hedgehog in the office. Employees keep treats for the fur-ployees at their desks, and if one of the pets turns up missing, the whole office helps in finding their special friend.

What about you? Do you have a pet in your office? Does your office allow you to bring your pets to work? Or do you vote nay to keeping or having pets in the office? Does the fur or the smell bother you? Follow us on social media and join the conversation (@omahamagazine on Twitter, Facebook, and Instagram).

We also have other incredible articles in this issue. Like many forms of traditional media, radio is looking for alternate ways to increase revenue. NRG Media has found new business opportunities through concerts.

Ride-sharing has become a popular trend in the past several years. While people are more prone to call for an Uber in a coastal city where the cost of owning a car is prohibitive, Omaha does offer alternatives to jumping into your own vehicle when you want to go somewhere. One of those alternatives is Zipcar. This car-sharing service allows users to access one of several fleet vehicles in the area by reserving a time and date for a car. The vehicle is then available for the reserver to use by the hour or the day.

And if you need to go outside of the city, traveling to Silicon Valley just became a bit easier by flying on United Airlines’ nonstop flights between Omaha and San Francisco.

This issue of B2B, like all issues, proves to be an adventure. I hope you enjoy it.

Daisy Hutzell-Rodman is associate editor of B2B, a publication of Omaha Magazine LTD. She can be reached at daisy@omahamagazine.com.

 

 

 

 

 

 

 

 

 

 

 

 

This letter was printed in the Spring 2017 edition of B2B.

 

Chuck Roberts

October 1, 2015 by

Chuck Roberts blew into Omaha the same day as the May 6, 1975, tornado that spread death and destruction. Covering the infamous storm was the newsman’s introduction to his new job as a KMTV reporter/anchor.

“We were wall to wall on that story for a couple of weeks working 12 hours a day,” he recalls.

Viewers may remember Roberts anchoring Today Show cut-ins and noon news. Later he was promoted to weeknight news co-anchoring with Jeff Jordan.

KMTV news director Mark Gautier, who hired him, had a good eye for talent.  Gautier also hired Tom Brokaw, who went on to a national stage with NBC News.  Roberts also ended up with a much wider audience after seven years in Omaha.

It started when Ted Turner took a liking to Roberts. The media mogul was launching the country’s first 24-hour cable news station, CNN2, which was renamed CNN Headline News one year later.

Turner sent scouts across the country to find talent to anchor his news. They found Roberts in Omaha. “They told me ‘Ted fancies you,’” Roberts explains, “and that I was a finalist. They said: ‘Can’t offer you a contract. Can’t pay what you’re making now,’” says Roberts of his soon-to-be pay cut.

He packed up a U-Haul and drove 1,000 miles to Atlanta and a new life.

Roberts became the first anchor on the first 24-hour national news network and his was the first face seen on camera when the station went live. The paint was still wet on the CNN set when the cameras rolled.

“We were told our job was threefold: look plausible, stay sober, and read the lines you’re given. Those were our marching orders.”

Roberts anchored four-hour weekday newscasts on CNN Headline News. He also was CNN’s election anchor. “I would drive to the Birmingham (Alabama) library and isolate myself and prep for election night. Election night 2000 was the most memorable. Went on the air at 6 p.m. and off air at 7 a.m.” the following morning.

In 2010, Roberts left CNN and an international television audience of 160 million viewers. After 28 years, he was the longest-serving anchor among all the CNN networks. He then spent three years carrying out media training sessions in eight provinces in China for his alma mater, the Missouri School of Journalism.

“We so-called experts were sent to teach media training to start up provincial-level news operations,” says Roberts. “It was a slow process. Everything had to be translated.”

The newsman’s enthusiasm for a broadcast career began near a Nebraska farm his family owned. “There was a radio station in the basement of a hotel in Falls City. I was fascinated by that as a 9-year-old.”

Roberts has high praise for the quality of broadcast news in this city. “Omaha is so much better than its market size and a great place to start a career. I learned my craft in Omaha.”

Because of his many acheivements, Roberts was inducted into the Omaha Press Club Journalists of Excellence Hall of Fame in June.

Chuck-Roberts

Kevin Kugler

October 22, 2014 by
Photography by Bill Sitzmann

As die-hard Husker, Hawkeye, and NFL fans begin the sprint that is football season, the man with the voice girds for an 11-month-long marathon of his own. Omaha-based sportscaster Kevin Kugler logs tens of thousands of air miles every year hopscotching across the country to the next city on his itinerary, providing radio play-by-play  for college games on the Big Ten Network and Sunday night pro football games on Westwood One. Kugler begins revving up his vocal cords in August, broadcasting the Houston Texans pre-season games. Come September, the pace picks up.

