Tag Archives: creative

Weird Is Good

July 14, 2017 by
Photography by Bill Sitzmann

Since transplanting from Pennsylvania nearly a decade ago, Christopher Vaughn Couse has made the observation that Omaha is downright weird—but in a good way.

From the hipster-laden streets of Benson to the apex of West Omaha’s suburbs, where cul-de-sacs meet cornfields—and of course there’s our friendly local billionaire, Mr. Buffett, who you may just spot snacking on a Dilly Bar—Couse is right: There’s no place like Homaha. As an artist, to pay homage to all the things that make Omaha, well, Omaha, Couse painted a simple black-and-white design with text that reads “Keep Omaha Good Weird.” It was part of Benson First Friday’s Tiny Mural Project.

“It’s about celebrating the city’s diversity and everyone’s willingness to embrace others for doing their own thing,” Couse says. Of course, it’s also a mix of the almost-revoked Nebraska mantra, “The Good Life,” and the “Keep Austin/Portland Weird” slogans.

If you’ve walked the streets of Benson or Dundee, stopped in at one of the latest oh-so-trendy and oh-so-healthy Eat Fit Go restaurants, or are familiar with the Omaha Chamber of Commerce’s “We Don’t Coast” campaign, you’ve likely seen Couse’s work. He may not be a Nebraska native, but with roots firmly planted in this city, his work as a freelancer, photographer, and illustrator seems to be sprouting up everywhere.

And that’s pretty darn good for a self-described “art school dropout.” It took just two years of classes in the art photography program at Edinboro University of Pennsylvania for Couse to discover he needed to try a different path —and eventually a different city—to forge his career. Determined to utilize his keen eye and knack for creative styling as a professional artist, he knew it was time to move on from the world of lectures and syllabi when a professor told him art photography was a dead-end job.

“Just like that, tuition money became payments for nicer photography equipment,” Couse says.

Just because Couse was done with school didn’t mean he was done with education. He took his lack of professional training as a chance to personally develop his craft and began learning new mediums.

While he had been taking photographs since his teen years, the next evolution of his artistry came when he began combining his shots with handwritten notes to make collages. Then came illustrating and painting, then printmaking, and even working on zines. One glance at his Instagram, @christography, and you could argue he’s made social media his next canvas.

“I delve into different genres of art, figure out what I like, and begin incorporating these aesthetics into my own work,” Couse says. “I’ll admit, I have a bad problem of not sticking with one thing and instead trying to tackle a lot of things.”

But that doesn’t mean there aren’t any similarities across mediums. Stylistically, his work is usually filled with color, idiosyncratic humor, and his emotions as each piece reflects what he was feeling when it was created. Thematically, he regularly combines text with imagery, and he’s often inspired by the conversations, people, and the city surrounding him.

For one of his most popular series, a combination of party gossip and local lore inspired him. Shortly after moving, he heard boozed-up friends describing metro movers and shakers as “Omaha Famous.” Using his love for pop culture, he decided to borrow this phrase and started illustrating portraits of actual famous people who were born in Omaha. Perhaps nowhere else will you find a collection that includes the likes of activist Malcolm X, President Gerald R. Ford, and Lady Gaga’s ex and “cool Nebraska guy” Lüc Carl. There’s even a coloring book available online, so you too can shade the mugs of Conor Oberst and Marlon Brando for only $4.

“What I love about Omaha—and why it inspires me—is it has a small-town feel but in a big-city atmosphere. I haven’t found that elsewhere,” Couse says.

Couse has further made an impact in the community through his creative freelance work. Often collaborating with branding agency Secret Penguin, he’s helped design packaging for Eat Fit Go, design signs for Flagship Commons, and developed promotional material for
“We Don’t Coast.”

As if all that combined with balancing a full-time retail job and playing daddy to a newborn wasn’t enough, he also preps collections of his work to show at local galleries, with a recent exhibit at Harney Street Gallery.

“I’m always searching for ways I can do better in life, better in my craft,” Couse says.

With Omaha and all of its oddities keeping him so busy, art projects get done when he can find the time. If one makes him a sweet penny, then great. If not, that’s A-OK with Couse, too.

