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America’s Most Haunted House

August 27, 2015 by
Photography by Bill Sitzmann

This article appears in Sept./Oct. 2015 Omaha Magazine.

It was a dark and stormy day when two sisters revisited their childhood home in Villisca, Iowa, for only the second time in two decades. They strolled through the tiny two-story frame house, reminiscing about their noteworthy hijinks, discussing childhood pals and the small town they remember fondly, relating where they played and slept in relation to where each of six children and two adults were ax-murdered in their beds in 1912 in the infamous, unsolved crime that still defines this western Iowa hamlet.

Much of the conversation during their first-ever extensive interview about their childhood home touched on what did and didn’t happen to the girls as 18-year inhabitants of what is often called “America’s Most Haunted House,” which sits on the edge of this farming community of 1,200 about 80 minutes southeast of Omaha.

For example, one night Jodi McGargill, the older of the two sisters, saw glowing eyes peering out of the attic that she first assumed belonged to Satan.

But more on that later. In ghost stories, the tormented dead don’t manifest themselves until later in the tale. Backstory comes first in this saga of McGargill, Jenn Belt, and, among other characters, their beloved cat that sometimes prowled the attic at night.

True Crime

It was cool and cloudy on June 9, 1912, the day of the annual Children’s Day service at the Presbyterian church in town, a show in which four children who, it had turned out, had only hours to live, would be stars.

After the Sunday evening event, which ended around 9:30 p.m., Josiah Moore, his wife, Sarah, and their children Herman, Katherine, Boyd, and Paul, walked the three blocks back to their house. The children were particularly excited this evening. Two family friends, Lena and Ina Stillinger, would be spending the night with them.

Sometime after the household retired, someone wielding Josiah’s own ax bludgeoned all eight inhabitants to death as they slept. Only one of the eight, 12-year-old Lena, appeared to have put up a fight.

The scene was both horrific and bizarre. All the victims were found in their beds with their heads covered with bedclothes. All had their skulls battered 20 to 30 times with the blunt end of an ax.

The murder weapon was left leaning against a wall and a four-pound chunk of slab bacon was placed next to the ax. Pieces of the family’s clothing had been used to cover the mirrors in the house. A plate of uneaten food was left on the kitchen table next to a bowl of bloody water.

The victims were discovered the next morning by a neighbor. News of the slaughter spread in a shockwave of both grief and terror. Beloved neighbors—six of them small children—had been brutally murdered. A madman was on the loose. Everyone was at risk. Everyone was a suspect.

Nearly 10 years of sweeping investigations netted several compelling suspects. But, ultimately, nobody was ever convicted of the crime, a grotesque event that crippled a community and frightened people across the country. Years of national coverage of the fruitless investigation followed. The cast of suspects was both wicked and freakish. These are the reasons that people still flock to the Villisca Ax Murder House 113 years after the crime.

True Life

Rick and Vickie Sprague were young parents with little money when they began house-shopping in 1975. They needed a cheap home, and the little fixer-upper at 508 E. 2nd St. with the horrendous past was as cheap as they came. “Nobody else would live here,” Belt said as she stepped into the living room for the first time in years.

Having spent less than they expected on a house, the couple set to work remodeling with the remaining money. Cracking plaster was replaced with drywall. They painted the house green and black and put up tie-dyed curtains. Gold shag carpet covered the floors. It was 1975, after all. And the couple, their daughters say, had a bit of hippie left in them.

The Spragues did not believe in ghosts. “Our parents had no fear of the house,” said McGargill, a photographer who lives near Imogene, Iowa. “Of course they knew something terrible happened here, but they didn’t believe anything supernatural was left behind.”

McGargill was five when the family moved into the house. She was given the room at the top of the stairs in which Josiah and Sarah Moore were murdered. Belt, who was a baby at the time of the move, later slept in the room down the hall in which the four Moore children were slain.