“I will leave on a Thursday or Friday, fly to my college site wherever that is in the Big Ten, meet with coaches, do my game, leave my game, go to the airport, hop on a plane Saturday night, fly to wherever my NFL game is Sunday night, do the game, and fly back home Monday morning,” the 42-year-old Lincoln native says, without taking a breath. “I’ll prep for the upcoming college game Tuesday and Wednesday [at home], transition to the NFL prep Thursday morning, then head out. Rinse and repeat.”

While most mortals would cry “uncle,” Kugler is just getting started. College basketball intersects with football in November, adding a middle-of-the-week Big Ten game to an already tight schedule. And, oh yes, Kugler tapes the popular Big Red Wrap-Up on Tuesdays in the fall for NET, the Lincoln TV station that gave a newly-minted UNL journalism graduate his first real job 20 years ago. “I was the sideline reporter for the Shrine Bowl, the high school football all-stars, and I was terrible,” Kugler admits, shaking his head. “I wore sunglasses and chewed gum. I was pathetic.”

Mentors along the way polished the rough edges, creating a versatile sportscaster who’s upbeat, enthusiastic, exciting to listen to—and dedicated. Kugler’s former Omaha radio partner can attest to that. “His plate is as full as any Thanksgiving meal you will see,” says Mike’l Severe, who teamed with Kugler for almost a decade on the popular Unsportsmanlike Conduct. “He is an extremely hard worker. When he got the Big Ten job, he followed all of college football—not just the Big Ten.”

In addition to football and basketball, Kugler calls baseball on the Big Ten Network, meshing his schedule with Westwood One duties, which include the NCAA Final Four followed immediately by The Masters golf tournament and, of course, the College World Series in his own backyard. Kugler has also traveled to four Olympics.

Kugler credits his wife, Michelle, an attorney, with enabling him to follow his dream while she raises their two daughters in west Omaha. But when college sports hibernate in July, Kugler’s favorite arena is home.

Dave Wingert Walking on Sunshine

December 20, 2013 by
Photography by Bill Sitzmann

He addresses his fans as “doll,” “girlfriend,” and the occasional, Zsa Zsa Gabor-esque “dahling.” And those are for his male callers.

“C’mon in, pussycat,” the man known as “Wingy” beckons with a broad smile. “We’re on the air!”

It’s a damp, gluey-eyed, pre-dawn hour, but Dave Wingert is already deep in a groove. The perpetually perky Big O 101.9 FM personality effortlessly manipulates a dizzying array of sliding control panel buttons while simultaneously juggling coffee, headphones, mic, and a trio of computer mice below a quartet of monitors. It’s the most improbable of ballets, all perfectly choreographed for the sole purpose of transitioning into the bouncy intro of a Men at Work tune, the one about a man in Brussels who was full of muscles.

Such dexterity is a skill the New York City native honed in a broadcasting career spanning six decades. First coming to Omaha in the ’70s, he had four radio and two television programs before spending the next 20 years in Seattle hosting the nationally syndicated Dave ’Til Dawn show.

LBJ was in the Oval Office when Wingert landed his first gig, an unpaid one on Ohio University’s campus radio station. “I wanted to be an actor,” he explains, “but the radio studio in the basement of the school’s theater building caught my attention. My very Jewish mother had an [insert wagging finger] ‘Over my dead body’ attitude about acting. She insisted I do something that promised a regular paycheck.”

Wingert found that regular paycheck and many more among an alphabet soup of radio station call letters but never abandoned the stage. He has been featured in the footlights of countless community theater, Off-Broadway, and Actors’ Equity stage roles, garnering several awards along the way.

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“I’ve always considered myself an actor who just happens to do radio,” says the member of the Nebraska Broadcasting Association Hall of Fame who now serves on the board of Omaha’s Blue Barn Theatre. “Whether behind the mic or on stage, it’s just like sitting around a campfire telling stories. Storytelling helps us understand how we—all of us—are alike. Storytelling erases our differences.”

The radio celeb known for his conversational, authentic, and hilariously over-the-top banter admits to not always being so comfortably at ease behind the mic.

“Do people like me? Am I doing okay? How did that last show go?” he recalls of his earlier days in radio while, in the background, the Thompson Twins insist, as if on cue, that someone “Hold Me Now.” “I had a million unanswered questions,” says the man who now peppers his program with self-help segments that have a deeply personal meaning for many in his audience. “Now I’m at a place where I no longer question myself; I just enjoy being myself. I’m okay with that.”

It’s a sentiment that also seems to be more than okay with legions of loyal followers.

