Tag Archives: DJ

Lunch With Buffett

August 13, 2017 by
Photography by Bill Sitzmann

With food-inspired songs such as “Charleston’s,” “Medium Rare,” and the album’s title track, the duo displays a penchant for sweet-sounding beats and aspirations to dine with Omaha’s most affluent resident, Warren Buffett.

They speculate that arranging lunch with the local billionaire would be easier than getting airplay on local radio stations.

“We want to be heard,” Big Tate says. “The radio DJ abides by guidelines that [forbid] touching the streets. They are afraid to challenge the norm.”

“Radio is stagnant,” Absolut-P adds. “It isn’t as influential as it once was. If we want to make an impact, we’d be better off putting together a lunch with Warren Buffett and creating a buzz from that.”

Or maybe just make up a song about having lunch with Buffett.

Big Tate

That sort of creative thinking would be the driving force behind Absolut-P (aka Stevin Taylor) and Big Tate (aka James Buckley) collaborating on the album.

The idea came from another friend’s fateful encounter with Buffett at a now-closed Omaha steakhouse known to be one of Buffett’s favorite local restaurants.

“A friend of mine happened to be eating at Piccolo Pete’s when she called to tell me that Warren Buffett and Bill Gates were sitting across from her,” Big Tate recalls. “I told her that I needed her to get a picture of them by any means. I’m always thinking of ways to promote our music with imagery and catchy choruses. I was sure that I could come up with a song for that image.”

Big Tate was familiar with Buffett’s history of auctioning off a “power lunch” for charity. In 2016, an anonymous bidder paid $3,456,789 for the experience, with the money going to benefit the Glide Foundation, a San Francisco nonprofit dedicated to helping homeless and underprivileged residents.

For months, Big Tate continued to stew over his idea. Later in 2016, he partnered with local producer Absolut-P (the P stands for “Perfection”), and they were able to create an infectious melody.

The song’s music video even featured a faux cameo by Buffett (thanks to a cut-out photograph of the billionaire’s face pasted over one of their friends).

They consider it an homage to the wealthy hometown hero.

“We’re from the north side of Omaha, and you don’t see those types of people on the north side,” Big Tate explains. “Other than Bud Crawford, it’s hard to relate to anyone on such a big stage. It’s good to look up to self-made men.”

Absolut-P

“As independent artists, Warren Buffett’s entrepreneurial spirit gives us a sense of self-pride,” Absolut-P says. “He shows us that by investing in ourselves we can reap big rewards.” 

One such investment involved professional mastering for the album by Rick Carson at Make Believe Studios. Absolut-P and Big Tate hope the song resonates with fans of hip-hop, Omaha, and Buffett alike. They released the album Dec. 31, 2016 (with a parental advisory warning for explicit content).

“The album-making process was so organic,” says Big Tate, explaining that hip-hop works best when pursued in a natural, fun way. “We just made songs about what we like; everyone likes to eat at a nice restaurant and order a good prime rib. That made us think of Charleston’s; they have some of the best steaks in Omaha. I like my steak well-done, but I’ve heard that they are very good medium-rare.”

When asked where they would like to take Buffett for lunch, both agree that Time Out Foods or The Taste’s of Soul Cafe would be a good place to accommodate them.

“I’m sure Warren Buffett is used to eating at the finest establishments,” Absolut-P says. “I’d want to give him a taste of our roots with some good food for the soul.”

Find Big Tate on Twitter at @BigTate402 and Absolut-P at @IAmAbsolutP. Both musicians frequently release new songs on social media. Their respective Soundcloud accounts are soundcloud.com/big-tate and soundcloud.com/absolut-p. Lunch with Buffett is available on iTunes, Spotify, Tidal, Spinrilla, Google Play, and YouTube. Copies are sold at Homer’s in downtown Omaha.

This article appears in the July/August 2017 edition of Omaha Magazine.

*Editor’s note: The printed edition misspelled Taylor’s first name as Steven.

Transitorily Yours

February 22, 2017 by
Photography by Amy Lynn Straub

Editor’s note: This is the first installment in a new Encounter column focusing on millennial life by Brent Crampton. To share your significant life experiences, email millennials@omahapublications.com

Today is Jan. 7, 2017, and yesterday I walked out of House of Loom one last time. It was a place that I co-owned, DJed at, and curated events for. The scene I left was only a shell. There were no swirling lights or sounds, no Victorian lounge vibes, and certainly no lively, booze-fueled conversations. Just an echo of the life that filled that place for 5 1/2 years remained (along with the bustle of a construction crew ripping a hole in the wood floor).