McGargill didn’t know the history of the house until family and friends came to help remove the crumbling plaster walls. As she played on the first floor, she heard her aunt scream from upstairs: “Oh God! There’s blood coming out of the walls!”

“So everybody runs up there and what they find is a red handkerchief that had been stuck in the wall years ago for insulation,” she said. “My aunt was crying. She was very, very upset.”

McGargill quickly learned that much of the town of Villisca was just as frightened by the house as her aunt. Over the years, for example, the girls began to notice that trick-or-treaters rushed by the house instead of stopping for one of their mother’s “famed popcorn balls.”

When it was time for a sleepover, friends would invite the Sprague girls to their house. “Nobody would stay with us,” said Belt, who now lives in Council Bluffs.

Their dad quickly grew tired of gawkers driving slowly by their house. “He would occasionally give them a hand gesture,” she said.

When McGargill was 12, she decided to write about the murders for a school research project. She began reading old newspaper clippings. She even interviewed an elderly man up the street who had worked at the town’s hardware store at the time of the murders. He remembered the store selling out of door locks shortly after the murder. The whole town shut down, he told her. Everybody had a theory, he explained.

Like so many others who have researched the crime, McGargill began to formulate her own theories. Maybe she could solve the case that nobody else could.

With all that research, with all that knowledge of what happened in her bedroom, she said she became unsettled by her home for the first time.

“Your mind starts to wander,” she said. “I’m very matter-of-fact about things, but that was a tough time learning so much about what happened here.”

And then, one night, she peered across her dark room and saw two glowing eyes staring back at her from the closet.

“I screamed bloody murder,” she said. “Sure enough, I looked again and realized it was my cat in the closet with the street lights shining on his eyes. I had let my imagination start to get the best of me.”

VilliscaSisters

 

A Night at the Museum

The Spragues left the house in 1993. The outdated fixer-upper with the blood-soaked past had little value. Neighbors considered buying the house, leveling it, and adding to their own property.

But Darwin Linn, long fascinated by the house’s history, finally moved on a nagging dream of his: Using photos from the crime scene, he would restore the house to its original state and open it to the public as a museum detailing the crime and the sensation it caused across the country.

Linn even hauled a small abandoned barn from the country using his old Chevy Luv pickup. That barn now serves as a visitor center behind the house full of news clippings and other memorabilia.

“He felt very strongly that this was a piece of history—a story so compelling and such a big part of this town that the house should be saved,” said Johnny Houser, a neighbor and longtime true-crime fan who often leads the house tours when Martha Linn, Darwin’s wife, is unavailable (Darwin passed away in 2011).

Houser is quick to emphasize that Darwin’s passion was “first and foremost history.” “He felt he was providing a museum, and with that, a memorial to the people who suffered that awful tragedy. He thought the other stuff was pretty silly and disrespectful.”

But that “other stuff” is now a big draw—and significant money-maker. With the growth of ghost-hunter reality television shows, paranormal research groups, and websites dedicated to all things otherwordly, the Villisca Ax Murder House is now a major star in the pantheon of America’s most haunted places.

With the national attention (which includes numerous websites listing the house as one of the most haunted in America) came droves of people wanting to spend the night in the house. Now, up to six people can stay in the house for $428 a night.

Fans of the paranormal seem undeterred by the price. Houser said the house is often booked for weeks straight, “especially after some TV show runs.”

“It’s a very fair price,” said Martha Linn, who otherwise didn’t want to be interviewed for this story.

(She seemed concerned that the Sprague sisters had ulterior motives for telling their story. “I don’t know who those people are,” she said of the sisters. “I don’t know what they’re up to.”)

Houser certainly knows who the sisters are. He said he’s been hoping to meet them—and interview them—for many years.

“There are so many rumors in this town about the house,” he told the sisters. “I always
figured you could set the record straight on some things.”

Of course, the first issue of interest is whether the sisters ever experienced anything unusual in the house. Houser said he assumed they never did. “I’m pretty much a diehard cynic,” he said.

“It all so absurd,” Belt said.