“What’s big for me now is a sense of belonging, community, the satisfaction of making a difference,” he adds. “My ability to help the Blue Barn raise big money for a new theater, for example, is probably the most rewarding thing I’ve done in my return to Omaha. My role there is to connect with the community just like my role here at the station is to connect with the community. The only way for me to do that is to just be me.”

Wingert reaches for his headphones as the interview closes and he lapses into his best Yiddish to offer a cheerful “Bye-bye bubbe! Come back any time!”

And with that, Wingy was back on the air, this time playing the infectiously upbeat Katrina and the Waves number that could easily pass for his personal theme song—“Walking on Sunshine.”

Pioneers in Media

October 28, 2013 by
Photography by Bill Sitzmann

Eileen Wirth entered the Omaha World-Herald newsroom in 1969 and wondered, “Where are the women?” Unknowingly, she had become one of the newspaper’s first female city reporters.

Dr. Wirth broke through gender barriers again as the first female chair of the journalism department at Creighton University, where she has been a professor since 1991. Her story as a pioneer is mirrored in media throughout Omaha.

Rose Ann Shannon walked into the KMTV newsroom 40 years ago as an intern, looked around for other female reporters, and found none. Today more than half of the journalists at KETV—where she is the station’s first female TV news director—are women. Shannon was a KMTV reporter, photographer, anchor, and assignment editor before joining KETV in 1986.

In 1974, Ann Pedersen became the first full-time female reporter at WOW-TV (now WOWT). One year later, she was named the station’s first female anchor for a daily newscast. She became WOWT assignment editor and later assistant news director before leaving in 1988 for a 13-year career at WCCO-TV in Minneapolis as director of news operations.

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Ann Pedersen

Carol Schrader proved herself as an intern at KMTV before moving on to a full-time job as a reporter at KLNG Radio and, in 1979, at KETV. She became one of the first women to anchor a KETV evening newscast, the first female news director at KFAB Radio, and the first host of the NET program Consider This.

The time was ripe 40 years ago for women to enter what had been a mostly male environment, says Wirth. She wrote about pioneer women journalists across Nebraska in her book From Society Page to Front Page.

“Young men were being drafted into the Vietnam War, so there was a shortage of journalism graduates,” says Wirth, who had three job offers upon graduation. “It was a combination of a good economy and a massive group of young women coming of age in the civil rights environment.”

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Eileen Wirth

The landmark Civil Rights Act of 1964 mandated that employers hire without regard to gender or race. “Representative Martha Griffiths of Michigan added the clause banning sex discrimination,” says Wirth. “It was seen as a joke.” Opponents in Congress allowed the clause to go through because they mistakenly thought it would kill the entire civil rights bill. Instead, for the first time in American history, working women had a legal tool.

“The public wanted to see more individuals on air who represented them,” adds Pedersen. “Blacks and women brought new ideas. That’s the great advantage of having a well-integrated newsroom. You get different points of view.”

“I knew I got my job because I was a woman, but I didn’t want to do my job as a woman,” she says. “I wanted to be a journalist.”

“We didn’t mind rattling a few cages,” says Wirth.

Rose Ann Shannon

Rose Ann Shannon

Schrader rattled her first cage as a KMTV intern one night in 1973 by insisting on covering the shooting of a police officer. “I asked them to send me, but they just laughed. I told them, ‘I’m off in 20 minutes, and I’m going to drive there anyway.’” They sent her to the hospital with a camera. “I got a check for $10. I’ve never cashed it.”

She challenged the status quo again when she got into a verbal battle with Mayor Bob Cunningham in 1977 at a news conference she covered for KLNG Radio. She held her own. Two days later, KETV called to ask if she wanted to be the station’s “weather girl” and a reporter.

“I think we rattled cages just by being there,” says Pedersen, who remembers insisting on receiving the same camera the male reporters got. “You did have to stand up 
for yourself.”

When Pedersen arrived at WCCO-TV, she learned that the general manager would not pay her more than he paid his executive assistant. “But in the end, I was paid on par with other news managers,” she says.

Discrimination came more from the audience than from her supportive male co-workers, says Shannon. “Viewers didn’t like our voices. They said, ‘You’re taking a man’s job.’ There were times when I felt I had to work harder, longer, smarter because I had something to prove.”

Women brought story ideas into the newsroom that the male reporters had ignored, Schrader notes. “[We] were raising issues that were newsworthy but were not on the radar for men.”

Pedersen is now a public relations director in Omaha. Schrader is a real estate agent. Wirth is creating a new generation of journalists at Creighton University. Still at KETV, Shannon has seen big changes during her career. “I tell people I’m as excited about doing news today as when I walked in the door 40 years ago.”

Author Judy Horan began her career at WOWT at about the same time as the women profiled here, becoming the first woman in management in Omaha television.