Tag Archives: home

A Fresh Homemade Kitchen

August 28, 2017 by
Photography by Bill Sitzmann

Out of all the genius quotes from world-renowned architects and designers, Kylie Von Seggern’s favorite comes from a celebrity chef.

Her profile on Alley Poyner Macchietto Architecture’s website lists the words of Anthony Bourdain as her favorite quote: “Find out how other people live and eat and cook. Learn from them—wherever you go.”

The mantra manifests itself throughout the architect and interior designer’s professional work and private life.

Von Seggern prefers adaptive reuse to high-profile mega projects, and she embraces community engagement and activism. Her responsive ideology is likewise evident in the renovation of her home in the Hanscom Park neighborhood.

Kylie Von Seggern

While house shopping in 2015, she wanted to find an older home with built-in character. That’s exactly what she found in her current residence, built in 1908.

The previous owner had lived there for 50 years. The warm gray interior featured dense wood trim, exquisite detailing, and the creek of wood floors. It was the perfect combination of good bones and room for updates.

For the interior remodel, she proposed “more of a modern upgrade” than a total overhaul. The kitchen, however, lacked the rest of the house’s inherent character.

She recently renovated the kitchen to achieve a crisp, airy gathering space. She replaced the limited cabinetry and floors. But she kept the kitchen’s existing plaster walls.

For Von Seggern, the kitchen is important because everyone is always there—regardless if there’s a party or not. Part of the reason stems from her roommate being a chef.

Throughout and beyond her home, Von Seggern’s approach to design and architecture resonates with creative culinary instincts: Like a great homemade meal, “It tastes so good because you made it,” she says. 

Growing up in Lincoln, design-oriented interests eventually led her to the architecture program at the University of Nebraska-Lincoln.

While at UNL, she participated in a 2010 study abroad program to Guatemala where she learned vernacular cinder-block building techniques.

In Guatemala, she began hypothesizing the duplicitous meanings of a home. Von Seggern ultimately realized, “Not everyone wants a McMansion,” and more importantly, “functionality over aesthetics” takes precedence.

She also studied abroad in Germany before completing her degree in Nebraska. With such international experience, her attraction to the Bourdain quotation becomes obvious. The preceding sentence of the full direct quote is: “If you’re [young], physically fit, hungry to learn and be better, I urge you to travel—as far and as widely as possible. Sleep on floors if you have to.”

She began working at Alley Poyner Macchietto Architecture after completing her Master of Architecture in 2013, and she began lending her voice to local architectural advocacy efforts as a volunteer at Restoration Exchange Omaha.

Von Seggern’s volunteer work allows her to have a direct impact in Omaha while developing skills in navigating city bureaucracy and finding ways to remain responsive to older architecture instead of reactively always looking for the new.

Back in her home on the edge of Hanscom Park, her kitchen is a perfect example of her finding this balance on her own terms.

Visit alleypoyner.com/kylie-von-seggern for more information.

This article was printed in the July/August 2017 Edition of Omaha Home.

A Glamorous, Functional Basement Remodel

August 14, 2017 by
Photography by Tom Grady

Seeking a grand basement remodel, a client came to me with hopes of creating a unified space with smaller intimate areas instead of an open floor plan. The original space felt very disconnected with no visual interest.

My solution focused on two separate spaces of the floor plan. Both sections of the basement would feature multiple functions: one area revolved around a sunken kitchenette/bar, and the other was an empty space transformed into a theater/display area.

The first part of the challenge was to create a properly lit display while providing storage within the bar area. We needed to add a dynamic visual element without altering the integrity of the existing brick veneer.

Our solution was to add horizontal reclaimed wood panels that pull the whole space together while providing a pub-like entertaining area. The resulting contemporary space makes use of layers of depth and dimension to provide a central focal point for social gatherings.

The asymmetrical design of the sunken bar area is enhanced with LED lighting, which further enhances the sophisticated environment. Bespoke finishes infuse rustic charm into the modern basement, forming the perfect union of domestic utility and alluring elegance. Displayed sentimental objects stand in harmonious contrast with time-worn salvaged materials and the interplay of light and shadow.

A large circle on the bar wall offers a crucial design element unifying the space. The scale of the circle balances the weightiness of the massive bar. Radiant light offsets and enhances the circle, giving the illusion that it is floating in air. The circle’s LED under-lit shelves provides plenty of space for the liquor bottles, and the offset shelving allows for additional personal items to be displayed.

By adding the walnut shell and lights to the existing metallic wood console table, it became repurposed and connected to the bar area.

Two guitars on an adjacent wall, mounted on a wooden circle, became a piece of art grounding the empty space leading to the guest bathroom.

To satisfy the clients, who are avid sports fans, the most challenging part of the basement’s theater space was to showcase their collection of jerseys while allowing the ability to watch multiple televisions at once. At the center of this design, I strived to cultivate a sensory experience that transcends the utilitarian functionality of the theater setting. Contemporary aesthetics find a careful balance of personal whims and fancies in the second of the basement’s main spaces. Relaxing here, the homeowners feel like they are in a high-end Las Vegas casino private suite while watching their favorite teams play.