“My end goal is to have fun and inspire other people to create things,” Couse says. “It’s not complicated. I just hope my art makes people smile for even a second.”

And there’s nothing downright weird about that at all.

Visit christophervaughncouse.com for more information.

This article appears in the July/August 2017 edition of Encounter.

Christopher Couse

Eye Vibe

June 21, 2017 by
Photography by Sarah Lemke

Twenty-six-year-old Omaha native Michael Garrett isn’t simply a photographer—he’s a visual communicator. “I’m a photographer, graphic designer, content creator, and  overall creative,” he says.

The son of a hardworking single mother, the University of Nebraska-Omaha senior grew up around 18th and Pinkney streets and the now-defunct projects near 30th and Lake streets. Eventually, he transferred to South High School, where he experienced yet another segment of Omaha’s  diverse demographic. Despite his challenging circumstances, he managed to beat the odds and will soon be the first college graduate in his family.

As the founder of MGPhotog and co-founder of The Creative Genius collective, the burgeoning entrepreneur is clearly becoming a master of his own destiny, and he understands photography is more than meets the eye.

“Photography is oversaturated. I think it’s due to social media,” Garrett says. “Everyone feels they can do it. But in doing so, they don’t really know what it takes to be a photographer. The goal should be more than taking a picture. As a visual communicator, I treat it more like an experience. And what I’m trying to capture, it depends on the client, but I go in with a strong idea of what I want to do to communicate visually. When you see it, you should feel exactly what I want you to feel from the image.”

With a firm grasp on what it takes to set him apart from other photographers and graphic designers, Garrett takes the time to truly get to know his clients, which he believes is one of his defining characteristics.

“I kind of put me as a person first,” he says. “If I need to do work with a client, I meet with them and go into who I am, just so they’re a little more comfortable with me. To me, I’m building a relationship. I feel good communication is more effective and delivering the work becomes a little easier once you have that open communication with your clients.”

It all started the day he was fired from his job at a bank. Four years after he graduated from high school, Garrett was at a crossroads in his life and not quite sure what he wanted to do next. Getting fired, he says, was the best thing to happen to him. It was from that moment, he realized what he wanted to pursue.

Michael Garrett

“It was a random thing,” he says. “I got into an argument with my manager, and she wasn’t too fond of the things I said. The same day I lost my job, I went to the camera store at Nebraska Furniture Mart and bought a camera. I figured it would give me something to do and get my mind off of losing my job.”

It didn’t take him long to put his camera to use. He was a huge sneakers aficionado and  loved taking pictures of them. As an avid collector, he jumped on the Instagram trend of posting an array of specialty shoes online. Subsequently, owning a camera made perfect sense. His love affair with the lens had begun.

“Sneakers on Instagram took off,” he says. “That started it all. As far as my work, I model some of my work after some [photographers], but I’m very versatile. I can shoot a wedding, food, children, shoes—everything.”

In 2013, he was invited to a celebrity basketball game at the Mid-America Center. At the encouragement of a few of his predecessors, he quickly realized he could make a living out of his passion.

“I met a few other photographers at the tournament, and they took me under their wings. They said I should start charging for my work. From there, it took off.”

While he predominately grew up with his mom in a single-parent household, Garrett says it was difficult not having a male role model around.

“It affected me in a way, but I had to learn to be a man about things,” he says. “I had a bunch of mentors in school because I was active. I did journalism, basketball, track. I had male figures there, but they weren’t an authoritative figure outside of the sport. I could do what I want, but on the leadership side, it was good.”

His life circumstances forced him to grow up quickly, which undoubtedly led to his fierce work ethic. In addition to school, graphic design, and his photography business, he also works part-time at the Boys and Girls Club as he continues to garner more and more attention for his work. The sky is the limit, he says.

“For me, I’m more in love with the process of communication…I’m just living. I want to leave my plate open to the possibilities.”

Visit facebook.com/thecreativegeniuscollective for more information.

This article appears in the July/August 2017 edition of Encounter.

