Tag Archives: radio

Lunch With Buffett

June 21, 2017 by
Photography by Bill Sitzmann

With food-inspired songs such as “Charleston’s,” “Medium Rare,” and the album’s title track, the duo displays a penchant for sweet-sounding beats and aspirations to dine with Omaha’s most affluent resident, Warren Buffett.

They speculate that arranging lunch with the local billionaire would be easier than getting airplay on local radio stations.

“We want to be heard,” Big Tate says. “The radio DJ abides by guidelines that [forbid] touching the streets. They are afraid to challenge the norm.”

“Radio is stagnant,” Absolut-P adds. “It isn’t as influential as it once was. If we want to make an impact, we’d be better off putting together a lunch with Warren Buffett and creating a buzz from that.”

Or maybe just make up a song about having lunch with Buffett.

Big Tate

That sort of creative thinking would be the driving force behind Absolut-P (aka Stevin Taylor) and Big Tate (aka James Buckley) collaborating on the album.

The idea came from another friend’s fateful encounter with Buffett at a now-closed Omaha steakhouse known to be one of Buffett’s favorite local restaurants.

“A friend of mine happened to be eating at Piccolo Pete’s when she called to tell me that Warren Buffett and Bill Gates were sitting across from her,” Big Tate recalls. “I told her that I needed her to get a picture of them by any means. I’m always thinking of ways to promote our music with imagery and catchy choruses. I was sure that I could come up with a song for that image.”

Big Tate was familiar with Buffett’s history of auctioning off a “power lunch” for charity. In 2016, an anonymous bidder paid $3,456,789 for the experience, with the money going to benefit the Glide Foundation, a San Francisco nonprofit dedicated to helping homeless and underprivileged residents.

For months, Big Tate continued to stew over his idea. Later in 2016, he partnered with local producer Absolut-P (the P stands for “Perfection”), and they were able to create an infectious melody.

The song’s music video even featured a faux cameo by Buffett (thanks to a cut-out photograph of the billionaire’s face pasted over one of their friends).

They consider it an homage to the wealthy hometown hero.

“We’re from the north side of Omaha, and you don’t see those types of people on the north side,” Big Tate explains. “Other than Bud Crawford, it’s hard to relate to anyone on such a big stage. It’s good to look up to self-made men.”

Absolut-P

“As independent artists, Warren Buffett’s entrepreneurial spirit gives us a sense of self-pride,” Absolut-P says. “He shows us that by investing in ourselves we can reap big rewards.” 

One such investment involved professional mastering for the album by Rick Carson at Make Believe Studios. Absolut-P and Big Tate hope the song resonates with fans of hip-hop, Omaha, and Buffett alike. They released the album Dec. 31, 2016 (with a parental advisory warning for explicit content).

“The album-making process was so organic,” says Big Tate, explaining that hip-hop works best when pursued in a natural, fun way. “We just made songs about what we like; everyone likes to eat at a nice restaurant and order a good prime rib. That made us think of Charleston’s; they have some of the best steaks in Omaha. I like my steak well-done, but I’ve heard that they are very good medium-rare.”

When asked where they would like to take Buffett for lunch, both agree that Time Out Foods or The Taste’s of Soul Cafe would be a good place to accommodate them.

“I’m sure Warren Buffett is used to eating at the finest establishments,” Absolut-P says. “I’d want to give him a taste of our roots with some good food for the soul.”

Find Big Tate on Twitter at @BigTate402 and Absolut-P at @IAmAbsolutP. Both musicians frequently release new songs on social media. Their respective Soundcloud accounts are soundcloud.com/big-tate and soundcloud.com/absolut-p. Lunch with Buffett is available on iTunes, Spotify, Tidal, Spinrilla, Google Play, and YouTube. Copies are sold at Homer’s in downtown Omaha.

This article appears in the July/August 2017 edition of Omaha Magazine.

*Editor’s note: The printed edition misspelled Taylor’s first name as Steven.

Sexy & Slow

March 31, 2017 by
Photography by Keith Binder

Is it terrible the pain in Peedi Rothsteen’s voice is musically satisfying?

His honest mix of pleasure and vulnerability blended over incredibly sexy slow jams makes your knees buckle.

Rothsteen knew he was tapping a vein when he emerged on Omaha’s music scene nearly two years ago with a brand new sound unlike any of his other rhythm and blues projects.

Many may know him as lead singer to Voodoo Method or “P. Minor,” a local R&B artist and former radio personality, but he’s since evolved from typical masculine crooning. His delicate vocals now have depth. Musical grit, if you will. And, ultimately, rock influenced his creative trajectory.

Watching the evolution of Rothsteen has been quite entrancing. A lyrical twist intrinsically influenced only by time and experiences.