The design conceptualization for the theater and display area stems from a faithful adherence to well-defined boundaries. JaDecor wall covering offers remarkable appearance with excellent acoustical properties. The round custom fiber optics and the dark-oak Melinga panels in the ceiling add spectacular visual interest to the space that once was a rectangle tray.

I really wanted the sports theater walls to properly light their jersey collection—which changes annually—while not interfering with the theater environment. Back-lighting the twelve individual panels with LED strip lights cleverly works into the overall aesthetic. The picture lights illuminate the symmetry of the jerseys and provide a side drop for the TV wall.

The purposeful ornamentation of the jerseys provides a dramatic display satisfying even the most discerning homeowner.

The experience of the finished project is such an amazing space to entertain and enjoy life with family and friends.

From the bar to the theater, and across the entire basement, the overall design embodies simplicity and modern functionality, leaving a lasting impression that makes you want to enjoy the space in good company.

The end result achieves the client’s goal of balancing personal expression and functional glamour with youthful exuberance. It is a welcoming space for any time of the day—and any season—for many years to come.

Visit artisticodesign.net to see more of the designer’s work.

This article was printed in the July/August 2017 Edition of Omaha Home.

100 Years Strong

August 7, 2017 by
Photography by Bill Sitzmann

The Bryant-Fisher family reunion celebrates an important milestone in 2017—its 100th anniversary. The three-day reunion event will conclude with a final day of festivities in Elmwood Park.

The “Dozens of Cousins,” named for the 12 branches of the prodigious African-American family, will gather in Omaha on Sunday, Aug. 13, to eat, converse, and renew bonds of kinship while reinvigorating ties to local neighborhood roots.

The first reunion was a picnic in 1917 held at Mandan Park in South Omaha, where family roots run deep. Mandan hosted the picnic for 74 years. Its trails, gardens, and river views offered scenic backdrops. The park is also near the family’s homestead at 15th Street and Berry Avenue, and Graceland Park Cemetery (where many relatives are buried).

The picnic, which goes on rain or shine, relocated to Carter Lake in the 1990s and has since gone to various locales. It is coming to Elmwood Park for the first time this year.

Hours before the picnic, a dawn fish fry kicks things off. With bellies full of fried food, the descendants of Emma Early head for a family worship service followed by the picnic.

Always present is a star-studded menu of from-scratch American comfort and soul food staples: ribs, fried chicken, lasagna, collard greens, black-eyed peas, mac and cheese, potato salad, and more.

The family’s different branches provide tents under which they set up their family feasts. Monique Henry belongs to the Gray tent and says everyone waits for her first cousin Danielle Nauden’s peach cobbler to arrive on the table.

The meals may be the highlight, but the day also includes games, foot races, a dance contest, and a pie/cake baking contest, which Henry says is mainly for the teenagers. The baking contest garners between 20 and 50 entries, depending on the size of the reunion.

Competitions are an intense part of the picnic gathering.

Film-television actress Gabrielle Union, the star of hit BET drama Being Mary Jane, is a descendant who grew up with the reunions. She understands what’s at stake.

“Having a chance to compete against your cousins in front of your family is huge,” Union says. “Some top athletes are in our family, so the races are like the Olympics. Each section of the family is like a country sending their best athletes. You trained for it.”

Union vividly recalls her most memorable race: “I wore my hair in braids but tucked under a cap. I won the race, and then somebody shouted, ‘That’s a boy,” thinking this fast little dynamo couldn’t possibly have been a girl, and I whipped off my cap like, ‘I’m a girl!’”

Although the large family has expanded and dispersed across Omaha and nationwide—and descendants of Emma Early Bryant-Fisher now number in the thousands—the picnic has remained in Omaha the second Sunday of August as a perennial ties-that-bind feast.

Union returns as her schedule allows. The actress grew up in northeast Omaha, attending St. Benedict the Moor. She often visited relatives in South O, where the home of matriarch Emma (a street is named after her) remained in the family.

Union introduced NBA superstar husband Dwyane Wade to the reunion last year. “It was important for me for Dwyane to come experience it,” she says. “No one I know has a family reunion of the scale, scope, and length we have. It’s pretty incredible. It says a lot about the endurance and strength of our family. It’s a testament to the importance of family, sticking together, and the strength that comes out of a family that recognizes its rich history and celebrates it.”

A tradition of this duration is rare for African-Americans given the historic struggles that disrupted many families. Bryant-Fisher descendant Susan Prater James says, “The reason for celebrating the 100th is that we’re still able to be together after everything our ancestors went through.”

“There’s nothing I can complain about [in terms of facing] adversity [that] someone in my family has not only experienced but fought through, and not just survived but thrived,” Union says. “I come from a long line of incredibly strong, powerful, and resilient strivers, and I pull from that daily.

We recognize our uniqueness and specialness, and we never take that for granted. I think with each passing year it just gets stronger and stronger.”

The family tree gets updated with a new history book every five years. “Dozens of Cousins” social media sites keep the grapevine buzzing. The family migrated from South Omaha to North Omaha many years ago, and also once had its own North O clubhouse at 21st and Wirt streets. The Dozens of Cousins, Inc. became a 501c3 in 2016.

