Tag Archives: artist

Pigeon Bros

October 19, 2017 by
Photography by Bill Sitzmann
Illustration by Pigeon Bros.

It’s like watching two parts of the same brain. When Jack Blanket and Ryan Showers are together, it’s just the two of them, taking turns finishing each other’s sentences and stories. Their words flow back and forth, forming a single curse-word-laden stream of consciousness. But that’s not to say these brothers are free from a little sibling rivalry.

“Stop. Stop. STOP. Don’t draw on my drawing,” Blanket says as his pencil glides over paper, doodling out shaded shapes, while Showers makes a move to add his own creative contribution.

“I wouldn’t…” Showers begins.

“Wouldn’t be an ass? Yes, yes, you would,” Blanket continues.

Believe it or not, this exchange, like most of their conversations, is all said with deadpan, sarcastically saccharine love. To them, calling one another an ass is a compliment. While the duo play brothers, friends, and roomies in life, they’re yin and yang in the world of local Omaha art—Blanket an accomplished stop motion animator and Showers an eccentric and eclectic illustrator.

“As far as I know, we’ve always been drawing and creating,” says Blanket, the younger sibling by approximately one year. “There’s always been paper and pencil around.”

Born and raised across the river in Council Bluffs, Blanket and Showers are just two of eight siblings, each one living in different parts of the country, all of them dabbling in art either full-time or for fun. However, given their upbringing, it’s no surprise the family is now made up of everything from illustrators and animators to video game creators and programmers. They were homeschooled by their mother, who based her curriculum largely on creative expression. Their father illustrated.

Even though their childhood was awash in arts, crafts, doodles, and drawings, the two brothers didn’t graduate high school as mini Monets. It was through years of self-learning and discovery that their artistic talents began to bloom.

Blanket taught himself to animate through online tutorials. After all, who needs a fancy-shmancy liberal arts degree when you’ve got Google and YouTube as professors? Years of plugging and playing and numerous “crashed crappy computers” later, Blanket acquired the skills to land freelance animation work.

He’s made several animated games and music videos for local musicians and labels, One of his favorites was for a Chicago-based hip-hop and soul group, Sidewalk Chalk. Though simple, his flashing red, white, and black drawings in the video for their song “Dig” helps bring to life the message behind the lyrics, which details the effect media has on the public’s perception of police violence.

“To create it, you just go step-by-step, line-by-line, translating lyrics to images,” Blanket says. “Three minutes might really be three months of work.”

As for his artistic name, a high school girlfriend’s mother created it in an instant years ago. She said she knew too many Nathans, his real name, and chose to call him Jack Blanket instead. More than a decade later and the moniker has survived, further separating his work and artistic identity from his brother.

“We’re cut from the same cloth but we really are very different, both personally and with our art,” Blanket says.

One glance at their work and any viewer would agree. Showers steers clear of animation, instead creating detailed drawings, often sparse in color but big in imagination. Haunting images of monsters, animals in human clothes, and cartoonish people, he’s done it all.

“My process is much slower than my brother’s. I’ll start by making a rough skeleton and then sit on it for a really long time,” Showers says. “Music, my medicine, is always a huge catalyst to get me going.”

Beyond the musical styling of bands like King Gizzard and the Lizard Wizard, Showers is inspired by anime and fashion magazines, which he spent hours copying and drawing to perfect his craft.

“Life is f***ed sometimes, so I strive to create work that takes people somewhere else,” Showers says. “The potency of expanding imagination is so valuable. Maybe my pieces help with that.”

While he avoids collaborations, including with his brother, Showers aspires to create pop-up shops around town that feature work from a variety of local creators. For now, he shows pieces for sale in Caffeine Dreams and uses his Instagram as an online portfolio to market himself and gain more work. By displaying animations on YouTube, Blanket harnesses the power of social media.

“Artists need to have an online presence now,” Blanket says. “As a low-level artist, you do a lot better putting yourself out there and responding to your audience through these mediums.”

When they’re not turning news feeds into galleries, the two brothers share an apartment but hardly see one another. Showers admittedly disappears for days, often to look high and low for inspiration, even sifting through dumpsters and exploring vacant buildings. Since art isn’t always a field filled with money, especially for up-and-coming creators, the two spend even more time apart working odd jobs to pay rent.

“We’ve grown accustomed to a humble lifestyle,” Showers says. “I’m willing to wash dishes for a living if it means I can have an imagination.”