Music is second nature to the Chicago-born singer, who played trumpet and French horn as a child. He sang for his high school and church choirs. In fact, he got his start as a scrawny 7-year-old who took his church talent show stage in an oversized suit, patent leather shoes,  and a skinny black tie belting out Bobby Brown’s “Roni.”

Music was a persistent influence in his early years, but he stepped into his own in 2006 while working at Omaha’s hip-hop radio station Hot 107.7 FM.

P. Minor became a local R&B crooner who opened for some of the early 2000s’ hottest hip-hop musicians, including Donell Jones, Ciara, Akon, Ludacris, Ying Yang Twins, and Yung Joc. At the time, his single “Can I” was one of the most requested songs at the radio station. He garnered radio play outside Nebraska. His song “Keys to the Club” played in Arkansas, Missouri, and Minnesota.

Omaha’s R&B scene still is relatively small. Only a handful of soulful singers have landed regular gigs or made successful albums. He was tired of being stuck in a genre filled with repetitive melodies and predictable style. So he tried his hand at a new genre: rock.

“I liked the energy of rock music,” he says.

Minor was introduced to a couple of guys who were putting together a band. After a few jam sessions in 2007, the group formed Voodoo Method. With that band he toured and learned more about music than he’d ever imagine.

Voodoo Method featured an unexpectedly good combination of punch riffs, accurate lyrics being soulfully delivered by Minor, who almost always sported a tuxedo shirt and bow tie.

In the eight years performing with the band, his songwriting, voice, and look changed. He stepped into his own distinctive, expressive style. It was multi-dimensional.

“In rock, you have to be ready to take it up another level,” he says. “You have to be able to get out of your level. You have to be a magnetic frontman and push your vocals. And, without being in a band, I wouldn’t … my sound wouldn’t have developed that way.”

Voodoo Method is still around.  “We’re taking our time writing and just exploring music,” Minor explains.

But he got the bug for R&B music again.

“I wasn’t trying to get out or push anything, just exorcise my own demons,” he says.

He knocked the rust off and started producing again.

“What if I take what I’ve learned with the band and some of those experiences and move them over with R&B,” he ponders. “I might have success.”

All the while, he was producing a podcast and doing audio production.

“I wanted to create something new.”

He quietly started making R&B music again, he says. “A few songs here and there and then it started to feel good.”

So, here he is: a promising, ambitious, and talented songwriter and musician with one foot in rock, and the other in soul. This musical metamorphosis brought him to create his stage
persona, “Peedi Rothsteen.”

“Peedi” is a family nickname that stuck and Rothsteen is homage to Sam “Ace” Rothstein of Martin Scorsese’s brilliant and brutal 1995 film Casino.

Ace’s claim to fame is being an excellent gambler, he says. The way he approached the game. He knew all the ins and outs to gambling and could pick a winner.

“That the way I feel about music,” he says. “I know a song, what it needs. I know how to pick a winner. That to me, it’s symbolic.”

Hence, the brilliantly collaborative Peedi Rothsteen.

“There aren’t many things I can do great,” he adds. “Music is one. I work really hard, too. What comes out in the end is something people can enjoy.”

In 2015, Rothsteen released his debut EP Moments Before,  a five-song compilation of incredibly soulful lyrics. The music scene took notice. That same year, Rothsteen took home the Best New Artist award at the 2015 Omaha Entertainment and Arts Awards.

Exactly a year to the date, Rothsteen released Moments During, a five-track EP follow-up. The songs are full of foot-stomping grooves and fiery grooves vocals. Two songs to wrap your nodding noggin’ around are “Righteous Giant” and “Clap.” Rothsteen hopes to continue his music collection by releasing Moments After this summer–same June 11 date, of course.

His audience is just as diverse. Young. Old. Black. White. Metal. Soft rock.

“I don’t want to be just one thing,” Rothsteen says.

“In rock, you can go anywhere you want,” he says. “Good music will never be bad. It doesn’t matter how you box it up, how you deliver it.”

This article was printed in the March/April 2017 edition of Encounter.

Revamped Radio

March 18, 2017 by
Photography by Bill Sitzmann

When the band Train came to Omaha’s Baxter Arena for a concert in December 2016, there were plenty of flashing lights and excited fans. “But when the lights go out and the audience starts screaming, there’s no rush like it in the world,” says Andy Ruback, general manager of NRG Media. Ruback knows a great deal about screaming fans—when a big concert comes to town the likelihood is that Ruback had his hand in the planning. His role as general manager has evolved over the years from managing radio stations to include managing events brought to town by NRG Media Live.

The business is a natural fit for NRG, which owns stations ranging from Power 106.9 to 1290 KOIL. The company was looking to the future for broadcasting and leaning toward live shows as a way to increase profitability. NRG used their strengths in connecting people to music to expand into the business of concert production. With the radio stations’ on-air talent knowing their listeners’ preferences, the media company naturally knew what acts had potential to bring in revenue, and which ones might not.