A century of gatherings doesn’t just happen.

“We get together all the time, and anytime we get together it’s a celebration,” says Bryant-Fisher descendant Sherri Wright-Harris. “We love on one another. Family has always been instilled as the most important thing you have in this life. This is a part of the fabric that makes us who we are.”

“We don’t know anything different,” says Henry, another Bryant-
Fisher descendant.

“That’s ingrained from the time you’re born into the legacy,” family historian Arlett Brooks says. “My mother committed to her mother, and I committed to her to carry this tradition on. This is my love, my passion. I just think it’s important to share your history, and I want our youth to know the importance of this and to treasure what we have because this is not a common thing.”

The reunion has evolved from a one-day picnic to include: a river boat cruise, skate party, memorial ride (on a trolley or bus) to visit important family sites, banquet dinner-dance, and a talent showcase. Milestone years such as this one include a Saturday parade. Headquarters for the 2017 reunion will be situated at the Old Market Embassy Suites.

The reunion’s Friday night formal banquet means new outfits and hair-dos. But renewing blood bonds is what counts. “It’s a way for young and old to reconnect with their roots and find a sense of belonging,” Prater James says.

Representing the various branches of the Bryant-Fisher family takes on added meaning over time.

“No matter how old you are, no matter how down you get, on that day everything seems to be looking better,” Marc Nichols says.

Cheryl Bowles says she “felt sick” the one reunion she skipped.

Arlett Brooks says she has never missed a reunion, and she’s not about to miss the 100th. “You only get the centennial one time,” Brooks says.

New this year will be a family history cookbook complete with recipes, stories, and photos. Catfish, spaghetti, greens, and cornbread are faves. The history cookbook is expected to be printed and ready for sale at the reunion.

Union says fun and food aside, the real attraction is “hearing the stories—the important stories, the silly stories—and learning the history before people are gone.”

Visit bryantfisherreunion.com for more information.

Monique Henry

This article was printed in the July/August 2017 Edition of Omaha Home.

Living Large in the Backyard

July 31, 2017 by
Photography by Bill Sitzmann

If there were but one thing to consider before building your very own epic backyard party central, equipped with all the essential grilling and barbecue fixtures, it is this: Your guests don’t have to live with whatever outdoor Franken-kitchen you cobble together from your inner Cro-Magnon desire for fired meats.

No, they rub their bellies, hopefully thank their gracious hosts, and go home. It’s you who must live with what remains.

The better approach, it appears, is the path Stephen and Joy Abels took on their West Omaha home.

From left: Stephen, Joy, and Chelsea Abels

“Be patient,” Joy says. “The best design is probably not going to be your first or second design.”

The Abels thought long and hard about what they wanted their backyard to be. They hosted regular gatherings, a tradition they knew would continue. They like pizza about as much as anyone else, but not so much that an outdoor pizza oven made a lot of sense.

And they knew they enjoyed hosting friends and family, but that didn’t mean they wanted to be a caterer—just grill some fine meats, maybe smoke the occasional brisket or prime rib roast. That would be sufficient.

From a practical design perspective, they most desired a space to spend comfortably warm afternoons and evenings with their guests.

But the Abels also knew their kitchen table overlooked the backyard from large facing windows. They didn’t want an expansive gray slab of concrete (with a few deck chairs anchored together by some sort of monstrous outdoor fire pit) to mar their daily view.

So they saved. They scratched out ideas on napkins and random scraps of paper. And they spent countless hours stalking the internet for other inspirations on websites like houzz.com.

They began planning three years ago, when Stephen went for an evening stroll through the neighborhood.

A few doors down, he noticed a neighbor’s impressive backyard fireplace. Stephen had no idea who the neighbor was, but in that moment, he turned up the driveway and knocked on the door.

“I introduced myself, said, ‘Love your fireplace, tell me about it.’ He said, ‘Come on in.’ And he gave me Hugh’s name,” Stephen says, referring to Hugh Morton, co-owner of Sun Valley Landscaping, the company that would eventually redevelop the Abels’ backyard.

The Abels wanted to create a space that felt “like Nebraska.” Morton was happy to listen and accommodate their wishes. The finished product fits perfectly in place.

Morton’s design includes native trees and bushes in the landscaping, brickwork resembling quarried limestone from Ashland, and even the calming white noise of a stepped water feature. Everything seems a natural fit.

Perhaps the neater trick is the elegant flow into the style of the house. Although built years apart, the outside living area transitions seamlessly with the style of the indoors.

“The challenge for Hugh was I wanted it to feel comfortable for four people or 40,” Stephen says. “And I think he did a good job.”

There’s plenty room for the epic backyard barbecue, if the mood strikes; or a tranquil afternoon of quiet study for the family’s four home-schooled children; or just another one of their weekly church group nights of about two dozen people.

It’s exactly what they need it to be, when they need it. As it should be.

They put in the time, making sure the space was just right.

“And whatever you think it’s going to cost,” Stephen says, “round up.”

Visit sunvalleyomaha.com for more information about the company responsible for the Abels’ backyard space.