June 15-18 Weekend Picks

June 15, 2017 by

PICK OF THE WEEK—Thursday, June 15: David Sedaris is back in Omaha and ready to draw you a little something to remember him by. Sedaris will be speaking and signing books at The Bookworm TONIGHT, promoting his latest book, Theft by Finding: Diaries 1977-2002. The line forms at 5 p.m. Outside seating will be available and he will sign autographs. The acclaimed author is always a big draw, so be prepared to wait in line for one of his signature “signatures.” But regardless of how far back you are, don’t worry: He’s there for as long as it takes to greet everyone. To find out more, go here.

Friday, June 16: The standup scene in Omaha is slowly but surely growing, with special help from The Backline comedy theater downtown. But this weekend you can head to The Sydney in Benson to catch Gay Standup Comedy: Pride Edition. This is a recurring show that normally happens on the third Saturday of every month at The Backline and includes LGBT comics and allies of the LGBTQIA community. If you haven’t had a chance to check out the scene, now is the time. Show starts at 9 p.m. For more information, click here.

Friday, June 16: It’s that time of  year again, when Omaha becomes the home of college baseball and you start overhearing Southern drawls asking for sweet tea. And since the CWS moved to NoDo, Slowdown has been a go-to spot for all the fans looking for a break from the stands. This Friday DJ Werd and Satchel Grande play a free “dance party” for those fans and for anyone else willing to brave the heat and the crowds. To check out all Slowdown has to offer during the series, click here.

Saturday, June 17: If you want to avoid the crowds downtown this weekend, now is the perfect time to check out what Stinson Park in Aksarben has to offer this summer. The Stinson Concert Series brings local bands to the park for free Saturday evening shows throughout the summer. This week’s free show starts at 7 p.m. and will feature cover band Finest Hour. So get out and get down this weekend. To see what else is going on at Aksarben, take a look at the calendar here.

Saturday, June 17: Start Pride Week off right by checking out the Heartland Pride Parade in Council Bluffs this Saturday at 10 a.m. The parade kicks off a week-long celebration of LGBTQIA people and culture here in the Midwest, but it is just the beginning. To find out about other Pride events or to volunteeer, head here and see how you can become “alive with pride.”

Sunday, June 18: For those whose fathers could care less about baseball, the Strategic Air Command and Aerospace Museum is offering free admission this Sunday for Dads who want to spend Father’s Day checking out some cool planes and maybe taking a crawl through the C-47 Skytrain. This is a family outing, so sorry if you were looking to escape, Dads. The kids have to be with you if you want to qualify for the free entry. For full details, buzz on over here.

Sunday, June 11: Still trying to figure out what to get your dad for Father’s Day? How about a rescue dog? This Sunday, Taysia Blue Rescue will have volunteers hanging out from 1 p.m. to 3 p.m. at The Green Spot with some of their adoptable huskies and malamutes. They will answer any questions you might have about what it takes to become a rescue parent for these lovable creatures. For more info, click here.

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Broom Man

June 1, 2017 by
Photography by Kent Sievers

Sculptor John Lajba has made a name for himself by documenting Omaha’s most iconic figures. His subjects range from joyous to somber.

One of his bronzes, The Road To Omaha, is a familiar image broadcast during ESPN coverage of the College World Series.

When police officer Kerrie Orozco was killed in 2015, hundreds of mourners left flowers and mementos at the foot of Lajba’s fallen officer sculpture, just outside of Omaha police headquarters.

Now, a group hopes another unforgettable figure will join the ranks of Lajba’s definitive sculptural portraits of Omaha history.

Family and friends knew the bronze-to-be as the Rev. Livingston Wills. For the rest of the city, he was “The Broom Man,” a man born with only 5 percent of his vision who traversed the city on foot, for decades, selling his brooms.

The Broom Man Project—formed in March 2016—is an effort by David Jensen, Jim Backens, Marc Kraft, and Lajba to memorialize Wills, who died in 2008 at the age of 91. Almost 10 years after his death, people still vividly recall Wills selling his brooms on routes that took him through North Omaha, Benson, and up through Countryside Village.

The Broom Man Project launched a GoFundMe campaign last October to fund a sculpture in honor of Wills. Since its launch, the site has raised approximately $9,000 of its $150,000 goal. Downtown Omaha Inc. has almost matched that amount, bringing the total raised so far to about $15,000.

“Our very first contribution was five dollars,” Jensen says.