Ruback came to Omaha from Lincoln, where he served as general manager for their NRG stations. Upon his arrival at the NRG offices in Omaha in 2012, Ruback went full speed ahead. He says the intention was never to focus on live shows over radio shows; rather, he called his plans a method for “diversifying for growth.”

Concert production is a challenge that Ruback gladly accepted, but in it, found unique bumps in the road. Some of those bumps included special requirements, such as permits, that needed the legal team’s help. Shock rocker Alice Cooper, for example, required the team to acquire special insurance because of the pyrotechnics involved with his show. Ruback and his team figured out how to get the right insurance, and now know who to ask the next time someone wants to light up fireworks onstage.

Ruback says some of the more surprising challenges he and his team have faced come from smaller, more routine details.

“I would say it’s more about the crowd experience logistics,” Ruback says. “How do we try to work with the arenas to make sure there’s enough concessions on the floor? What should be the entry ticket price? What should be the price for the front row?”

Logistics is the simplest description for the business of producing concerts. Is the specific artist available at the time? Is there enough interest in this artist to fill the seats? Is a venue available on the day needed?

“We could have the great idea, and the right price, but there could be a UNO hockey game and a Lancers game on the night we want, and we’re out of luck,” Ruback says.

It is a revenue stream in which many community businesses desire to participate, and there are many ways for them to participate, including attaching their name to experiences such as meet-and-greets with the band before or after the show, and attaching their name to souvenirs. Attendees at the Train concert, for example, vied for flashing bracelets and cups branded with a sponsor’s logo. Signage prominently displayed throughout Baxter Arena featured sponsor logos.

The scenario is beneficial to everyone involved: the band gets to play to a well-attended venue, the fans get to enjoy the band, and the sponsors get to present their message in an effective way.

“On that day, no other media group is producing a concert,” Ruback says. “So you’re looking at content that advertisers want to be a part of, but no other client can do.”

The diversification proved wildly successful. Ruback says that since 2014, more than 100,000 people have attended an NRG Media Live event. Associate athletic director for University of Nebraska at Omaha Mike Kemp enjoys his business dealings with NRG Media Live and says that when Ruback puts on a concert at Baxter Arena “… it’s not just a concert—it’s an event. He has great vision and ideas and that’s the true charm of what he does.”

“I think NRG Media does a great job of engaging the community to get behind the events,” adds Kemp. NRG Media has the ability to promote coming shows using the radio stations on their roster and their strong social media presence. This equals solid attendance numbers at concerts and happy sponsors.

“Andy’s full of energy and great ideas,” Kemp says of Ruback. “He’s an honest guy with great enthusiasm for what he does.” Rubak’s vision has evolved NRG Media into much more than an organization simply running local radio stations. In fact, the next time there is a popular concert in town, there is an excellent chance that Ruback can be found there, smiling and enjoying the rush.

Visit nrgmedia.com for more information.

This article was printed in the Spring 2017 edition of B2B.

From The Editor

February 23, 2017 by

B2B Magazine started 2017 by highlighting the many successful women in business around Omaha, and this issue, we bring you the best of the city for business needs.

This contest is a bit different from the Best of Omaha, where the ballot is published online so anyone in the community can choose their favorites. In the Best of B2B contest, the winners are nominated on ballots printed in the 20,000 copies of the winter issue. Each issue of the magazine contained a ballot—a chance for readers to vote on favorite businesses that cater to the local business community (for example: business lunch, carpet cleaning, and much more).

How many of us can truly say we love our work? I do, actually. I look forward to coming to the office. A big part of this is that I work with an incredible team of creatives and salespeople, and one lizard. Yes, lizard—Spike the bearded dragon. Spike came to visit a couple of years ago when the publisher and his family left for Europe, and he has been with us since. He’s docile, usually sitting under his heat lamp hanging around. Sometimes when I am really feeling overwhelmed, I walk downstairs to his aquarium and watch him for a moment, sunning himself, enjoying life.

In the spring issue, we bring you the story of Envoy, which keep cats, dogs, and even a hedgehog in the office. Employees keep treats for the fur-ployees at their desks, and if one of the pets turns up missing, the whole office helps in finding their special friend.

What about you? Do you have a pet in your office? Does your office allow you to bring your pets to work? Or do you vote nay to keeping or having pets in the office? Does the fur or the smell bother you? Follow us on social media and join the conversation (@omahamagazine on Twitter, Facebook, and Instagram).

We also have other incredible articles in this issue. Like many forms of traditional media, radio is looking for alternate ways to increase revenue. NRG Media has found new business opportunities through concerts.