From left: Christian, Cameron, Stephen, Chelsea, and Joy Abels

This article was printed in the July/August 2017 Edition of Omaha Home.

Vintage Charm Restored

July 10, 2017 by

As the saying goes, one woman’s trash is another woman’s treasure. Last year, I struck gold with two vintage chairs that I uncovered during a thrifting trip.

The find just goes to show how little things can bring the greatest joys in life. Looking at these chairs in the thrift shop, I could already see how to revive them with a little work and creative thinking.

Normally, I have a rule for thrifting: Always designate space for a piece of furniture before dragging it home. But these chairs were an exception. Home with me they came.

They sat in a spare bedroom until I decided how to incorporate them into my year-long Omaha Home room remodeling project.

With this particular installment of the project, I wanted to achieve a classic look (with a little glamour added, of course). That’s where the white and gold paint came into play for the color scheme.

Choosing the right fabric would either make or break the look I was trying to achieve. Just throwing any old material on them was not going to work. I wanted something timeless, classic, and durable enough to stand the test of time.

I have many different pieces I’m bringing together for this entire year-long project. Each component will bring something unique stylistically to the room. Don’t be afraid to mix and match different styles and textures; it adds more interest to the room.

DIRECTIONS:

There are several steps that you need to get right when staining or painting wooden furniture. These steps ensure that all of your hard work pays off, and you can then proudly display your piece. You cannot skip the important prepping steps.

Prepping

Step 1—If you have a seat cushion on your chair, remove that first. Save the old fabric and cushion for later.

Step 2—Sand the chair until you remove all the glossy finish. This will allow the paint to better adhere to the chair.

Step 3—Use a tack cloth to remove all the sanded paint/material from the surface.

Step 4—Prime. I used a spray primer, which was easier to get in all of the detailed parts of this chair. Make sure each coat of primer is a light layer, almost dusting it. This way, your chair won’t suffer from paint runs. You may want to sand between coats if you are seeking a super-smooth finish. Also, using the correct paint is very important. Latex paint worked best for me.

Step 5—Use your hand sponge applicator to get your paint in all the hard-to-access areas and detailed spots. Once you have done this, you can take your foam roller to cover the entire piece. Go over the chair several times (or until you feel there is good coverage).

Step 6—If you are doing a detailed accent color, first make sure all your paint is dry. Then tape off the selected area and use a small brush for all detail work. I used what I had on hand—gold spray paint—but I sprayed it into an old cup and dipped my brush into that. You can also buy a small bottle from a craft store if you require a smaller amount.

Step 7 (optional)—Apply a top coat to seal the paint on the chair. I skipped this step and used a semi-gloss finish instead.

Step 8—Now for your cushion. Remove all the old staples from your chair cushion. You can use a flathead screwdriver and then pull them out with needle-nose pliers. Once the old fabric is off, determine if you need to replace the batting material or foam cushion. Mine was still intact, so I went to the next step.

Step 8—Cut out a piece of new fabric large enough that will wrap around the seat of your chair; leave about three inches of material (you will trim it off later). Or you can use the old piece of material as a template, allowing a few inches all the way around. Lay the seat cushion facedown on your material. Starting on one side, grab the material in the middle and wrap it around the cushion, pulling tightly, and place a staple in the middle.

Then do the opposite side, pulling tightly to the middle and placing a staple. Work your way around each side until you just have the corners left.

Step 9—Grasp one corner of your cover and pull the point toward the center of the seat cushion, staple. Arrange the remaining unstapled corner fabric into small even pleats, pulling tightly, and staple. Repeat this until all corners are complete. Make sure you don’t staple over the screw holes. At this point, you could add a piece of liner or dust cover (a dust cover is a black fabric that is generally seen under “store bought” chairs, concealing springs, nails, staples, etc.). Adding the dust cover is optional.

Step 10—Attach the cushion back on the chair, and you are done.

Note: I watched several tutorials for “chair restoration” and “chair refurbishment” on YouTube before beginning this vintage chair project. I suggest doing the same video tutorial research before beginning your own project as this can be very helpful. Good luck!

ITEMS NEEDED:

Two vintage chairs (or upholstered seat dining chairs), 1/2 yard fabric per seat cushion, and 1/2 lining per seat cushion

Scissors, tape measure, staple gun, staples, screwdriver, safety glasses

Sandpaper (in medium and fine grit)

Four cans of primer (I used Rustoleum Painters Touch 2X paint and primer), two cans per chair

One quart of latex paint (I used White Dove paint from Benjamin Moore elsewhere in the room, and Home Depot staff helped match the latex paint for the chairs)

Sponge roller

Several hand sponge applicators (different sizes)

One can gold spray paint (or a small bottle of gold paint from a craft store would suffice)

Fabric of choice

Sandy’s yearlong DIY remodeling series began with an introduction to the room in the January/February issue. The first of five projects, a coffee filter lamp, debuted in the March/April issue. Rustic wall vases followed in May/June. Stay tuned for the next installment. Visit readonlinenow.com to review back issues.

This article was printed in the July/August 2017 Edition of Omaha Home.