Loom was many things to many people, but to me it was a lovely little social experiment that blended cultures, creatives, and communities. Categorically, it was a nightclub and event venue, but to the folks frequenting its experiences, it was a place where patrons and friends could mobilize around causes, express emotions, mourn passings, and celebrate life’s contrasts.

The influx of people was so fluid that you could not distinguish it as a straight or gay bar, but simply as a people’s bar. On its best nights, it brought together folks who normally wouldn’t intersect in our city, and lifted us out of the doldrums of our daily lives.

It is rare for a business to shut down without the force of an unpaid bill. As a friend and fellow small business owner says, it is a gift to be able to close on your own terms. And that is exactly what we did. For myself and the other owners, House of Loom was never meant to be permanent. It was a successful social experiment. And it was time to move on.

I have spent the past 13 years of my life fervently dedicated to contributing to Omaha’s nightlife. With this new year, I embark on a new chapter—one where the loud and flashy peaks of club life are swapped for the quiet joy of watching my 1-year-old baby stand on her own for the first time. Now, spontaneous social gatherings are traded for intimate dinner parties (often planned months in advance). Instead of falling asleep as the sun rises, I wake up  with the sun.

It is a different life—one with its own advantages. My prior life could never hold a candle to this new world. In fact, as I write this, my baby daughter is napping away on my chest after a messy meal of liquified plums, apples, and carrots. She is tuckered out, and so am I.

This brings me to why I am writing this column. During this next chapter of my life, I will be taking some time to hibernate in the creative womb. The invitation to turn to the reflective act of writing seemed like a synchronistic opportunity. Instead of only sharing my notions of creativity and thought from behind a DJ booth, I will gladly be able to do so in this space.

Much like my life right now, I am going to ad-lib my writing. Most likely I will touch on topics ranging from the social impact of nightlife (of course), the curiosities of parenting (because I’m new at this), food (because I get giddy when I eat good food), and inclusiveness and equality (because of our new president), all through the millennial lens of a 30-something, post-nightclub-owning new papa.

Here’s to new beginnings.

Brent Crampton previously co-owned House of Loom and is co-owner of Berry & Rye, a bar in the Old Market. A multi-award-winning DJ in a former life, he now prefers evenings spent at home with his family.

This article was printed in the March/April 2017 edition of Encounter.

Très Johnson

February 4, 2014 by
Photography by Bill Sitzmann

Très Johnson is pouring water in a slow, circular motion around a paper filter resting just inside a glass jar. Inside the filter, coffee grounds are mixing with the water, tiny bubbles forming on the surface of the gritty liquid. The glass chamber below collects the drippings of fresh, dark coffee.

At 1010 S. Main St. in Council Bluffs, (drips) coffee shop serves only pour-over coffee.

Johnson had wanted to open a coffee shop almost since he managed one back in 1995. Unfortunately, “the cost of the machinery prohibits just jumping in,” he says.

He and his girlfriend, Amber Jacobsen, took a trip to San Francisco about a year and a half ago. There, they visited Blue Bottle Coffee, which does pour-over coffee—Johnson’s first taste of it.

“It was the best cup of coffee I’d had,” Johnson says. “And I realized it took a smaller amount of equipment to be able to make it. You just had to boil water, have the filter and the stand. And I actually use glass Ball jars instead of a stand.”

Re-inspired by this method, Johnson opened (drips) on July 1, 2013.

This particular brew is Nightingale Blend, roasted by Beansmith Coffee in Omaha, and prepared in a personal pour-over, which has four drips. He also uses a Chemex frequently, with a single drip.

“I do have some French presses and an AeroPress,” Johnson says. “But I’ve found that the pour-over just tastes better. The people that insist on French press have tried the pour-over, and now they don’t insist on the French press anymore.”

A coffee shop is the perfect place to be on a day like this—cold and rainy. Amber is doing a puzzle. Two locals are enjoying their pour-overs and accusing Amber of cheating by looking at the photo on the puzzle box.

(drips) is located in a mixed-use space occupied by artists, including low-income artist housing. The coffee shop definitely has an artsy feel, probably because Johnson is both a painter and a DJ.

One half of the wall space displays Johnson’s art. The other half is space for rotating guest shows.

For Valentine’s Day, (drips) will display the work of approximately 20 local artists in a show called “Lovesong,” named for The Cure song. A Brian Tait show will open mid-February.

The Cure is already present in lyrics painted onto Johnson’s pieces. He often uses stencils to inscribe lyrics from bands like Depeche Mode and Joy Division—words that “people from the ’80s, if they know the song, they connect with.”