Ride-sharing has become a popular trend in the past several years. While people are more prone to call for an Uber in a coastal city where the cost of owning a car is prohibitive, Omaha does offer alternatives to jumping into your own vehicle when you want to go somewhere. One of those alternatives is Zipcar. This car-sharing service allows users to access one of several fleet vehicles in the area by reserving a time and date for a car. The vehicle is then available for the reserver to use by the hour or the day.

And if you need to go outside of the city, traveling to Silicon Valley just became a bit easier by flying on United Airlines’ nonstop flights between Omaha and San Francisco.

This issue of B2B, like all issues, proves to be an adventure. I hope you enjoy it.

Daisy Hutzell-Rodman is associate editor of B2B, a publication of Omaha Magazine LTD. She can be reached at daisy@omahamagazine.com.

 

 

 

 

 

 

 

 

 

 

 

 

This letter was printed in the Spring 2017 edition of B2B.

 

Chuck Roberts

October 1, 2015 by

Chuck Roberts blew into Omaha the same day as the May 6, 1975, tornado that spread death and destruction. Covering the infamous storm was the newsman’s introduction to his new job as a KMTV reporter/anchor.

“We were wall to wall on that story for a couple of weeks working 12 hours a day,” he recalls.

Viewers may remember Roberts anchoring Today Show cut-ins and noon news. Later he was promoted to weeknight news co-anchoring with Jeff Jordan.

KMTV news director Mark Gautier, who hired him, had a good eye for talent.  Gautier also hired Tom Brokaw, who went on to a national stage with NBC News.  Roberts also ended up with a much wider audience after seven years in Omaha.

It started when Ted Turner took a liking to Roberts. The media mogul was launching the country’s first 24-hour cable news station, CNN2, which was renamed CNN Headline News one year later.

Turner sent scouts across the country to find talent to anchor his news. They found Roberts in Omaha. “They told me ‘Ted fancies you,’” Roberts explains, “and that I was a finalist. They said: ‘Can’t offer you a contract. Can’t pay what you’re making now,’” says Roberts of his soon-to-be pay cut.

He packed up a U-Haul and drove 1,000 miles to Atlanta and a new life.

Roberts became the first anchor on the first 24-hour national news network and his was the first face seen on camera when the station went live. The paint was still wet on the CNN set when the cameras rolled.

“We were told our job was threefold: look plausible, stay sober, and read the lines you’re given. Those were our marching orders.”

Roberts anchored four-hour weekday newscasts on CNN Headline News. He also was CNN’s election anchor. “I would drive to the Birmingham (Alabama) library and isolate myself and prep for election night. Election night 2000 was the most memorable. Went on the air at 6 p.m. and off air at 7 a.m.” the following morning.

In 2010, Roberts left CNN and an international television audience of 160 million viewers. After 28 years, he was the longest-serving anchor among all the CNN networks. He then spent three years carrying out media training sessions in eight provinces in China for his alma mater, the Missouri School of Journalism.

“We so-called experts were sent to teach media training to start up provincial-level news operations,” says Roberts. “It was a slow process. Everything had to be translated.”

The newsman’s enthusiasm for a broadcast career began near a Nebraska farm his family owned. “There was a radio station in the basement of a hotel in Falls City. I was fascinated by that as a 9-year-old.”

Roberts has high praise for the quality of broadcast news in this city. “Omaha is so much better than its market size and a great place to start a career. I learned my craft in Omaha.”

Because of his many acheivements, Roberts was inducted into the Omaha Press Club Journalists of Excellence Hall of Fame in June.

Chuck-Roberts

Kevin Kugler

October 22, 2014 by
Photography by Bill Sitzmann

As die-hard Husker, Hawkeye, and NFL fans begin the sprint that is football season, the man with the voice girds for an 11-month-long marathon of his own. Omaha-based sportscaster Kevin Kugler logs tens of thousands of air miles every year hopscotching across the country to the next city on his itinerary, providing radio play-by-play  for college games on the Big Ten Network and Sunday night pro football games on Westwood One. Kugler begins revving up his vocal cords in August, broadcasting the Houston Texans pre-season games. Come September, the pace picks up.

“I will leave on a Thursday or Friday, fly to my college site wherever that is in the Big Ten, meet with coaches, do my game, leave my game, go to the airport, hop on a plane Saturday night, fly to wherever my NFL game is Sunday night, do the game, and fly back home Monday morning,” the 42-year-old Lincoln native says, without taking a breath. “I’ll prep for the upcoming college game Tuesday and Wednesday [at home], transition to the NFL prep Thursday morning, then head out. Rinse and repeat.”