Omaha Home Opener

June 21, 2017 by

When summertime arrives, my husband and I have a tradition of inviting friends and family to our lakeside property to share food, sip cocktails, and watch fireworks.

Summer get-togethers would not be the same without a favorite beverage, and we thought our July/August issue would be the perfect time to incorporate a cold drink with my year-long makeover project (to help the DIY article fit with the issue’s food theme).

That’s how I decided to have a friendly competition to see who can make the best pink grapefruit martini!

My friend Mark Kitson, from Louie’s Wine Dive, was in for the challenge. He hosted the contest. The winning drink (mine) is featured in the photo of my project.

Also inside this issue is the Abels family’s dream grill. Years of planning culminated in their perfect outdoor space for entertaining. And take a peek into owner and chef extraordinaire Nicola Shartrand’s many kitchens. We show you her personal home kitchen, where some of Omaha best pasta recipes originated, along with the story behind her newest culinary adventure.

Other fun food-themed stories range from a lawyer raising livestock at his home in the Ponca Hills, to the old farmhouse that has supported generations of farmers (who drive into Omaha for farmers markets every weekend), and more.

From Omaha Home to your home, we hope you have a safe and happy summer!

~Sandy

Sandy Matson is the contributing editor for Omaha Home.

This letter was printed in the July/August 2017 Edition of Omaha Home.

The Next Generation 
of Family Farming

Photography by Sarah Lemke

Surrounded by tomato seedlings, purple carrots, and strange-looking peppers—whatever’s freshest at Theilen Produce Gardens—Kristy Theilen is a blonde-dreadlocked ambassador for a farm that has been in her family since the 1800s.

The cheerful 36-year-old and her veggies can be found at summertime farmers markets in the Omaha area, including Saturday in the Old Market and Sundays at the Florence Mill.

From left: Kristy Theilen, Fernando Castrorena, Brennen Settles, Jacquie Theilen, Linda Theilen, and Eldon Theilen

Back in Schuyler, Nebraska, an old farmhouse anchors Theilen Produce Gardens’ home base. Kristy’s great-grandfather built the farmhouse in 1910, but it has been renovated and remodeled several times over the years.

Kristy and her mother both grew up in the home. After returning to Nebraska from Arizona in 2013, the two generations are back under one roof on the family’s 1,200-acre farm.

“When I was living in Phoenix, I came across a mask-maker who had mask-making traditions in their family for thousands of years,” Kristy says. “I thought about that—and how people in the city were surprised to hear I grew up on a farm—and got to thinking how important it is not to break that occupational chain. Farming has been on both sides of my family since forever.”

Her parents, Linda and Eldon, moved into the farmhouse in the late 1980s after they were married. “It used to be white wood panel siding,” says Linda, whose grandfather (John Bailey) built the home. Asbestos siding replaced the wood during her childhood; Eldon added the olive-green vinyl siding when they overhauled the structure.

Kristy’s older brother, his wife, and their children live on the other side of a creek, in a residence that previously housed their grandparents (near the original Bailey family homestead, which burned down and was rebuilt in the early 1900s).

The Theilen family’s ancestors by the (burned-down) farmhouse.

Her maternal ancestors in the Bailey family passed through Nebraska during a cross-country cattle drive to California in 1853. “We have a journal written by someone on the trip,” Linda says. “When they passed along the Platte River, they thought it was heaven, so they came back.”

After Linda’s father, Tom Bailey, assumed leadership of the family farm, he raised four kids in the old house. Linda was one of them. They farmed corn and alfalfa, and they sold eggs from Rhode Island red hens.

Eldon grew up on a farm north of Columbus. For the 33-some years since he and Linda took charge of the farm, they have continued the family’s agricultural tradition under their married name of Theilen.

At peak pork production, Eldon raised 3,000 hogs. Then, the market fell out just prior to the turn of the millennium. “There were so many hogs that packing houses couldn’t process them all,” Eldon says.

Today, they focus on corn and soybeans (but “mostly corn,” Eldon says). Kristy’s brother, Jeremy, helps manage the crops. Meanwhile, Kristy takes care of their smaller quantities of diversified livestock: chickens, goats, sheep, pigs, rabbits, and more. She is also in charge of the garden-fresh produce, starting seedlings in outdoor greenhouses (built by her father), and caring for the plant nursery. (The nursery was an addition to the home, also built by her father.)

After a 10-month stint with the Peace Corps in Macedonia, three semesters studying abroad in Austria, and several years working as a community organizer in Phoenix and Tucson—including gardening in a vacant lot next to a Phoenix artist commune—Kristy returned to the family farm with the goal of implementing the latest sustainable agriculture trends.

Kristy and her fiancé, Fernando Castorena, have helped Theilen Produce Gardens expand into community-supported agriculture. Their CSA sells shares that entitle customers to receive weekly supplies of fresh produce and eggs, which are delivered in the Schuyler area and to farmers market pick-up points in Omaha.

“We were planning to be the world’s youngest snowbirds, but I didn’t want to leave my chores to my brother,” Kristy says, adding that 2017 was (almost) her first full year back in Nebraska, minus two months when they traveled to Arizona.