He describes his style as “heavily influenced by street art, and then some post-World War II art thrown in.”

“When I’m tired of painting and waiting for paint to dry, I produce music,” he says with a laugh.

He DJs a set every Sunday night for an online radio station, lowercasesounds.com. “Then that’s what I listen to generally throughout the week when I’m painting,” he says. “I listen to it over and over again, because I usually listen to newer music or music that I just picked up. I listen and paint.”

Johnson describes his sound as “deep house and ambient.” He DJs Silicon Prairie News events, like Big Omaha, and he has recently released EPs on the label Deep Site Space.

“There’s always been a combination of the music in the art,” Johson says. “They’re both something that I let myself go into. I don’t really sweat it. I just let it all flow.”

Planning Your Company Party

August 26, 2013 by

It’s that time of year again to start thinking about planning your next company party. Unsure how to make this year’s party a success? Amy Lackovic, event production director at planitomaha, gives practical, step-by-step advice.

Where to start? Lackovic says to first consider the attendee experience. “Employees want to attend an event where they can be themselves,” says Lackovic. “It is important to create an environment where they feel comfortable enough to open up to their peers and really get to know one another.”

The next thing to consider is the budget because this will determine everything from the invites to the location. If your budget is tight, Lackovic suggests these steps to saving money: go with electronic invitations instead of print; use preferred vendors with discounts; reuse décor, florals, and linens from other events; eliminate labor costs by doing it yourself; control your event timing so you do not run into overages; and limit alcohol consumption.

Once you have the budget in place, start looking for the event space. “You should lock in your event space as soon as you can,” says Lackovic. “Typically, you should lock in your space at least six months in advance.” When finalizing the space, Lackovic recommends asking about cost and deposit, number of people it can hold, catering options, AV options, location (easy for the majority of your attendees), and any limitations the venue may have.

“Employees want to attend an event where they can be themselves…where they feel comfortable enough to open up to their peers and really get to know one another.” – Amy Lakovic, event production director at planitomaha

Theresa Farrage, ballroom event specialist with Scoular Ballroom (which just underwent a complete renovation), suggests remembering two things when selecting a venue: your vision of the event and your guests. “You should definitely keep your big picture in mind but also don’t forget about the little details,” says Farrage.

Simple details that make a big difference may be included in the venue’s overall cost; just be sure to ask the key questions. “Is there a security guard on premise? Does the fee include table and chair rentals? You may think you’re getting a great deal, but once you factor in the cost of a few amenities that don’t come standard, you may be in for a big surprise,” says Farrage.

Farrage stresses booking your venue well in advance. “If you have your heart set on a venue, be flexible with your dates. Booking your event on a weeknight or during the off-season will often save you money.”

Once the venue is chosen, Lackovic breaks the event down by the remaining essentials: entertainment, decorations, personalization, menu, and gifts.

Entertainment

“Revisit the question of ‘what do I want the attendee experience to be?’ If it is a more social and lively event, I would suggest a band, as they have the ability to strongly interact with the attendees. If it’s a networking event, I would suggest going with simple background music or even a DJ.”

“If you had an area to splurge on, definitely look into spending the extra dollars on entertainment,” says Lackovic. “The entertainment can make or break an event.”

Decorations

“Adding lighting to your event can add a dramatic effect and ambiance. Adding some soft seating around the venue can also make the event feel more chic. Make sure you utilize everything the venue has to offer. Sometimes, your venue has in-house décor options included in the rental fee.”

Personalization

“An easy and cost-effective way to show this is to have a personal note of gratitude from the employer or manager. Another avenue is to offer incentives in the everyday workplace, such as a ‘Jeans Day’ or a floating PTO day the month of their birthday.”

Gifts

“It is not a necessity to provide a take-home gift, but it may leave a lasting impression on the attendee. You want to make sure that whatever item you decide to give away can actually be useful. We have seen people go toward more tech-savvy items such as branded cell phone power docks or USB drives. This way, their gift will not only remind the attendee of the event or organization, but it will also make the person more inclined to keep the useful and unique gift.”

Menu

“Within the past couple of years, the menu options have expanded quite a bit. People are much more health-conscious, so it is extremely important to plan ahead for those attendees who may be vegetarian, vegan, gluten-free, etc.”

Jennifer Snow, owner/director of operations at Catering Creations, dishes on the latest ideas in food: “A current trend has been to take street foods, comfort foods, and bar foods and put an elegant and upscale twist on them…this makes the food fun and familiar for your guests and still gives them an opportunity to try new flavors.”