While most mortals would cry “uncle,” Kugler is just getting started. College basketball intersects with football in November, adding a middle-of-the-week Big Ten game to an already tight schedule. And, oh yes, Kugler tapes the popular Big Red Wrap-Up on Tuesdays in the fall for NET, the Lincoln TV station that gave a newly-minted UNL journalism graduate his first real job 20 years ago. “I was the sideline reporter for the Shrine Bowl, the high school football all-stars, and I was terrible,” Kugler admits, shaking his head. “I wore sunglasses and chewed gum. I was pathetic.”

Mentors along the way polished the rough edges, creating a versatile sportscaster who’s upbeat, enthusiastic, exciting to listen to—and dedicated. Kugler’s former Omaha radio partner can attest to that. “His plate is as full as any Thanksgiving meal you will see,” says Mike’l Severe, who teamed with Kugler for almost a decade on the popular Unsportsmanlike Conduct. “He is an extremely hard worker. When he got the Big Ten job, he followed all of college football—not just the Big Ten.”

In addition to football and basketball, Kugler calls baseball on the Big Ten Network, meshing his schedule with Westwood One duties, which include the NCAA Final Four followed immediately by The Masters golf tournament and, of course, the College World Series in his own backyard. Kugler has also traveled to four Olympics.

Kugler credits his wife, Michelle, an attorney, with enabling him to follow his dream while she raises their two daughters in west Omaha. But when college sports hibernate in July, Kugler’s favorite arena is home.

Dave Wingert Walking on Sunshine

December 20, 2013 by
Photography by Bill Sitzmann

He addresses his fans as “doll,” “girlfriend,” and the occasional, Zsa Zsa Gabor-esque “dahling.” And those are for his male callers.

“C’mon in, pussycat,” the man known as “Wingy” beckons with a broad smile. “We’re on the air!”

It’s a damp, gluey-eyed, pre-dawn hour, but Dave Wingert is already deep in a groove. The perpetually perky Big O 101.9 FM personality effortlessly manipulates a dizzying array of sliding control panel buttons while simultaneously juggling coffee, headphones, mic, and a trio of computer mice below a quartet of monitors. It’s the most improbable of ballets, all perfectly choreographed for the sole purpose of transitioning into the bouncy intro of a Men at Work tune, the one about a man in Brussels who was full of muscles.

Such dexterity is a skill the New York City native honed in a broadcasting career spanning six decades. First coming to Omaha in the ’70s, he had four radio and two television programs before spending the next 20 years in Seattle hosting the nationally syndicated Dave ’Til Dawn show.

LBJ was in the Oval Office when Wingert landed his first gig, an unpaid one on Ohio University’s campus radio station. “I wanted to be an actor,” he explains, “but the radio studio in the basement of the school’s theater building caught my attention. My very Jewish mother had an [insert wagging finger] ‘Over my dead body’ attitude about acting. She insisted I do something that promised a regular paycheck.”

Wingert found that regular paycheck and many more among an alphabet soup of radio station call letters but never abandoned the stage. He has been featured in the footlights of countless community theater, Off-Broadway, and Actors’ Equity stage roles, garnering several awards along the way.

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“I’ve always considered myself an actor who just happens to do radio,” says the member of the Nebraska Broadcasting Association Hall of Fame who now serves on the board of Omaha’s Blue Barn Theatre. “Whether behind the mic or on stage, it’s just like sitting around a campfire telling stories. Storytelling helps us understand how we—all of us—are alike. Storytelling erases our differences.”

The radio celeb known for his conversational, authentic, and hilariously over-the-top banter admits to not always being so comfortably at ease behind the mic.

“Do people like me? Am I doing okay? How did that last show go?” he recalls of his earlier days in radio while, in the background, the Thompson Twins insist, as if on cue, that someone “Hold Me Now.” “I had a million unanswered questions,” says the man who now peppers his program with self-help segments that have a deeply personal meaning for many in his audience. “Now I’m at a place where I no longer question myself; I just enjoy being myself. I’m okay with that.”

It’s a sentiment that also seems to be more than okay with legions of loyal followers.

“What’s big for me now is a sense of belonging, community, the satisfaction of making a difference,” he adds. “My ability to help the Blue Barn raise big money for a new theater, for example, is probably the most rewarding thing I’ve done in my return to Omaha. My role there is to connect with the community just like my role here at the station is to connect with the community. The only way for me to do that is to just be me.”

Wingert reaches for his headphones as the interview closes and he lapses into his best Yiddish to offer a cheerful “Bye-bye bubbe! Come back any time!”

And with that, Wingy was back on the air, this time playing the infectiously upbeat Katrina and the Waves number that could easily pass for his personal theme song—“Walking on Sunshine.”

Pioneers in Media

October 28, 2013 by
Photography by Bill Sitzmann

Eileen Wirth entered the Omaha World-Herald newsroom in 1969 and wondered, “Where are the women?” Unknowingly, she had become one of the newspaper’s first female city reporters.

