Tag Archives: Emerging Terrain

Bringing Meaningful Design Conversations to Omaha

August 13, 2017 by
Photography by Bill Sitzmann

Architecture as an intellectual endeavor extends far beyond brick-and-mortar structures. For designer Andrew Conzett, architecture is a form of problem-solving and way to rewrite immediate questions about the built environment through a culturally sensitive lens. Early in his career, he positioned his curiosity at one of Omaha’s most creatively focused firms, developed numerous discipline-blurring projects, and helped curate a robust series of lectures with the Omaha chapter of the American Institute of Architects. This fusion of localized projects and international discourse is one that not only pushes his own practice forward, but also challenges existing norms and perceptions of regional architecture.

Conzett grew up in Omaha. Since a young age, he was inspired by his father, a civil engineer at a large international firm, and his mother, who was consistently involved with social service and nonprofit organizations. As a soon-to-be licensed architect, Conzett is a cocktail of both. He has always been keenly interested in art and landscape, both of which were influential in his childhood years and helped to inform his atypical response to the “I-always-wanted-to-be-an-architect” story ubiquitous amongst peers (many say it was from building with LEGO bricks as a child). During high school, a design competition piqued his interest. This community-focused extracurricular project, which combined multi-disciplinary teamwork and a design-based approach, prompted him to apply to the College of Design at Iowa State University.

While at Iowa State, his intense studio assignments were mixed with conversations and projects with artists and creative thinkers. Working alongside a diversity of artistic studies pushed him to see the multiplicity of architecture. During his final year in the architecture program, one of Conzett’s classmates responded to his non-binary projects by asking, “Do you want to be an installation artist or architect?” Conzett did not know how to respond; however, this prompt of either/or has now become a defining feature of his practice.

While studying, Conzett diversified his architectural coursework with internships at the Omaha Public Library and the Bemis Center for Contemporary Arts, where he interned with artist Sean Ward and curator Hesse McGraw. After graduating in 2010, he moved to Omaha and was soon commissioned to design an office pod installation at the headquarters of Bozell. The project resulted in a spatial intervention that was recognized by the AIA Central States Region’s Excellence in Design Awards for “Detail Honor and the Interior Design Best of Year Award for Budget Interiors.”

His interests in a diverse range of project types brought him to his current position at Alley Poyner Macchietto Architecture in 2011. At the collaborative open studio in north downtown where architects work alongside interior designers, graphic designers, artists, and engineers, Conzett is staying busy outside the office as well.

His CV for research-based and experimental projects is dense. Stepping one foot outside the firm, Conzett has worked collaboratively on award-winning projects with Emerging Terrain, the Anti-Defamation League, and the Council Bluffs Park System, including River’s Edge Park. Each project allows him to intensely research form, material, and site. They also provide an instant design-to-built-project process that allows ideas to come to fruition faster than with traditional design-bid-build projects, which often take years to complete. These research-based projects also speak to his interest in architecture as built form that has the ability to blur lines between disciplines and methodologies.

For Conzett, “contemporary architecture practice requires thinking about new methods and materials, and thus inspires me to seek out unique project types as a way to expand my knowledge of design and the built environment.”

His most recent endeavor, the AIA Omaha lecture series, conflates his efforts in community activities and intellectual pursuits. Organized in collaboration with Ross Miller and other AIA Omaha members, the 2017 lecture series is a thought-provoking forum for design thinking. Bringing in award-winning international and national architects, such as Mike Nesbit of Morphosis in Los Angeles and Kai-Uwe Bergmann of Bjarke Ingles Group in Copenhagen, the role of these lectures are two-fold. First, they are an opportunity for professional architects and the general public to participate in architectural discourse. Secondly, the lectures provide a voice for a range of architectural practices that are advancing disciplinary boundaries.

While the series may seem hyper-niche, the visiting lecturers produce a diverse range of project types. These architects discuss the scholarly and tactile impact of design beyond simply making buildings. As award-winning content creators, the lecturers stimulate the public and challenge architects to aim their work to an elevated level of design excellence.

“It is always good to hear professionals talk about their design process and work,” says Emily Andersen, owner of DeOld Andersen Architecture. “But it is even more important to have lecturers come to Omaha that are truly challenging assumptions. The lectures bring the potential of a meaningful conversation that allows us to see into the creative process of other design professionals. And so I really appreciate the work that AIA does, as well as Design Alliance Omaha to help bring that discourse here.”