A Facebook page, dedicated to Wills, is filled with posts recounting memories of meeting him. One post called for people to post pictures of brooms purchased from Wills.

While many fondly recall long conversations with Wills, at times, he could be very business-oriented: Get the sale. Move on to the next customer. Get another sale.

Jane’s Health Market in Benson is situated at the location of one of his many regular stops. Owner Jane Beran says she bought several brooms from Wills.

“I can’t remember him sticking around much. I would just buy a broom from him, and he’d be on his way,” Beran says.

Wills was born in Brownsville, Tennessee, about 60 miles northeast of Memphis. In Brownsville, he began making brooms out of cornstalk. He eventually moved to Nebraska, where he studied English and history at Union College in Lincoln. He then moved to Omaha, where he was a pastor at the Tabernacle Church of Christ.

For decades, to support his family, he would sell brooms, going door-to-door and to businesses. Toting brooms over his shoulder, and using a cane for support, he would use his whistle as a sort of a sonar to detect nearby obstacles. Lance Criswell, grandson of Wills, would see him when he was done with a typical workday.

“I’d say, ‘What have you been doing, Rev.?’ and he’d say ‘scratchin,’” Criswell recalls. “‘Scratchin’—that means he’s been working.”

In 2006, Barbara Atkins-Baldwin wrote a book based on her family’s experiences with Wills. The book, The Blind Broom Salesman, was reissued with a new cover last year. Atkins-Baldwin pledged to donate all of the profits from her book to The Broom Man Project. In November, Leavenworth Bar posted a check for more than $550 to go toward the sculpture on The Broom Man’s Facebook page.

When it came time to choosing a location for the proposed statue, Lajba wanted the Douglas County Courthouse because of the building’s downtown location and its historical significance. When he first heard about making a sculpture in Wills’ honor, Lajba envisioned him in his usual routine: walking the streets of Omaha with his array of brooms.

“I want him to be well dressed,” Lajba says. “I really want to show how he cared about himself.”

Criswell says his grandfather had more than a hundred suits. “He’d always like to look professional when he was out selling his brooms,” Criswell says.

Criswell sat with Jensen, Lajba, and Tom Hanus at Tourek Engraving to discuss his grandfather and his impact on the Omaha community. As they conversed, the temperature outside was a crisp 18 degrees, much as it would have been when Wills walked his routes in winter.

Tourek Engraving has become sort of a centralized headquarters for the Broom Man Project, with copies of The Blind Broom Salesman stacked beside flyers that detail the Broom Man Project’s ambitions.

“If he walked through this door right now, he’d squeeze through the door, because the brooms would be over his back, and he’d say, ‘My friends!’” Criswell says, pointing to the front door. “He’d always come in with that presence. He became a part of the fabric of Omaha.”

Visit gofundme.com/thebroomman and facebook.com/livingstonwills to learn more about The Broom Man Project.

May 25-28 Weekend Picks

May 25, 2017 by

 

PICK OF THE WEEK—Saturday, May 27: Benson’s annual Memorial Day Massive Block Party is back, and this time, you might just see Jesus. Space Jesus, that is. He’ll be performing at The Waiting Room’s after party later that evening. But to see the full show, you’ll need to head to Benson a little earlier in the day. Festivities start at 4:30 p.m. and last well into the night, with outdoor performances by Snails, Boombox Cartel, ARMNHMR, and PRXZM. These shows are all ages, but if you want to enjoy yourself in a more adult-oriented atmosphere, check out the after party at Reverb Lounge, which will be 21-plus. Outdoor amenities at Reverb include a full bar, food vendors, portable restrooms, and non-alcoholic drink stations for those who wish to remain well-hydrated. For more details and to find our more about the performers, click here.

Thursday, May 25 – Sunday, May 28: Priscilla, Queen of the Desert may just be one of those adaptations that’s even more fun on stage than on the big screen, which you can now see at the Blue Barn Theatre. Based on a cult film from the ’90s, this musical extravaganza is filled with popular, easy-to-sing-along-with dance tunes that will make it hard to stay in your seat. The story follows two drag queens and a transsexual as they travel across the Australian outback in a lavender van they’ve nicknamed, “Priscilla, Queen of the Desert.” The trio encounter hardships and make friends, and, of course, do a lot of singing in the process. The show will run Thursday through Sunday until June 25. Get your tickets now here.

