Tag Archives: Capitol District

In the Middle of it All

December 1, 2015 by
Photography by Bill Sitzmann and Leo A Daly

Chris Johnson graduated from college and looked left.

Then he looked right.

With sheepskin in hand—a degree in architecture from Iowa State—he went chasing his first job in the field.

But not at home.

“I thought the best design only occurred on the West Coast or East Coast,” Johnson says.
Turns out what he was looking for was right in front of him all along—Leo A Daly, one of the largest planning, architecture, engineering, interior design, and program management firms in the world.

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But Johnson, a native Omahan, didn’t know that Leo A Daly.

“It was almost embedded in me that they’re an Omaha firm just doing Omaha work,” Johnson says. “I wasn’t sure of their national or international design presence.”

He dug deeper.“Holy cow,” he recalls discovering, “there’s a great design firm right here doing things all over the world.”

Johnson joined Leo A Daly in 1990 and today is a vice president and managing principal in Omaha. His years with the firm are but one chapter in its extensive history. It was begun in 1915 by Leo A. Daly Sr. and remains in family hands with his grandson, Chairman and CEO Leo A. Daly III.

Early on, the firm indeed was Omaha-centric, its work featuring more than a handful of projects in and around the city for the Catholic church.

“Look at some of the turn-of-the-century Catholic churches and, more often than not, you’ll see Leo Daly on the cornerstone,” Johnson says.

But it was a much larger Catholic project that helped Leo A Daly become much larger—Boys Town.

The firm’s first major planning assignment came in 1922, creating the Boys Town master plan for Father Flanagan’s 160-acre campus that then was 10 miles west of Omaha. The relationship continues today as Leo A Daly has designed 90% of Boys Town buildings.

Leo a Daly's original rendering for Boys Town (1922).

Leo a Daly’s original rendering for Boys Town (1922).

Others in Omaha and beyond began to take notice.

“Boys Town really began to grow Leo Daly into a regional and national architecture and engineering firm,” Johnson says. That led to work for the healthcare market. Then came work for the federal government related to national defense.

Eventually, Leo A Daly went global. Today the privately held company’s portfolio includes projects in nearly 90 countries and all 50 U.S. states. Clients include public, private, and institutional organizations in sectors including aviation, commercial development, higher education, transit, and transportation. And while other firms in the industry increasingly become specialized, Leo A Daly has intentionally stayed multidisciplinary.

“We want to think holistically about these facilities, both during design and when they are operational,” Johnson says. “We really learn a lot from each other as far as innovation.”

That’s helped give the firm staying power. So, too, has a quality staff, Johnson says, and a marketplace that rewards “quality and innovation,” a statement backed by more than 500 design awards.

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The company has more than 800 design and engineering professionals in 32 offices worldwide—Abu Dhabi in the United Arab Emirates, Atlanta, Riyadh in Saudi Arabia, Washington, D.C., and elsewhere. Lockwood, Andrews & Newnam, an engineering, infrastructure consulting, and program management division of Leo A Daly, is in 18 cities.

But corporate headquarters remain in Omaha at almost its geographic center on Indian Hills Drive. The office boasts one of Omaha’s finest art collections, which has been amassed by the Daly family over the years.

“You’re really working in an atmosphere that elevates your game,” Johnson says of his surroundings.

Thank goodness for that Omaha presence. The city would be unrecognizable without such icons as First National Tower, Mutual of Omaha, Memorial Park, and other landmarks.

And Leo A Daly is building today the icons of tomorrow. Recent projects include the mixed-use development in downtown’s Capitol District, Nebraska Medical Center’s Nebraska Biocontainment Unit, and the relocation of Creighton University Medical Center to CHI’s Bergan Mercy Campus.

Also notable is the company’s transformation of the 1898 Burlington Passenger Station into a state-of-the-art television station for KETV. Among the project’s chief designers was Leo A Daly architect Sheila Ireland. Objectives included an initiative to keep the past visible where possible, allowing the building to tell its own story. Throughout the building are signs of the original 1898 Greek Revival design, its dramatic 1930s renovation, and updates from the 1950s. In one space, plaster from a bygone era has been cleverly framed as wall art. Even signs of the station’s 40-year vacancy remain visible.

Perhaps only a firm that’s been around nearly as long the station is wise enough, bold enough, to take such an approach.

“It’s exciting to work at a firm that has as much history with the city of Omaha as Leo Daly has,” Ireland says.

She hopes her work on the Burlington Station will help it last “hopefully for another 50 to 100 years.”

Chances are Leo A Daly will still be here—in the middle of it all.

Visit leoadaly.com to learn more.

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Style and Substance

June 20, 2013 by
Photography by Bill Sitzmann

When Nick Hudson first helped found Omaha Fashion Week (OFW) back in 2008, he says some people thought it was a bit of a joke. Six years later, no one’s laughing. During the first year, about 2,000 people attended the event to see creations by 12 designers; by the end of this year, 51 designers will have shown their work, with an estimated 8,000 people attending—and the event just keeps getting bigger and better.