 

“These new things are all Kristy’s doing. I think they’re great,” Linda says. “I think we need to be diversified in future years with grain prices the way they are.”

Other new initiatives that Kristy has developed include programs for kids and eco-tourism: Easter egg hunts, a Halloween pumpkin patch, hosting campers from the website Hipcamp, and welcoming boarders with the Worldwide Opportunities on Organic Farms (volunteers who work in exchange for room and board, also known as “WOOFers”).

During the Halloween pumpkin patch, Linda tells real-life horror stories of the criminals hanged at the old Colfax County courthouse. Her father (Tom Bailey) bought the old jail cell at an auction to protect irrigation pumps. Now, the jail cell is a historical relic tucked away in the back of their property.

Brennen Settles

On the edge of bountiful cornfields, a tall signpost points to the farm’s various attractions: Shell Creek Path, corn maze, pumpkin patch, horses, animal barn, Bunnyville, and Coffee Quonset.

In Linda’s childhood, the “Coffee Quonset” was a storage barn for corn and machinery. She remembers playing on the piles of corn. Later, her husband built a new barn for the modern combine and larger machinery. The old barn was going under-utilized when Kristy suggested making a little shop for coffee and tea.

“These new things are all Kristy’s doing. I think they’re great,” Linda says. “I think we need to be diversified in future years with grain prices the way they are.”

Linda and Eldon tell the story of their land and farmhouse from a dining table, with a spread of fresh vegetables and hard-boiled eggs.

When they moved in, Eldon personally replaced all of the walls, installed new electrical wiring, added central air conditioning, and made subsequent upgrades to the home over the years.

Eldon has always encouraged his daughter to think outside of the box, because that’s how he looks at the world. He designed and constructed a “chicken tractor” that allows him to move chickens over cropland while replenishing nitrogen in the soil with their manure. Last year, he also hand-built their chicken “gypsy wagon,” a mobile hen house trailer.

Inside the house, he rearranged the floor plan of the traditional farmhouse. It’s now a four-bedroom home, with three bathrooms. The old master bedroom on the main floor became an office with the latest computer tech.

“In the ’80s, I had the first computer in Colfax County,” Eldon says. “I always try to stay on top of technological developments.”

Kristy’s fiancé has meanwhile brought crucial Latin cultural perspective and Spanish language skills to the family farm business.

Fernando grows vegetables common in traditional Mexican dishes—huitlacoche (a corn fungus that was a delicacy in Aztec cuisine), squash blossoms, and tomatillos—and he helps sell goats and other animals to local Spanish-speaking residents.

Before moving to the area, he didn’t know what to expect. But he was surprised by the large Hispanic population working in local agricultural industries and living in Schuyler and Fremont. He quickly found himself perfectly at ease in the rural Nebraskan setting, he says: “About 40 percent of our customers [who come to the farm] are Guatemalan or Mexican.”

Fernando’s dream is to launch a farm-to-table restaurant and/or food truck that could service the Schuyler area. His family works in the food industry in Phoenix, so he is confident that he could make it work.

The future is ripe with potential on the Theilen family farm. Who knows? Nebraska’s first farm-to-table Mexican restaurant might just sprout 75-minutes northwest of Omaha.

Kristy also has several other ideas for the future of the farm: expanding into wine production, hosting weddings, and growing their goat herd. “Wine, weddings, and goats, that’s my dream,” Kristy says with a laugh.

Visit theilenproduce.com for more information.

This article was printed in the July/August 2017 Edition of Omaha Home.

Sleek Home Spa

March 30, 2017 by
Photography by Tom Grady

Liz spends five days a week working with fellow designers, consulting on schemes, meeting with clients, and creating unique finish combinations. Proficiency in AutoCAD, Revit, Photoshop, and Illustrator enable her to generate creative solutions no matter the project size.

CAPTION (cabinets): A custom vanity (above) warms the bathroom with wood cabinets and pendant lighting. To create a modern spa shower (right), pebble floor and wall details contrast with the smooth walls and ceiling.

CAPTION (bathroom):
Photos show how the bathroom looked before the transformation.

Like all great home renovations, the project began with an idea. An Omaha couple contacted me at The Interior Design Firm; they wanted to mimic the relaxing modern aesthetic of a high-end spa in their home.

After attaining a list of design requirements for their master bathroom, I began conceptualizing how to realize my clients’ initial idea. The look that the couple desired would require a spacious layout, sleek finishes, and lustrous natural and artificial lighting. That’s when my work really began.

The project started in earnest as I analyzed the current space to figure out how much larger the bathroom needed to be to accommodate every element requested by the clients. The greatest challenge was that the original square footage of the space was not large enough to bring this desired bathroom into reality.

In the end, some features of the space stayed in the same location (such as the stool and vanity). To create the spacious layout the client wanted, the tub needed to move back a few feet to allow for proper circulation in the bathroom. The existing shower was wedged in a corner, and was one of the main reasons for the renovation.

With the help of a contractor, Sudbeck Homes, the exterior wall behind the existing tub was extended 10 feet to make way for the new walk-in shower. The new shower is an extraordinary 8.5 feet by 8.5 feet, outfitted with two fixed shower heads, one hand-held, body sprayers, and a rain-head.