Dr. Wirth broke through gender barriers again as the first female chair of the journalism department at Creighton University, where she has been a professor since 1991. Her story as a pioneer is mirrored in media throughout Omaha.

Rose Ann Shannon walked into the KMTV newsroom 40 years ago as an intern, looked around for other female reporters, and found none. Today more than half of the journalists at KETV—where she is the station’s first female TV news director—are women. Shannon was a KMTV reporter, photographer, anchor, and assignment editor before joining KETV in 1986.

In 1974, Ann Pedersen became the first full-time female reporter at WOW-TV (now WOWT). One year later, she was named the station’s first female anchor for a daily newscast. She became WOWT assignment editor and later assistant news director before leaving in 1988 for a 13-year career at WCCO-TV in Minneapolis as director of news operations.

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Ann Pedersen

Carol Schrader proved herself as an intern at KMTV before moving on to a full-time job as a reporter at KLNG Radio and, in 1979, at KETV. She became one of the first women to anchor a KETV evening newscast, the first female news director at KFAB Radio, and the first host of the NET program Consider This.

The time was ripe 40 years ago for women to enter what had been a mostly male environment, says Wirth. She wrote about pioneer women journalists across Nebraska in her book From Society Page to Front Page.

“Young men were being drafted into the Vietnam War, so there was a shortage of journalism graduates,” says Wirth, who had three job offers upon graduation. “It was a combination of a good economy and a massive group of young women coming of age in the civil rights environment.”

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Eileen Wirth

The landmark Civil Rights Act of 1964 mandated that employers hire without regard to gender or race. “Representative Martha Griffiths of Michigan added the clause banning sex discrimination,” says Wirth. “It was seen as a joke.” Opponents in Congress allowed the clause to go through because they mistakenly thought it would kill the entire civil rights bill. Instead, for the first time in American history, working women had a legal tool.

“The public wanted to see more individuals on air who represented them,” adds Pedersen. “Blacks and women brought new ideas. That’s the great advantage of having a well-integrated newsroom. You get different points of view.”

“I knew I got my job because I was a woman, but I didn’t want to do my job as a woman,” she says. “I wanted to be a journalist.”

“We didn’t mind rattling a few cages,” says Wirth.

Rose Ann Shannon

Rose Ann Shannon

Schrader rattled her first cage as a KMTV intern one night in 1973 by insisting on covering the shooting of a police officer. “I asked them to send me, but they just laughed. I told them, ‘I’m off in 20 minutes, and I’m going to drive there anyway.’” They sent her to the hospital with a camera. “I got a check for $10. I’ve never cashed it.”

She challenged the status quo again when she got into a verbal battle with Mayor Bob Cunningham in 1977 at a news conference she covered for KLNG Radio. She held her own. Two days later, KETV called to ask if she wanted to be the station’s “weather girl” and a reporter.

“I think we rattled cages just by being there,” says Pedersen, who remembers insisting on receiving the same camera the male reporters got. “You did have to stand up 
for yourself.”

When Pedersen arrived at WCCO-TV, she learned that the general manager would not pay her more than he paid his executive assistant. “But in the end, I was paid on par with other news managers,” she says.

Discrimination came more from the audience than from her supportive male co-workers, says Shannon. “Viewers didn’t like our voices. They said, ‘You’re taking a man’s job.’ There were times when I felt I had to work harder, longer, smarter because I had something to prove.”

Women brought story ideas into the newsroom that the male reporters had ignored, Schrader notes. “[We] were raising issues that were newsworthy but were not on the radar for men.”

Pedersen is now a public relations director in Omaha. Schrader is a real estate agent. Wirth is creating a new generation of journalists at Creighton University. Still at KETV, Shannon has seen big changes during her career. “I tell people I’m as excited about doing news today as when I walked in the door 40 years ago.”

Author Judy Horan began her career at WOWT at about the same time as the women profiled here, becoming the first woman in management in Omaha television.

Jim Flowers

August 27, 2013 by
Photography by Bill Sitzmann

Dapper Jim Flowers, with his trademark moustache and buttonhole flower, is a fixture in people’s lives after 31 years as an Omaha television meteorologist. This husband and father of two has invested himself in the community as a public speaker, Knights of Columbus volunteer, and churchgoer. He and his wife, Barb, are members of Mary Our Queen parish.

It all made the ugly rumors that surfaced about him after WOWT did not renew his contract last December more unsettling. With Flowers suddenly off the air and no official word from station management explaining his absence (due to contractual reasons), anonymous social media speculation filled the information void. The chatter was mostly innocuous, but some alleged Flowers had been caught in a 2012 FBI sting operation targeting a local massage parlor fronting for a prostitution ring. It’s not the image a public figure like Flowers can afford, especially when looking for a new job.

