Tag Archives: Catherland

2017 May/June Performances

May 1, 2017 by and

*CatherlandThrough May 14 at Shelterbelt Theatre, 3225 California St. A budding author and her husband head to Red Cloud, Nebraska, to begin a simpler life, but a slew of mysterious guests prove that there’s nothing simple about small-town living. 8 p.m. Thursday-Saturday; 6 p.m. Sunday. Tickets: $25 general admission; $20 students, seniors (65+), and TAG members. 402-341-2757.
shelterbelt.org

MOMIX Opus Cactus: May 4 at Orpheum Theater, 409 S. 16th St. The internationally acclaimed dancer-illusionists troupe, directed by Moses Pendleton, presents a show for all ages. The troupe creates a visual journey into the hidden secrets of the Southwestern desert by bringing all of its creatures to life. 7:30 p.m. Tickets: $20-$45. 402-345-0606.
ticketomaha.com

Superior DonutsMay 5-June 4 at Omaha Community Playhouse, 6915 Cass St. Taking place in the historic, diverse Uptown neighborhood of Chicago and written by Pulitzer and Tony Award-winning playwright Tracy Letts, this provocative comedy explores the challenges of embracing the past and the redemptive power of friendship. Times vary. Tickets: $36 adults, $22 students. 402-345-0606.
ticketomaha.com

Omaha Symphony—The Music of Star Wars: May 6 at Holland Performing Arts Center, 1200 Douglas St. Music from all seven episodes of Star Wars will be featured, conducted by Ernest Richardson. 7:30 p.m. Tickets: $19-$89. 402-345-0606.
ticketomaha.com

The Florentine Players’ 53rd Annual Melodrama: May 11-13 at Florence City Hall, 2864 State St. Written by Nebraska natives, this is a story of “Omaha’s only shipwreck” in 1965. 7 p.m. Tickets: $10 general admission; $8 seniors (65+), TAG members, or groups of 8 or more. 402-453-4280.
florencetheater.org

Omaha Symphony—Songs of Rodgers and Hammerstein: May 13-14 at Holland Performing Arts Center, 1200 Douglas St. Conducted by Ted Sperling, a Broadway cast and the Omaha Symphony perform favorites from The Sound of Music, The King and I, Oklahoma!, and South Pacific. 7:30 p.m. May 13; 2 p.m. May 14. Tickets: $19-$79. 402-345-0606.
—ticketomaha.com

The Met: Live in HD: Der Rosenkavalier (R. Strauss): May 13 and 17 at Film Streams, 1340 Mike Fahey St. The Met’s final performance for this season features Renée Fleming as the Marschallin and Elīna Garanča as Octavian. 11:30 a.m. May 13; 6 p.m. May 17. Tickets: $10-$24. 402-933-0259.
filmstreams.org

All the King’s WomenMay 15-21 at Bellevue Little Theatre, 203 E. Mission Ave. Obsessed women who encounter Elvis Presley in everyday situations grant theatrical insight into the man rather than the rock ’n’ roll superstar. Times vary. Tickets: $20 adults, $18 seniors (60+), $10 students. 402-291-1554.
bellevuelittletheatre.com

Something Rotten!May 16-21 at Orpheum Theater, 409 S. 16th St. Set in 1595, this comedy tells the tale of two brothers desperate to write the world’s very first musical. Times vary. Tickets: $35-$95. 402-345-0606.
ticketomaha.com

The Rebellion Ends: An Apollon Star Wars Story: May 18-27 at The Apollon, 1801 Vinton St. With the rebels wiped out once and for all, Emperor Palpatine announces details for the largest mandatory celebration in history to mark the anniversary of the rise of the Galactic Empire. 7:30 p.m. Admission: $35 adults, $25 students and TAG members. 402-884-0135.
apollonomaha.com

Joey Alexander Trio: May 19 at Holland Performing Arts Center, 1200 Douglas St. One of today’s most talked-about jazz artists, this 12-year-old Indonesian piano prodigy and 2016 Grammy-nominee performs classic songs and original compositions. 8 p.m. Tickets: $20-$35. 402-345-0606.
ticketomaha.com

Disney’s Beauty and the Beast: May 26-June 25 at Omaha Community Playhouse, 6915 Cass St. The classic tale of Belle and the Beast is back with spectacular sets and costumes. Times vary. Tickets: $42 adults, $25 students Thursday-Sunday; $32 adults, $20 students Wednesday. 402-345-0606.
ticketomaha.com

Omaha Symphony–Mahler’s Ninth Symphony: June 2-3 at the Holland Performing Arts Center, 1200 Douglas St. The symphony performs this rich, emotional orchestration for the first time in more than 20 years. 7:30 p.m. Tickets: $19-$70. 402-345-0606.
ticketomaha.com

Peter Pan: June 2-18 at The Rose Theater, 2001 Farnam St. This musical rendition features fabulous flying effects and the iconic songs “I’m Flying,” “I Won’t Grow Up,” and “Never Never Land.” Times vary. Tickets: $22-$27 general admission, $15-$20 for members. 402-345-4869.
rosetheater.org

Rent—20th Anniversary Tour: June 3-4 at Orpheum Theater, 409 S. 16th St. The Pulitzer Prize and Tony Award-Winning musical from 1996 follows the lives of seven struggling artists trying to follow their dreams without selling out. Times vary. Tickets: $40-$105. 402-345-0606.
ticketomaha.com

Girls Like Us: June 15-25 at Omaha Community Playhouse, 6915 Cass St. This show, based off the book by the same title, showcases the work of groundbreaking singer-songwriters Carole King, Carly Simon, and Joni Mitchell. 7:30 p.m. Thursday-Saturday, 2 p.m. Sunday. Tickets: $40. 402-345-0606.
ticketomaha.com