The couple was cognizant of their long-term needs in the home, so a bench was added next to the handheld shower head. Keeping with the modern minimalist style, two recessed niches were created so the personal hygiene items could be tucked away (to avoid creating clutter).

Moving the wall made a world of difference for the space. The tub location moved back several feet and anchored the room. The organic free-standing tub is a focal point as you enter from the doorway. It is the perfect setting to find peace and relaxation. The additional square footage in the space makes the room feel quite grandiose.

After deciding where each element needed to go in the space, I diverted my focus to the finishes. To create this tranquil retreat, we started looking at color palettes that would be cohesive with the existing finishes in the home.

With French doors going into the bathroom, the finishes needed to vibe with the colors in the rest of their master bedroom. The home has light oak woodwork and warm tones. To achieve this harmony, I wanted to get rid of the existing curves and add modern, clean lines.

Gray was the color direction that the clients and I agreed on, but making it blend with the rest of the home meant that the gray tones had to be warm. Gray porcelain tile in the proper color family was applied to the floor, shower walls, shower ceiling, base, and the feature wall behind the tub.

The feature wall adds interest with the installed rectilinear porcelain tile. In keeping with the monochromatic color scheme, stone pebble tile was selected for the shower floor and the detail stripe in the shower.

When selecting the hard surfaces, the clients’ goal was minimal upkeep for the future. A Cambria quartz countertop was the perfect choice for their spa bath. This quartz was not only used for the counter, but also for the bench and niche shelves in the shower.

Making this space feel modern meant sticking to a few selections and color tones. To contrast the gray features, a solid wood vanity was added for warmth. All of the plumbing fixtures in the bathroom are smooth and contemporary, creating a waterfall effect when the water is turned on.

The lighting in the space greatly improved: cans were added in strategic locations, and pendants were placed above the sinks to supplement the can lighting. The simplicity of the pendants allows the chandelier to be the prime focus. The chandelier is a shining feature that captivates anyone walking into the bathroom.

Natural lighting was important in the bathroom, so windows were added in the shower on two walls. To keep with the minimal aesthetic, a frosted pattern glass was chosen for the windows so that window treatments were not necessary.

With the help of the contractor, this sophisticated bathroom was made possible. We turned this Omaha couple’s small idea into their ideal at-home spa.

Visit idfomaha.com/liz-lempka for more information.

This article was printed in the March/April 2017 edition of Omaha Home.

Transitorily Yours

February 22, 2017 by
Photography by Amy Lynn Straub

Editor’s note: This is the first installment in a new Encounter column focusing on millennial life by Brent Crampton. To share your significant life experiences, email millennials@omahapublications.com

Today is Jan. 7, 2017, and yesterday I walked out of House of Loom one last time. It was a place that I co-owned, DJed at, and curated events for. The scene I left was only a shell. There were no swirling lights or sounds, no Victorian lounge vibes, and certainly no lively, booze-fueled conversations. Just an echo of the life that filled that place for 5 1/2 years remained (along with the bustle of a construction crew ripping a hole in the wood floor).

Loom was many things to many people, but to me it was a lovely little social experiment that blended cultures, creatives, and communities. Categorically, it was a nightclub and event venue, but to the folks frequenting its experiences, it was a place where patrons and friends could mobilize around causes, express emotions, mourn passings, and celebrate life’s contrasts.

The influx of people was so fluid that you could not distinguish it as a straight or gay bar, but simply as a people’s bar. On its best nights, it brought together folks who normally wouldn’t intersect in our city, and lifted us out of the doldrums of our daily lives.

It is rare for a business to shut down without the force of an unpaid bill. As a friend and fellow small business owner says, it is a gift to be able to close on your own terms. And that is exactly what we did. For myself and the other owners, House of Loom was never meant to be permanent. It was a successful social experiment. And it was time to move on.

I have spent the past 13 years of my life fervently dedicated to contributing to Omaha’s nightlife. With this new year, I embark on a new chapter—one where the loud and flashy peaks of club life are swapped for the quiet joy of watching my 1-year-old baby stand on her own for the first time. Now, spontaneous social gatherings are traded for intimate dinner parties (often planned months in advance). Instead of falling asleep as the sun rises, I wake up  with the sun.

It is a different life—one with its own advantages. My prior life could never hold a candle to this new world. In fact, as I write this, my baby daughter is napping away on my chest after a messy meal of liquified plums, apples, and carrots. She is tuckered out, and so am I.

This brings me to why I am writing this column. During this next chapter of my life, I will be taking some time to hibernate in the creative womb. The invitation to turn to the reflective act of writing seemed like a synchronistic opportunity. Instead of only sharing my notions of creativity and thought from behind a DJ booth, I will gladly be able to do so in this space.

Much like my life right now, I am going to ad-lib my writing. Most likely I will touch on topics ranging from the social impact of nightlife (of course), the curiosities of parenting (because I’m new at this), food (because I get giddy when I eat good food), and inclusiveness and equality (because of our new president), all through the millennial lens of a 30-something, post-nightclub-owning new papa.