Some examples of comfort-food-turned-haute-cuisine are Gouda cheese-stuffed sliders or a French fry station with truffle aioli and caramelized onion ketchup. Another trend is to “bring out the kid” in your guests. “Everyone loves a classic sundae station with chocolate sauces and whipped cream—and don’t forget the sprinkles!” says Snow. “Or what about a pretzel cart traveling with assorted toppings like nacho cheese, honey mustard, or even chocolate sauce and chopped nuts?

“We are currently working on our holiday menus to include customized caramelized popcorn stations with several varieties of sweet, salty, and savory popcorn mixes such as a Cajun caramelized popcorn with nuts and chocolate,” shares Snow.

“A current trend has been to take street foods, comfort foods, and bar foods and put an elegant and upscale twist on them.” – Jennifer Snow, owner/director of Catering Creations

Not every event needs shrimp cocktail. If your company is on a tight budget and you still want to include a nice seafood item, Snow suggests crab and shrimp cakes, which are still delicious but less expensive.

“It has also become trendy to use some of the less expensive meat options and add savory flavors and tenderness by slow braising them. This saves costs versus ordering beef filet,” says Snow.

“Coffee service isn’t always needed for a hot summer event but always plan on more coffee drinkers for events during the holidays,” says Snow. “Try throwing in a fun option like a specialty coffee and hot chocolate station to add condiments such as chocolate chips, caramel sauce, whipped cream, or peppermint sticks.”

There you have it—expert advice on how to make your company party one to remember. Now get to work!

Steve Gordon

August 20, 2012 by
Photography by minorwhitestudios

Designer Steve Gordon’s urbanized sense for what’s in-vogue permeates his lifestyle and RDQLUS Creative signature work. He indulges a love for hip hop, sneakers, and bikes. He provides brand development, identity design, and creative direction services for corporate clients, big and small, near and far.

Growing up in the North Omaha projects, Gordon displayed an inquisitive mind and aptitude for art. Attending Omaha Creighton Prep exposed him to a larger world.

“I was encouraged to explore, and I think exploration is a major part of creativity and innovation,” he says. “All of that comes from the wide-open spaces of being able to reach and grasp at straws, get some things wrong. After I bought into that, so many things opened up. At Prep, I fell in love with architecture. It still drives a lot of the work I do. My work is a lot more structured than the free-form work of some other designers. Mine is very vertical and Art Deco influenced.”

His design endeavors shared time with his passions for music and competitive athletics. He “fell in love” with music as a kid and went on to success as a DJ, producer, and remixer. His skill as a triple jumper earned him scholarship offers from top colleges and universities. After two years as a Cornhusker in Lincoln, he transferred to the University of South Dakota, where he won multiple national titles. He was ranked among the world’s best.

Gordon with the shoes he designed for NIKEiD.

Gordon with the shoes he designed for NIKEiD.

His pursuit of an Olympic berth and a music career took him around the world. Back home, he worked corporate gigs before launching RDQLUS Creative in 2005.

“As an artist, you want that creative outlet to do something a bit more outside the box, something you’re passionate about,” he says of going the indie route.

The sneaker aficionado recently combined two of his passions when NIKEiD invited him to design shoes and to document the process online.

“I didn’t want to just put some pretty colors on a shoe, I wanted there to be some story, some branding. I’m very much into fashion, style, aesthetics, and athletics, and so I wanted to design a shoe that spoke to all of those things.

“Guys like myself, though we dress in denims and sneakers rather than wing-tips and a tie, we’re no less in tune with wanting to look sharp and present ourselves well.”

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He’s authored two books on freelance design for Rockport Publishers, whose Rock, Paper, Ink blog features his column, “Indie.” He also does public speaking gigs about design. He’s a big tweeter, too. “I love communicating with people.

“At times I wonder how I keep everything up in the air. All of the things I’m involved in, I really have a true belief they feed each other. Someone asked me once, ‘What is it you do for a living?’ and I said, ‘I hope my answer is always, I live for a living.’ What I do to sustain that, well, that’s a different story.”

This one-man shop embodies the independent creative class spirit of engaging community. “Design and creativity are not about art,” he says, “but communication. We’re visual problem solvers.” He says “the really fervent” way he worked to better himself as an athlete “is a lot of like how I still approach life in general,” adding, “If I could work so hard at something that was a game and that gave me fulfillment and made a lasting legacy for myself, then how can I not enjoy life that same way?”

Read more of Leo Adam Biga’s work at leoadambiga.wordpress.com.