Flowers, who flatly denies involvement in any illegal activity, believes a parlor client used his name when procuring sexual services. Unfortunately, Flowers found his good name sullied when the sting broke.

“…in social media, people can say anything about anyone they please without identifying themselves or taking responsibility…just because it’s on the internet doesn’t mean it’s the truth.”

Despite the cloud, Flowers landed at KMTV. He debuted there June 3 as part of a long-term contract he reached with the station, thus making him perhaps the only on-camera talent to have worked at each of Omaha’s three major network affiliates.

The Ohio native and Penn State University grad came to Omaha in 1982 to work at KETV from a TV weathercaster post in South Carolina. After 10 years, he moved to WOWT. He was there 20 years, the last several as chief meteorologist.

He says he and his wife found Omaha to be “a great place to raise kids.” Even though their boys are now men, he says all the roots he and Barb put down here and all the relationships they built here make it a hard place to shake.

Barb and Jim relaxing at home.

Barb and Jim relaxing at home.

But in the wake of what happened over the winter, he seriously considered moving to another market.

With his exit from WOWT fueling the gossip mill, he posted Facebook and TVSpy responses that reflected his resolve to lay the tittle tattle to rest.

“…I have never been involved in a massage parlor prostitution investigation. I have not been arrested, questioned, or told by the authorities that I am a suspect [a statement confirmed by Omaha Magazine with Omaha Police Department public information officer Lt. Darci Tierney]…those lies have been very hurtful to me, my wife of 34 years, and our family…I appreciate the loyalty of the many fans who have continued to support me, and I want to assure them that there is nothing behind those rumors.”

He more extensively addressed the situation in June 3rd guest spots on the Todd-N-Tyler radio show and KM3’s own, The Morning Blend.

“Doing that interview with Todd-N-Tyler literally put an end to it,” he says.

But when the rumors were still fresh, they stung. “When this first happened, I was like my life has been an open book, people know me, who’s going to believe this stuff? Obviously, people do, and that was the surprising part of the whole thing. Some folks want to bring people down, for whatever reason. It’s the human psyche.”

“When this first happened, I was like my life has been an open book, people know me, who’s going to believe this stuff? Obviously, people do, and that was the surprising part of the whole thing.”

His initial reaction was to get mad.

“The first thing you feel is anger because you know you’re not a part of it. That’s what’s frustrating. It had an effect more on my wife and my family, especially my two boys. My two boys were angry…They wanted to find out who used my name, how the stuff got out there.”

His wife has had his back the whole way. She offered this statement about the rumors: “I knew it wasn’t true. It was hurtful to me and my family to think that people would believe those rumors about Jim. I would like to thank those that supported us with positive comments.”

Flowers, an outdoorsman who loves fishing, hunting, and chasing storms, isn’t the type to run scared, but there was little he could do about this.

He gained insight into how his name got dragged into the mud when he contacted authorities, none of whom could speak to the specific case, then active in the judicial system. However, they did lay out a likely scenario.

“I was told by the Omaha Police Department’s public information officer Lt. Darci Tierney that, in general, this is the way it works. The guys that go [to massage parlors] wind up on a list. They don’t use anything that will identify themselves. They don’t use credit cards, they don’t use checkbooks, and they don’t use their real names. She said, ‘Obviously, someone decided to use your name and guess what, now you’re a part of it.’ I said, ‘Is there anything I can do?’ and she said ‘no.’”

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He says the local FBI office and U.S. Attorney Jan Sharp confirmed the same.

Unfortunately for Flowers, someone used his familiar name. It comes with the territory of being a
public figure.

“Our exposure to this kind thing is not unusual, but this form and how it took off seemed to have a life of its own,” he says. “The constraints that exist for print, television, and radio don’t exist for social media. There are no checks and balances out there. So if there’s a lesson, it’s that, in social media, people can say anything about anyone they please without identifying themselves or taking responsibility. But just because it’s on the internet doesn’t mean it’s the truth.”

He’s satisfied with how he’s managed the incident. “You take the high ground and have faith that things will work out. The night before I went on The Blend and Todd-N-Tyler, I told my wife, ‘I’m starting tomorrow [on KM3], and I feel really excited about it. There’s all these opportunities. But the one thing that’s still out there is this whole rumor thing. I don’t know where, I don’t when, and I don’t know how, but at some point in time this thing will be put to rest.”

He says he and Barb put their “very strong faith in God” that this bad dream would disappear. “I’ve had people compliment me and say you handled it professionally.”

KMTV General Manager Chris Sehring is pleased how it all worked out, too. “Jim’s a great guy, and we are thrilled to finally have him on our KMTV Weather Alert team.”

“You take the high ground and have faith that things will work out…I don’t know where, I don’t when, and I don’t know how, but at some point in time this thing will be put to rest.”