Unlike fashion weeks in New York, London, and Paris, OFW isn’t just about all things sartorial. It serves as a platform for up-and-coming designers to learn about the fashion industry and introduce their creations to the public, all without having to pay a fee to participate. “A lot of designers come from wealthy backgrounds,” says Hudson. “[Making it in this industry] requires resources. The vast majority of our designers, though, come from limited means and challenging economic backgrounds. [With OFW], there’s no financial barrier.”

To this end, Hudson founded the Fashion Institute Midwest, a program that helps designers learn about all aspects of the fashion industry from developing their lines to getting them to the public. Designers apply online, specifying what they’d like to focus on and what they hope to get out of the program. Some want to enhance their opportunities for getting into top design schools; others hope to build their businesses.

Designer Joi Katskee upcycles items into new rock-n-roll pieces.

Designer Joi Katskee upcycles items into new rock-n-roll pieces.

Typically, 70-90 designers apply annually with 40-50 making the cut. The designers are all from the Midwest, coming from states like Nebraska, Iowa, Kansas, and Missouri. Ages range from as young as 13 to those in their early 30s. A selection panel consisting of nine fashion industry experts interviews the applicants. “Mainly, people audition to be a part of the show,” Hudson explains. Brook Hudson (Nick’s wife), who manages OFW’s day-to-day operations, adds, “The cool thing about the interviews is that the panel doesn’t just decide. We give the designers feedback on how to sharpen their focus and ideas. It’s a conversation.”

From there, designers work with OFW’s team of volunteer mentors to learn about the fashion industry. They receive expert advice on subjects such as where to get fabric, how best to show off designs, and how to pitch and promote their lines. They also participate in workshops or roundtable discussions focusing on topics like doing consumer research and how to broaden their appeal for retail markets. This forms the core of the program. “What people don’t realize,” Hudson points out, “is that there is constant mentoring and support taking place throughout the year behind the scenes.”

Rick Carey and David Scott (“The Style Guys”), Omaha fashion stylists and hair and makeup legends who have worked at fashion shows in New York, Paris, and Miami and at international photo shoots, became involved as panelists and designer mentors this past February. “The mentoring program is amazing. We help the designers get their collections together so [they] look fantastic,” explains Carey. “As Tim Gunn of Project Runway fame says, our job is to help the designers ‘make it work.’”

Designer Elda Doamekpo’s Elle brand is inspired by the movement of water.

Designer Elda Doamekpo’s Elle brand is inspired by the movement of water.

Scott adds, “From those original sketches on a piece of paper, no one realizes where designers go from there. You have to find the perfect seamstress who can sew that perfect zipper or perfect hook, someone who knows how to work with a specific type of fabric. We’re very much into the total look.”

Another critical component is finding the perfect models to showcase the collections. Alyssa Dilts, director of Develop Model Management, does the casting calls for OFW and works with designers to select models. “I compile the list, and the designers have a week to select [their models],” says Dilts, who has done some professional modeling herself. “I then finagle the schedule for them to coordinate and make sure the models are available.”

Equally important are all the other volunteers who make OFW possible. “The public has no clue about what’s involved,” says Scott. “They really don’t realize how many people it takes to put it on.”

Designer Hollie Hanash designs upscale children’s clothes.

Designer Hollie Hanash designs upscale children’s clothes.

Indeed, volunteers do everything from setting up and tearing down the catwalks, marketing the event, distributing press passes and VIP bags, coordinating the action backstage, and greeting and seating guests. Makeup artists and hairstylists similarly volunteer their time and talent. “We’ve got a great community of people involved who all donate their time and expertise,” says Hudson. “It’s unheard of. It’s a huge part of why we’ve been able to grow so fast. That’s why we’re able to keep building…Because of the community.”

What’s new and exciting for OFW this August? The six-night event will take place downtown in the Capitol District (10th & Capitol streets area) in a 30,000-square-foot space composed of one tent flanked by two smaller ones and after-party courtyards featuring DJs and live bands. Designers/artists Dan Richters and Buf Reynolds are collaborating to create a large-scale art installation through which people will enter the event. “It’s the first time we’re doing it. We’re graduating to a different level,” notes Hudson.

Given all this, it’s no wonder that in just six years, OFW has emerged as one of the top fashion weeks in the Midwest, one that attracts experts and designers from around the country. “It’s more than an event,” Brook proudly points out. “We’re on the verge of creating a new industry for Omaha.

Omaha Fashion Week takes place August 19-24. Tickets range from $30-70; Saturday Finale VIP tables (for 10) can be reserved for $1,000. To purchase tickets and for more information, visit omahafashionweek.com.

OFW SCHEDULE

Monday 8/19: Children’s Wear
Tuesday 8/20: Avant-Garde
Wednesday 8/21: Ready To Wear
Thursday 8/22: Evening Wear
Friday 8/23: Men’s & Swimwear
Saturday 8/24: Grand Finale Gala