Here’s to new beginnings.

Brent Crampton previously co-owned House of Loom and is co-owner of Berry & Rye, a bar in the Old Market. A multi-award-winning DJ in a former life, he now prefers evenings spent at home with his family.

This article was printed in the March/April 2017 edition of Encounter.

Mike and Lynne Purdy’s Electrochromic Dream Home

February 20, 2017 by
Photography by Colin Conces

It’s immediately clear that Lynne and Mike Purdy’s beautiful northwest Omaha home is something special. However, the longer you stay, the more you zero in on the many small-yet-mighty details that make it so.

“It’s those little details that make it just right,” Lynne says. “There’s a reason for everything we did design-wise, and there isn’t one thing we’d change.”

That includes everything from smart windows and touch faucets to 18-foot ceilings, a shades-of-grey palette, pocket doors, waterfall counters, hidden kitchen outlets, a programmable doorbell, a fireplace in the wall that serves two rooms, and bathroom drawers customized to the sizes of Lynne’s hair products, among other distinct aesthetic and utilitarian touches.

The Purdys, who met on a fortuitous blind date in 1977, are self-described “empty nesters” and transitioned to their home in Deer Creek Highlands in March 2016, after breaking ground one year prior. Mike, an architect and president of Purdy & Slack Architects, designed the home based upon he and Lynne’s extensive, collaborative exploration of what they wanted in their next home.

First, the couple knew they wanted to live on a golf course, so when they found a Deer Creek Highlands lot they were smitten with, they persevered in attaining it. The community is home to the third nine of the Arnold Palmer-designed Players Club at Deer Creek golf course.

“We couldn’t have asked for a better neighborhood or better neighbors,” says Lynne.

Mike’s design was informed by the logistics of the site.

“Lynne wanted an open plan with our master suite adjacent, so we had the floor plan in mind,” he says. “I wanted to keep the views of the golf course, plus the sun in the wintertime comes up on the axis of the large window and the great room.”

Mike refined his design until it was everything the Purdys wanted and he received approval from the neighborhood’s architectural review committee.

“The challenge was creating something unique and contemporary, but not so radical it wouldn’t blend with the neighborhood, and also something that facilitated the way we want to live,” Mike says.

Mike also designed the Purdys’ previous home, where they raised sons Bryan and Keith and lived for 28 years, but the couple says it was a family house, not an empty-nester house.

“It was a beautiful home, but our family grew, then left. Our current home is an adult house, but still with room for the kids to come visit,” Lynne says.

Indeed, the downstairs bedrooms, family room, and walk-out patio are designed to welcome Bryan, Keith, and their own expanding families, including Keith’s 4-year-old identical twin daughters, whom Lynne says “love coming to Gaga and Papa’s house.”

Mike embraced his creative side while designing the home.

“With architecture, you try to get a reaction from people,” he says. “It’s like a piece of art—meant to draw out emotion and create conversation. That’s what I tried to do with the house.”

“One of the design elements I wanted to do was to hide the front door so there’s a little bit of mystery as you approach the house the first time,” Mike says of the slightly obscured front door that bucks street-facing tradition. “It creates a different experience, and then you make the turn into this big space, so it’s kind of a surprise.”

The first thing visitors will notice upon entering—after the Purdys’ adorably petite white pup Holly—is the 16-foot-wide, 18-foot-high, attention-commanding window that overlooks the golf course from the rear of the house. What you wouldn’t immediately notice or know is that the window panes are SageGlass, an electrochromic glass that can be set to various levels of tint via an app. The window can be dimmed by row or pane, or even programmed to react to the level of sun or clouds.

“It’s a commercial-grade glass we’re putting in some of our office buildings. They don’t require blinds and save energy from heat gain,” Mike says. “In wintertime we keep ours mostly clear to maximize the heat gain. In summertime we keep it pretty dim so it doesn’t heat up the home as much.”

Mike estimates that within 20 years most new windows in homes will be this type of dynamic glass.

“It’s newer technology, but I expect it’ll become standard and you’ll find it in the houses of the future,” he says.

Whether through the giant window or from the glass-railed cantilever deck outside, the Purdy home’s crown jewel is the incredible, ever-changing view that’s shown Lynne and Mike sublime sunrises; pop-up “lakes” born of hard rains and golf course curves; wildlife like ducks, hawks, and frogs; and confused golfers seeking errant balls.

“We’ve enjoyed every season here,” says Lynne. “In the morning I have my coffee and look out the windows … it’s just beautiful all the time, whether it’s a layer of snow or a sunny summer day. And relaxing on the deck after a stressful day is the best. In the summer we’re out there every night.”

Speaking of nighttime, Lynne says the home is prettiest after sunset when the flameless candles and decorative lit-glass spheres she’s placed throughout the house turn on. Just like everything else, that’s by design.

“You come home at night, and you want a relaxing space space. The soft light gives you that,” she says. “That’s also typically when you entertain, and I want everyone to feel relaxed and at home when they visit.”

Visit purdyandslack.com for more information about the homeowner’s architectural firm.

This article was printed in the March/April 2017 edition of Omaha Home.