Though Sehring couldn’t comment on what steps the station took or on how much the incident played in its hiring decision, he did say, “Journal Broadcast Group is second to none in its commitment to integrity and the highest ethical standards. I still believe we live in a society where one is innocent until proven guilty…It’s truly a shame Jim and his family have had to endure these unsubstantiated rumors and malicious speculation. After all, it could happen to any of us.”

Both Sehring and Flowers are focused on making KM3, currently in last place in the ratings, number one. Flowers helped bring both KETV and WOWT to the top spot and feels confident he can work magic a third time.

“I’ve been down this road before. I know what it takes to win,” says Flowers. “Whoever wins weather in Omaha wins the ratings; that’s what it boils down to. You can ask every general manager, and they’ll tell you the same thing. It’s not only in Omaha; it’s in a lot of weather-sensitive markets. I didn’t decide that, the public did.”

He feels his experience and attention to detail set him apart from other weathercasters in this market.

So do his fishing skills. Once a competitive bass tournament champion, he takes his boat and fishing gear out these days purely for relaxation. With the rumors behind him, he’s forecasting nothing but clear skies and calm waters ahead.

Read more of Leo Adam Biga’s work at leoadambiga.wordpress.com.

OnTrack, Inc.

May 25, 2013 by
Photography by Bill Sitzmann

If you’ve ever found yourself singing “Pepper, Pepper, Pepperjax Grill,” or “You’ll like it…Kelly’s Carpet,” or “It pays to cross the bridge…Lake Manawa Kia,” Johnny Ray Gomez IV is the man largely responsible. He created these jingles, along with dozens and dozens of others, and it’s only a facet of what he does as the owner, president, and creative director of OnTrack.

Gomez rattles off a long list of OnTrack’s offerings: “We’re an audio post-production facility. We do original music jingles for radio, television, web, and multimedia. I do demos for singers and musicians. I do audio for video. We do ADR [Additional or Automated Dialogue Recording for TV and movies]. We do sound design, sound effects, a lot of voiceover work.”

Gomez manages all of this from his 3,200-square foot facility near 118th and Harrison streets in Omaha. “We have a main studio, one smaller studio, and what I call the composing suite. We have the latest computers with music software, industry standard. And we also have the capability to link up to studios worldwide, which basically brings anybody to your doorstep with the touch of a button,” he adds proudly.

This technical capability means Gomez works with clients from all over the country.

“Just last October, [actor and Saturday Night Live alum] Will Forte was in town working on the new Nebraska movie with Alexander Payne. He was in Norfolk filming for a month and doing a sequel to Cloudy with a Chance of Meatballs, so we actually recorded all of his voice animation parts here,” he says. “For three years, we did work for Teen Mom with Farrah Abraham. Instead of MTV flying her to New York, they just brought her here to OnTrack.” He adds that even YouTube sensation and Columbus, Neb., native Lucas Cruikshank recorded dialog as Fred Figglehorn for Nickelodeon’s Fred: The Movie.

“When I first started I did spec work, where you just pick a client and write a jingle [without] having it sold. I just kept going and started networking with ad agencies.” – Johnny Ray Gomez IV, owner

If Gomez seems rather casual about these brushes with fame, it’s because he’s met and worked with lots of well-known names in the music industry over the years, from Marvin Hamlisch and Bo Diddley to Peter Noone and Reba McEntire. A third-generation musician and master of multiple instruments, Gomez actually cut his teeth on the other side of the business. His father was a prolific regional performer who first brought his namesake onstage at age 3 as part of a family revue and later, to sometimes collaborate with nationally known singers and musicians.

“Back in the ’70s, my dad and brother and I had publicity shots with the ruffles and tuxes,” Gomez says, grinning at the memory. “We also had one where we kind of had the Elvis look…the jumpsuits.”

Gomez left home after high school at 17 and traveled the world for four years as the music director and pianist for The Platters, one of the most successful vocal groups of the ’60s.

“I got tired of being on the road. I literally lived out of a suitcase for five years. I knew I wanted to be in music, but I didn’t want to travel,” he says, explaining his impetus for starting a recording studio in his hometown and getting into the jingle business.

“When I first started I did spec work, where you just pick a client and write a jingle [without] having it sold,” he recalls. He sold his very first jingle to Camelot Cleaners and landed his second for Idelman Telemarketing. One of his early works, for Garden Café, ran for 12 years. “I just kept going and started networking with ad agencies.”

OnTrack is a one-man show, but Gomez says the connections and partnerships he’s developed over the years make it possible to offer a wide spectrum of services to his clients. “Even with the workflow I have, I’ve been able to do everything by using all of the resources I have.”

What lessons has Gomez learned in his decades in the biz? “Have a good quality product and do what you do well. And surround myself with people who also do what they do well.”