Friday, May 26: Do farmers markets sound like they could be fun, but they just happen a little too early in the morning? If this sounds familiar, get ready to rejoice. This Friday is Omaha’s inaugural Turner Park Night Market. While they may not have the selection of produce one would find at typical farmers markets, there will be a vendor village, with more than 20 local vendors, and a small food festival featuring food-on-a-stick from Midtown Crossing area restaurants. Attendees can play giant outdoor games, from chess to Jenga, or they can participate in some moonlight yoga, with local yoga guru Lora McCarville. Of course, what would a night market be without a little live music? Best of all, it’s free and dog-friendly, so bring the pooches out for some quality get-down time. For more details, go here.

Saturday, May 27: Everyone knows you should eat a little somethin’ before heading out for a day/night of drinking, so check out the Food Truck Extravaganza at the Infusion Brewing Company southwest Omaha location. There will be BBQ, tacos, pizza, and fish and chips to soak up all the tasty beer you’ll want to try. But if you plan on doing some blow-up sumo wrestling, you might want to wait until afterward to check out all the beer and food so you don’t accidentally throw up. Money raised from the wrestling and from a ring toss will go to Food Bank of the Heartland and Team Blake: Fighting Against Leukemia, so make sure you have a great time for some great causes. Find out more here.

Sunday, May 28: If you’re not the camping type and you’re looking for something fun to do this Sunday, take yourself out to the Alamo Drafthouse and watch one of your favorite ’80s stars do everything in his power to get the girl. Say Anything is a classic everyone can enjoy, either with your significant other or a group of your best friends. John Cusack delivers the charm in one of his most iconic roles. Hopefully it will erase his Hot Tub Time Machine performance from your memory. To learn more about seeing Lloyd Dobler’s finest hour-and-a-half on the big screen, click here.

Comic Relief

May 24, 2017 by
Photography by Bill Sitzmann
Illustration by Tim Mayer

Forget Batman and his gadgets, or Thor and his biceps. There’s a new hero on the block—“Oldguy,” a spandex-sporting, crime-fighting senior citizen who seeks out injustice equipped with his “denture grapple.” While Oldguy may have the mighty ability to scale the First National Bank Tower, his illustrator is just another everyday citizen of Omaha. But that doesn’t mean Tim Mayer isn’t super, too.

Armed with a unique skill and the ability to seamlessly adapt different drawing styles, artist Tim Mayer’s “Batcave” is his drafting table. Whether he’s working on a comic book or the cover of a sci-fi novel, his illustrations pack a punch — all of them uniquely different in appearance, but always skillfully, thoughtfully, and imaginatively executed to meet a project’s needs.

“I’ve been drawing since I could hold a spoon,” Mayer says. “It was one of those things that just instantly clicked for me.”

But as is the case with many freelance artists, the work didn’t instantly come clicking in after he  earned his bachelor’s degree in studio art from the University of Nebraska-Omaha in 2008. While working a stint as a shoe salesman, he picked up a few smaller drawing gigs. That all changed after he began attending creative workshops at Legends Comics & Coffee (5207 Leavenworth St.). It was in the comic shop’s basement where he met Jeff Lawler, a local writer who pitched him the idea for his next big project.

Together, the two created The Anywhere Man, a comic about an ex-solider who, after a freak accident, has the power to instantly transport anywhere. Following Anywhere Man, Mayer illustrated two additional comic/short story hybrids — Oldguy and Prophetica, a digital comic that tells a fictional tale about prophecies, brutal ancient rituals, and the fate of civilization hanging on a thread.

“I struggle to see consistency in my work,” Mayer admits. “I look at one thing I illustrated compared to another and I see a completely different side of me.”

One constant for Mayer has been his involvement with the Ollie Webb Center Inc. (1941 S. 42nd St.). Mayer became a mentor there five years ago and now leads art and drawing classes at the organization, which strives to enrich the lives of individuals with developmental disabilities through support, programs, and advocacy.