“Bogus,” McGargill calls the claims that the house is haunted.

The Rumor Mill 

As the trio stepped into the upstairs room in which Belt slept and the four Moore children were murdered, Houser began relating some of the stories and rumors that have lingered in Villisca.

“I’ve heard a million stories of people saying they were babysat in this house,” Houser said. “I have always assumed you ran a daycare here.”

“Never,” McGargill said with a puzzled shrug.

“We did babysitting jobs,” Belt added, “but never in our own home. Parents wouldn’t bring their kids here. I only had one birthday party here. I only had a couple friends who would come play here. I’d always go spend the night at their house.”

“Did your mom have a sewing shop here?” Houser asked.

“Huh?” Belt looked perplexed.

“Wait,” McGargill said. “My dad would sew patches on people’s jeans every so often. Maybe people turned that into something in their heads.”

Houser asks more questions. The sisters continue to set the record straight.

Beyond the Buzzkill

“This house is known around the world,” McGargill said as she finished the walkthrough of the house. “Sometimes when people mention Villisca I will tell them I lived here, sometimes I don’t. Depends on how I feel. It’s weird, though. People will be upset when I tell them nothing happened to us in the house. People want to believe. They get upset when you take away the mystery.”

During the house tour, Houser was always quick to interject that he, like the sisters, is a skeptic. But he several times tempered skepticism with descriptions of several stories and personal experiences that continue to baffle him. One time, for example, Houser said he walked into the living room to turn on a space heater. When he turned around a few seconds later, he said, a chair was blocking the doorway to the kitchen.

“Maybe I put it there for some really strange reason and forgot it,” he said. “I’m sure there’s an explanation. I just don’t know what it is.”

And although most guests don’t encounter spirits during their stay, Houser said, there have been some “very trustworthy people who say they experienced some pretty interesting things. I started interviewing people who stayed the night. We’ll get priests, professors, nurses, cops—people you’d trust. Most say nothing happened. But then there are a few weird things. Strange things. Like this guy from Texas who said he heard a voice in the kid’s room saying, ‘I’m ready.’ That was five years after a guy from New York said he heard the exact same thing,” from the same room.

As the three leave the house, the sisters remain unconvinced that their old home is haunted. “It only holds happy memories for us,” Belt said.

But what about the voices that others have heard? What about the paranormal researchers who claim to have seen balls of light (called “orbs”) dancing around both inside and outside the house? Can that all be explained away as just hokum, aberrant psychology, or emotional neediness?

“Any experience we ever had was a case of somebody letting their mind play tricks on them,” McGargill said. “Everything weird ultimately had a logical explanation. That was just our own experience. Everybody experiences things differently. Maybe we were closed off to things that other people aren’t.

“I don’t believe in such things,” she said, “but who really knows for sure?”

Villisca

Welcome to William’s Nightmare

September 3, 2013 by
Photography by Bill Sitzmann and Mystery Manor

The entryway of the 19th-century home is cramped, musty-smelling, and dark. A thunderstorm rolls appropriately in the background. Bloodstains spatter the wallpaper, and the portrait of a resigned-looking woman hangs on the wall.

“This—” Wayne Sealy bangs the head of his ax next to the portrait “—is Greta Hall. Murdered here by her loving husband—” bang! “—William.”

Wayne, the owner of Mystery Manor, warms to his performance in Downtown Omaha’s permanent haunted house at 18th and Burt streets. He spins the house’s official yarn about William Hall, who was later murdered by Greta’s brother. “To this day, William still walks these halls with his ax, looking for a pretty gal to join him in his garden party. FOR WHICH YOU QUALIFY,” Wayne booms impressively. “Please enter through this door right here.”

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The first three rooms of Mystery Manor detail the story of William and Greta Hall, until “William” confronts guests in the flickering light of a parlor. “Dead as dreams, a new nightmare began,” the murderer intones. “Go! Behind you! Enter my nightmare.”