In all of his work, Conzett is running against the boundaries of the discipline with a keen understanding that traditional definitions of architecture and the built environment deserve to be challenged and pushed forward. “Opportunities such as professional work with [Alley Poyner], design-build exhibition and installation commissions, and the AIA Omaha lecture series are all ways for me to continue to experiment with and better understand the practice of architecture,” he says.

Visit aiaomaha.org/lecture-series for more information.

This article was printed in the Summer 2017 edition of B2B.

Emily Andersen & Geoff DeOld

October 13, 2016 by
Photography by Bill Sitzmann

Emily Andersen and Geoff DeOld’s two-story storefront/residence on Vinton Street is an ongoing study in public and private space.

The husband and wife duo of DeOld Andersen Architecture began their courtship in Nebraska while studying architecture at the University of Nebraska–Lincoln. They completed their postgraduate degrees in 2001 and moved to New York City that same year—a week before September 11.

deolds4While living in New York, they each worked at architecture firms, and in 2010, they began developing their own architectural practice. Their theoretical interests focused on ideas of suburbia, big box stores as civic centers, and the concept of “Walmart as a city.” New York City, while full of inspiration, was not an ideal location to study these topics.

“New York is a highly constructed place, a place where every block has been theorized and studied,” says DeOld.

In 2012, Andersen and DeOld began working with Emerging Terrain and its founder, Anne Trumble, on projects in Omaha. Seeing the progressive and critical dialogues fostered by Emerging Terrain made the idea of leaving New York an easier decision. For them, rogue conversations about urban relations could take place in Omaha. Additionally, Omaha provided a lower cost of living, making it possible to own a domestic space with a private outdoor area complete with a dog.

After deciding to relocate to Omaha in 2012, Andersen and DeOld began sharing a rented office space with Emerging Terrain on Vinton Street. One day, Trumble took her design fellows on a research trip, and the couple was able to be alone in the space in its totality. They thought, “This could be a great apartment!”

As it happened, their intuition became reality. The architects now fully occupy both floors of the storefront, their live-work architecture studio and private apartment with an exterior courtyard at 1717 Vinton St.

Willa, their spunky dog, acts as a doorbell, announcing visitors and clients. She is usually perched at the large bay windows on Vinton Street, sitting in the crisp northwest light. This same light blankets a curated selection of furniture and cascades upward to the original tin ceiling tiles. Andersen acknowledges, “The best thing (about the storefront) is the light.”

deolds5Immediately inside the voluminous white studio, large flat tables are stacked with the latest architecture periodicals and design paraphernalia. A well-stocked bookcase of architecture monographs separates this front entry space from the open office behind. Each workstation, for the couple and their intern architects, is decorated with an iMac, a tornado of tracing paper, physical architectural models, and their subsequent renderings and construction documents. The fervor of design-in-the-making is palpable. At the rear, more windows fill the functional office with warm southern light and views into an in-process patioscape.

There is an aspect of sustainability that they enjoy living above their office—the morning and evening commute is literally a flight of stairs. A cerulean stairwell ascends into their private apartment above the storefront’s 12-foot ceiling. The hike establishes mental and spatial distance between work and home. “Once we go upstairs for the evening, we usually do not go back down,” says DeOld.

Upon entering the 1,200-square-foot apartment, a sense of the couple’s studied aesthetic is at the forefront. Remnants of their lives punctuate the space. There’s a silver metallic curtain in an ultra-simplistic kitchen and an almost haphazard collection of modernist furniture. Space-defining arches give the apartment “a weird personality we would have never added,” says Andersen.

deolds2Populating the airy apartment is a long blonde wood table adjacent to a glossy white fireplace, which splits the kitchen from the living room. A set of graphic prints pulls the eye into the living room, where a complementary mustard-colored chair and merlot-colored sofa face a wraparound bookshelf. It is also from the living room that the angular nature of Vinton Street is most apparent. Two windows bounce northwestern light onto the wooden floors. As with the studio below, Andersen explains, “Watching the light daily and yearly is one of the joys of the apartment.”

Renovations have been ongoing throughout the entire structure, with Andersen and DeOld first focusing on the envelope of the building, then the workspace below, and now concentrating on the apartment and exterior courtyard.

At first, much of the apartment did not work. But after rapid construction and precise wall removal, the once-segmented apartment has been opened into one clean volume for public entertaining areas and compact private spaces.

“We can’t live in a typical house,” say Andersen and DeOld. Their nearly complete live-work space mixes ephemerality with distinct design features, a continuing investigation into their notions of hybrid domestic-work tranquility.

Visit d-aarch.com for more information. OmahaHome

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