“I introduce students to a variety of visual storytelling methods,” Mayer says. “Whether or not a student wants to pursue something in the creative field, I see a lot of potential in each of them.”

Mayer and his work bring new meaning to the term “self-portrait.” From whimsical sketches of a doe-eyed girl to haunting black-and-white skull designs, everything Mayer creates looks different on the surface, but always reflects the man behind the pen.

“My experiences and personality always show in my work,” Mayer says. “If I look at something I created, I remember personally what was happening to me the moment it was drawn. It’s my own public journal.”

timmayer.wordpress.com

This article was printed in the May/June 2017 edition of Encounter.

May 19-21 Weekend Picks

May 17, 2017 by

PICK OF THE WEEK—Sunday, May 21: Ladies, if whiskey and dogs are two of your favorite things, then Havana Garage is your destination this Sunday. The Nebraska chapter of Women Who Whiskey is getting together at Havana Garage to sample some hand-selected Blanton’s Bourbon Barrel they recently acquired. The best part, though? Your babies are welcome in this bar! So bring out the pups and have some lazy Sunday afternoon fun. To join the group and stay updated on the fun, go here.

Thursday, May 18 – Friday, May 19: The Big Omaha 2017 Conference started this Wednesday, but if you missed the kickoff party at Berry & Rye (1105 Howard St. in Old Market), you can still make it to the midway party across Howard Street at Laka Lona Rum Club tonight. Friday’s adventures begin with coffee from Beansmith and end with the closing party at Hotel Deco. If you don’t have a conference ticket, be sure to RSVP. For a complete list of all the happenings (and to RSVP), head here.

Saturday, May 20: The 2nd Annual Omaha Food Truck Rodeo: Part 1 is coming to Benson this Saturday and attendees will have all day to sample food from the 15-20 local trucks who stake their claim. Outdoor seating areas, bars, and beer garden will be set up and ready to satisfy your drinking/lounging needs. For the more active, there will also be a DJ spinning, so you can shake off some of the stress from the week. Should the weather get a little iffy, no worries. You can take refuge in Reverb Lounge or one of the many other favorite stops in downtown Benson. Round up your friends and head out to taste some of the best curbside fare Omaha has to offer. Find out more here.

Saturday, May 20: Harrah’s Stir Concert Cove is bringing Grammy-award-winning indie darlings The Shins to Council Bluffs. The band is promoting their fifth studio album, Heartworms, released in March of this year. Chances are, they will still play some fan favorites, like “Caring Is Creepy” and “Kissing The Lipless,” but be sure to check out their latest tunes so you can sing along, especially to the catchy “Cherry Hearts.” For ticket information, sail here.

Saturday, May 20 – Sunday, September 17: Have you ever wanted to experience the thrill of being a spy? Then you need to check out The Durham Museum’s upcoming exhibit, Top Secret: License to Spy. This interactive display will test your skills in the psychology, technology, and science of being a real-life spy. You will receive your top-secret “Spy File” when you arrive and from then on, the mystery unfolds. Night vision cameras and laser beams will be involved, but that’s all you can know for now. To get to the full story, you will have to infiltrate The Durham and bust out your sleuthing skills. But hurry! You only have until Sept. 17 to uncover the truth. To get started, head here to start uncovering your clues.

Sunday, May 21: Looking for opportunities to help out in your community? The Omaha Girls Rock Volunteer Expo can help you out with that! There will be information tables and facilitated discussions about our community. The talks start at 1 p.m. and cover social justice through music, being an ally, and creating safe spaces within the community. You can also sign up for Omaha Gives, and if you’re worried about missing lunch, there will be food provided by Amsterdam Falafel and Kabob. So no excuses! Get down to KANEKO and start making the world a better place. For more info, take a look here.

The Evolution 
of Pop Music

April 15, 2017 by
Photography by Bill Sitzmann

Admittedly, 34-year-old Omaha native Jonathan Tvrdik doesn’t sleep much. Between co-owning Benson’s Krug Park, working as a consultant for his wife Sarah Lorsung Tvrdik’s business Hello Holiday, being a father to 2-year-old son Hugo, directing music videos and commercials, making music, and holding down a day job as both the executive creative director at Phenomblue and head of product design at Rova, there’s not a lot of room for much else. It’s a path he can trace back to childhood.