Nine scenes take guests through William’s torment, up and down three stories and across 6,000 square feet. Over the course of about 25 minutes, more than 30 volunteers make it their mission to deliver a good, old-fashioned Halloween scare.

A veteran actor himself, Wayne explains that a good scare consists of three stages. First is the set-up, the actor setting the scene for how guests will encounter him. Second is the approach. “Guests either approach you, or you approach them,” he says (don’t worry, actors never intentionally touch guests at Mystery Manor). The third part is, in his opinion, the most critical element of the scare and one that an inexperienced actor may neglect: the disengagement.

“Once you do what you do, it can go to crap in a second because now you’re just a man in a costume. You have to get out of Dodge,” Wayne explains. “As soon as you turn around to leave, you become eye candy.” The guest’s focus is now on the departing actor, “and now they’re all set for the next guy to come around and nail ’em.” As soon as a second actor has the attention, the first one can double-back for another scare.

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But it’s not just actors in place to bring the fright. Animatronics, projections, monitors, careful lighting, and themed soundtracks round out the experience. For example, an animatronic dog jumps out to within six inches of a tight hallway in a Deliverance-themed zone. His name is Fluffy.

“We try to treat it like a rollercoaster,” says Mark Sealy, Wayne’s son and manager of Mystery Manor. “You need to have peaks and valleys.” He describes a scene with a gypsy fortuneteller. “She calms you down, she takes your hand, and she does a little fortune read. So you’re cresting the rollercoaster before plunging down again.”

“Give credit to the public,” Wayne points out. “If they’re not interacting, we’ve got nothing.” What actors can do, he says, is try to hit phobias, and the house is arrayed to touch on them all. Guests should avert their eyes in the zombie apocalypse room or suffer the consequences. A possessed circus includes a tunnel here and a back door there, enabling clowns and fortune tellers to slink around unseen until the last moment. A 60-foot slide spits guests out into a slaughterhouse. The child’s room is slowly burning. “It’s…pretty creepy,” Mark admits. “We did buy some new props this year for this room.”

Other less commercial elements add to the creepiness of the house, though the paying public may never notice them. “The building has stuff happen all the time,” Mark says as he walks down a behind-the-scenes staircase. “Every once in a while, we’ll find the teddy bears from the child’s room lined up here on the stairs. They just get put here. We think the ghost uses this almost as the house’s lost and found. If someone loses a baseball hat the night before, we’ll find it here.”

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Kind-hearted volunteers?

Mark shakes his head emphatically. “I’ve been here alone, and…that’s not it.”

And the ghost? Who is it? Because William and Greta Hall are fake, right?

Mark shares that in the late 1800s, No. 716 was actually a house of ill repute. “We do know, we have it documented, that one of the women who worked here was murdered along with her kid,” he says. “We don’t normally tell that story because it’s not very family-friendly. So that’s not the story we go off of.”

So. Say hello to “Greta” the next time you visit Mystery Manor.

Mystery Manor opens for the season on Fri., Sept. 13. For more information, visit mysterymanoromaha.org.

Just the Facts, Ma’am

  • Mystery Manor has been running for 30 years.
  • Over 100 volunteers act in the house per season.
  • Some actors have been volunteering for as long as 29 years.
  • The flow of the house hasn’t changed in 27 years.
  • Staff, including volunteers, can empty the house in less than 53 seconds for a fire drill.
  • It takes two hours a night to get all actors in makeup, including
  • prosthetics, latex, special effects makeup, and airbrushing.
  • It takes volunteers a month of bi-weekly training sessions to learn to
  • navigate the house.
  • Each of the house’s nine zones has its own exit. Only nine groups are
  • allowed in the building at a time, enabling each group to have its own exit.
  • Each group consists of no more than six people.
  • Engineers check the house annually for structural soundness. (Still, leave the heels at home. Uneven surfaces abound.)
  • In the Pharaoh’s tomb scene, hieroglyphics actually spell out insults about Mystery Manor actors.