Shakespeare On The Green: King Lear: June 22-25 at Elmwood Park, 411-1/2 N. Elmwood Road. Pack a picnic and bring lawn chairs or blankets, as King Lear attempts to fight against impending mortality along with the inevitable loss of his kingdom and his crown. Times vary. Admission: free.
nebraskashakespeare.com

Shakespeare On The Green: The Merry Wives of Windsor: June 29-July 1 at Elmwood Park, 411-1/2 N. Elmwood Road. Windsor is at a crossroads. All the elements that constitute the town—social strata, tradition, morality, religion, characters, the English language itself—are turned upside down. Don’t forget a picnic basket and seats. Times vary. Admission: free.
nebraskashakespeare.com


This calendar is published as shown in the print edition

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*Event times and details may change. Check with venue or event organizer to confirm.

One of Ours

February 21, 2017 by
Photography by Bill Sitzmann

“There aren’t a lot of people in Nebraska writing new musicals,” says Roxanne Wach, executive director of Shelterbelt Theatre.

The Omaha theater company is in the middle of its 24th season of producing original work by Midlands theater artists, and Wach reads around 200 original plays a year. But when she discovered the musical Catherland, it stood out from the pack.

A collaboration between Lincoln-based theater artist Becky Boesen and musician-composer David von Kampen, Catherland will open at the Shelterbelt April 21. It’s the latest incarnation of the project after a staged reading was produced at the Red Cloud Opera House in 2015, followed by a workshop at the Lied Center for Performing Arts in Lincoln.

“I championed the piece because I thought it had such potential. I liked the music to begin with, and that’s a huge hurdle with musicals. I liked a lot of the script and where it’s going,” Wach says. “David has really captured something in the music, and Becky is really talented with her lyrics, and it’s a pretty engaging score.”

It’s hard to imagine a story more quintessentially Nebraskan than Catherland, which is set in Red Cloud, the central Nebraska hometown of writer Willa Cather. The musical focuses on a present-day couple, Jeffrey and Susan, who move from Chicago to Red Cloud. Susan has some reservations about leaving Chicago; but early in their marriage, the couple agreed that once she finished her first novel they would slow down, move to Jeffrey’s hometown of Red Cloud, and possibly start a family.

Boesen explains that when people are experiencing culture shock they go through a honeymoon phase. Jeffrey and Susan are in that phase when “someone crashes into the barn outside and their life starts to unravel as a result, and there’s an immediate life or death problem that has to be solved,” Boesen says. “Willa Cather shows up, too. Susan, the novelist, is not a Willa Cather fan, and that’s a problem.”

That would be the ghost of Willa Cather. Boesen says that a lot of her own writing tends to include ghosts, though the ghosts are not always literal.

“I mean like a missing piece of your heart. Anything that’s missing to a protagonist,” she says. “But in this [show], there are legit ghosts, which is pretty fun.”

Von Kampen agrees, “And I don’t really like ghost stories. I don’t seek out movies or books that are like that, but from a creative standpoint, it feels really good.”

Boesen was born in southern Missouri and von Kampen is originally from Michigan, but they both moved to Nebraska as children. They’ve lived other places thanks to their careers, but are now settled in Lincoln raising their respective families. Boesen and von Kampen are full-time artists and arts educators who met briefly in 2013 while working on another project.
Boesen’s company, BLIXT, is an arts management and consulting firm that produces projects for the Lied Center, Lincoln Arts Council, and other entities. Von Kampen is a musician and composer who also teaches at Concordia University in Seward as well as the University of Nebraska-Lincoln.

Roughly a year after their initial meeting, Boesen talked von Kampen into working as the musical director on a staged reading she was directing.

Von Kampen says, “I remember when (Becky) called, and I was thinking, ‘How can I get out of this?’”

She talked him into working with her, and it went well.

“David said, ‘Hey, don’t you write stuff? We should get together and talk about writing sometime.’ And I said, ‘cool let’s get together,’” Boesen explains.

They discovered their work “sort of sounded alike” and began to share ideas. Boesen had been thinking about her experience as a teaching artist in Red Cloud. Her play, What the Wind Taught Me, ran at the Red Cloud Opera House while on tour, and she says she fell in love with the town.

“You’re driving in Nebraska and all of a sudden you feel like you’re on Mars, because the prairie is like an ocean out there,” says Boesen, who started thinking about Cather and “what it must have been like to live in Red Cloud, Nebraska, in the late 1800s.”

The Nebraska prairie might be considered a character on its own in some of Cather’s work. That striking landscape also has inspired the creative team behind Catherland.

“It’s an exploration of sense of place, what it means to be home, what does it mean to make a commitment, and how does that change over the course of time, and the messy nature of long-term love,” Boesen says.

“I really think they’ve captured something. I’m so excited to be working on it. I just can’t wait for people to see it,” Wach says, impressed with Boesen’s willingness to revise her script. “To have somebody who’s that fearless in the process is a real asset to Shelterbelt in really giving new works their highest potential.”

Wach points out that supporting and nurturing new work by local artists is essential to the vitality of the Omaha theater scene.

“There are very few theaters our size who do new work in a city of our size.” Wach says, “We have a very vibrant theater community, and having new works helps feed it.”

Boesen says she and von Kampen feel lucky to have such a joyful creative process, “We just like making stuff, and we make stuff well together, and we have a lot of fun doing it.”

Visit shelterbelt.org for more information.

This article was printed in the March/April 2017 edition of Omaha Magazine.