“When I was a little kid, I played by myself and was always building things,” Tvrdik recalls. “I’m an adult version of that kid who is constantly making new project—like a band, bar, new app, or music video. I’ve always been a goal-oriented person with lots of irons in the fire.”

Ironically, that’s where the inspiration behind the name of Tvrdik’s upcoming solo album came from. Titled Irons, it’s a project over two years in the making and one that took careful crafting with the help of longtime friend and drummer for The Faint Clark Baechle. Busting at the seams with heavy themes of introspection and emotional growth, Irons illustrates a tumultuous period in Tvrdik’s life.

“For better or for worse, that’s where I’ve always been—busy,” he says. “I don’t even know what that has created in me—like who am I as a person? I’ve always been a workhorse, but who am I really? Each song dissects a different thing I am doing or interested in, or a certain vice I have as a result of all the stuff I am working with. It’s a very self-analytical sort of record.”

Beginning with “Something Better” and culminating with “Star Stick,” the 11-track album is like Joy Division meets The Faint, or as Tvrdik describes it, “Frank Sinatra on top of electronica-goth.” It was a true labor of love and Tvrdik really trusted Baechle’s expertise. Some tracks he thought were polished and ready to go; Baechle would hear them and mistakingly refer to them as “demos.” It took the experience of his fine-tuned ear to sew up any loose ends.

“We’ve made a lot music together over the years from a musician and engineer standpoint,” Tvrdik explains. “For this one, we started working through the process of what it was going to look like. I always knew when I was done mixing and recording it on my own, I would take it to him to refine. My producorial technique is very raw. For songs I thought were done and perfect, Clark would be like, ‘I got your demos’ [laughs]. I’m very right brained and he’s very left. I wanted his brain to go through it with a fine-toothed comb and nit pick the hell out of it, which he did. I couldn’t be happier with how it turned out.”

Although Tvrdik’s music background goes back to The Cog Factory days, where Omaha staples like Bright Eyes’ Conor Oberst, Cursive’s Tim Kasher, and The Faint’s Todd Fink (Baechle’s older brother) got their start in the early ’90s, naturally he’s experienced plenty of evolutionary changes in terms of his musical output. At one point, he was in a hardcore band, and later a noise-based outfit. While he felt he was still emotionally expressive in all of them, it’s with the forthcoming Irons he felt he was truly able to effectively communicate to the listener exactly what he was experiencing.

This article was printed in the March/April 2017 edition of Encounter.

Ren
ais
sance 
Man

April 13, 2017 by
Photography by Bill Sitzmann

A boozy brunch between girlfriends, a meeting of coworkers over coffee, a couple splitting a glass   of wine—conversations captured around the city, all serve as fodder and inspiration for Brion Poloncic’s work. In the quiet corners of Omaha’s local coffee shops and wine bars, Poloncic puts pen to paper, his ear tuned into the surrounding babble, creating art that he feels represents those around him and the experiences they discuss.

But don’t expect a still life of women gossiping between sips of their Venti mochas. As a visual artist, author, and former musician, Poloncic is a man of many hats but always remains a creator of thought-provoking and idiosyncratic work that paints middle America in a psychedelic wash.

“I’ve always fancied myself an artist,” Poloncic says. “My art is an affirmation of my peculiar skill set, and it just so happens to make me happy. It’s my own blend of therapy.”

It was through chance that Poloncic was first bitten by the creative bug. After he didn’t make the baseball team, he traded mitts for guitars and started writing music. A fan of everyone from Pink Floyd to Johnny Cash, he parlayed his early love for listening to his parent’s records into seven albums, all released under the moniker “A Tomato A Day (helps keep the tornado away).” A prolific songwriter, his discography is filled with character and colorful song titles, including ditties like “You Little Shit” and “Weirdo Park.”

For Poloncic, music wasn’t enough. He needed to sink his teeth into his next artistic outlet. So when a friend needed help setting up an Iowa art studio, he asked Polonic to draw pieces that illustrated his career. With no formal training or experience, unless coloring backpacks with magic markers counts, he dove in.

Two years later, Poloncic sold his first piece at a gallery in Lincoln. He has also shown work in Omaha and Kansas City and has a collection represented at Gallery 72, all those diploma-yielding pros be damned.

“My art isn’t constrained by my knowledge or training, and I think this makes me naturally less critical of my work,” Poloncic says.

Filled with abstract shapes, haunting faces, and stark use of color, his off-kilter yet original drawings mirror the tone of his written work. Through The Journal of Experimental Fiction, he published his first book Xanthous Mermaid Mechanics in 2012, following this up in 2014 with his second printed work On the Shoulders of Madmen. Both explored concepts of the subconscious mind, and the novel he is currently working on will follow suit.

“I’ll be surprised if anyone can read it,” Poloncic says. “It’s got no characters, no story arc, and isn’t about anything in particular.”

And he admits this is his niche, comparing his art to improvisational jazz or free-style rap where “things just happen.” For whatever he’s working on, he says the hardest part is just getting started. Once that happens, everything else just falls into place, and if he can’t get over a block, he always has another craft to turn to.

“If I stumble off the creative wagon with drawing, I get back on with writing and vice versa,” Poloncic says. “As you work on one, the other comes right along with it.”

This article was printed in the March/April 2017 edition of Encounter.

Your Trash, Her Treasure

April 9, 2017 by
Photography by Keith Binder

Even on a blustery, freezing January day, as Christmas lights still twinkle from neighbors’ homes, it’s Halloween inside Diane Hayes’ apartment.

Enter into her abode, which is located in the 105-year-old West Farnam Apartments off Dewey and 38th streets, and you’re confronted with fortunetellers and witches and skeletons, oh my! The 1,800-square-foot place is spacious, with floorboards that squeak and much of its early 20th-century charm still intact, but it’s Hayes and her often-merrily macabre refurbished artwork that makes the apartment truly spellbinding.

“For a while, I tried to keep all my work hidden in one room, but then I said ‘Oh, to hell with it,'” Hayes says. “By the time they carry my body out of here, I suppose things will really look strange.”

Hayes lives to make the old new again. From turning a vintage side table into an animatronic fortuneteller to using antique alarm clocks to create mini terrariums that depict tragedies like the Titanic sinking and Lindbergh kidnapping, she uses her creative magic to take everyday objects and turn them into art. A strong believer that “décor shouldn’t come from Bed, Bath & Beyond,” Hayes scavenges through Goodwill, antique shows, and online to buy things only for their pieces and parts.

After purchasing an item, she stows it away and lets ideas start marinating in her head. Once inspiration strikes, the tinkering begins.

“It’s not my thing to come home after a long day and sit down to watch TV,” Hayes says. “I’m always putting something together.”

While she displays most of her work in her home, she does sell some items on Etsy and has donated pieces to benefits for the Nebraska AIDS Project and the local chapter of the Cystic Fibrosis Foundation.

If she isn’t selling or donating a piece, chances are it will end up in her year-round Halloween-themed office. Teeming from floor to ceiling with things that go bump in the night, this room is more fun and festive than frightening, as most of her collection reflects Halloween styles that were popular in the 1950s and ’60s. And come Halloween night, Hayes is the ghostess with the mostess, inviting around 80 costumed party guests into her apartment to have their palms read by a fortuneteller and watch silent films like Nosferatu.

“I love the Halloweens I grew up with,” Hayes says. “It’s such a fun time of year, and it doesn’t have the stress or religious and political connotations of Christmas.”

Beyond Halloween, living in Omaha’s first luxury apartment building offers its own inspiration. Built in 1912, the West Farnam Apartments house the city’s oldest working elevator.

“You can hear those 100-year-old gears cranking and groaning, almost like a tiny factory that’s come to life,” Hayes says.

Perhaps, this explains her next project—refurbishing an old clock complete with its own ancient gears. Some projects she completes in a day, others she’s always working on, always tinkering. This clock’s finish date is yet to be determined, and to Hayes that’s just fine.

“It’s been an unfocused life,” Hayes says, “but I’m not sure I’d want to do it any other way.”

Visit etsy.com/people/halloweenclocks for more information.

This article was printed in the March/April 2017 edition of Omaha Home.