So when they get together, it’s a nostalgic celebration. On a particularly warm June day, the siblings got the chance to share an afternoon on the back patio of Caffeine Dreams. Showers veiled his eyes from the gleaming sun with oversized sunglasses while Blanket embraced the warmth, sitting outside the shade with his painted fingernails gleaming in the light. Just as with art, the two take different paths, each enjoying the summer day in their own way.

While you may not see pom-poms at their sides as they sip coffee and share memories, these two really are one another’s biggest cheerleaders, bonded by blood and a love for all things creative.

“Our fields are so highly different,” Showers says. “In my mind, there is no competition, no rivalry, no…”

“No reason not to be supportive,” Blanket finishes. “There’s just mutual respect.”

Visit instagram.com/thee_owl or instagram.com/score6 to view more of Pigeon Brothers’ art.

This article appears in the September/October 2017 edition of Encounter Magazine.

Pigeon Brothers

Bug Out

October 5, 2017 by
Photography by Dave Crane

Sexy moths flap their wings (and cleavage). Some dude dressed like a lightning bug flashes his butt. The audience swarms the stage at Midtown Art (formerly Midtown Art Supply)—with antennae, arms, and legs flailing—rocking to performances by local hardcore noise bands.

There are edible snacks made of insects. Bug-themed artwork covers the walls of the adjacent Harney Street Gallery. It’s like a mosquito trap for Omaha’s weirdest and most creative. But the main event? That would be the keynote bug lecture and photo slideshow by Dave Crane.

Crane—a wetlands biologist with the Army Corps of Engineers—is the co-founder and co-curator of the Omaha Bug Symposium, the strangest science-art-music combo this side of the topsoil.

Crane’s lecture is a psychedelic crash course in entomology (i.e., the study of insects), a legit science presentation packed with big words and Latin binomial names. His photo slideshow features beautiful imagery (zoomed and panned to show macro views of tiny insects like you’ve never seen before) along with ludicrous commentary.

At the 2016 event, Crane’s younger brother (Omaha artist Dan Crane) shouts a question, “Because I find them so fascinating, why are they called boring beetles?” The elder Crane responds to his brother, and other hecklers’ comments, with a genuine enthusiasm that is contagious.

His passion for bugs started at a young age. “I’ve been interested in nature, in general, all my life,” Crane says. “I was an adventurous, outdoorsy kind of kid. I wore holes in my clothes faster than anyone else I knew. Around the age of 7, I started attending week-long day camps at Fontenelle Forest and Neale Woods every summer. I think it was at these camps when I really honed in on bugs. I’d come home from the camps and start looking for the things I found while in the wild. Around this time, I started collecting bugs I’d find around my neighborhood. My parents picked up on this and started buying me field guides and insect preservation boxes. I started making my own collection tools, like a plastic bag duct taped to a long stick for catching butterflies and dragonflies. I had a terrarium out in the back yard that I would put captured praying mantids into to watch them fight, mate, and eat prey. I amassed a rather large insect collection—probably 40 species—by the time I was 12, but without knowing about proper preservation methods, the specimens were consumed by pests and all turned to dust.”

Discouraged by early attempts at insect preservation, Crane’s insectophilic tendencies lay dormant until roughly age 21. That’s when he received his first digital camera as a birthday gift.

“I was snapping away outside one day and noticed a damselfly on my car antennae,” he says. “I snapped a photo of it, and when I reviewed the image, it was like all the memories I had chasing bugs as a kid came rushing back to me. That moment revived my interest in bugs. I was hooked. Taking photos of all sorts of macroinvertebrates became my No. 1 hobby, if not obsession. From then on, I would dedicate more and more time to taking photos of bugs all around me—when I traveled, when I went camping, when I went to the bar, etc. I took photos for the sake of seeing things up close and learning about them, never really with the intention of printing them out as pieces of art.”

Crane’s photographic work captures the essence of bugs’ behavior, rather than focusing on images “that would look nice on a wall.” He prizes subject matter with informative storytelling potential over aesthetics.

Dave Crane. Photo by Bill Sitzmann

“I feel that presenting my photos in this style does them the most justice. I have some very high-definition photos, and they deserve to be blown up, zoomed in, and explored. The content in the photos is very well served by being plastered on a 10-foot-by-10-foot projector screen so every little detail can be magnified and scrutinized by the crowd. Before these bug shows, I started making calendars in 2007 for family and friends. Otherwise, I basically just stockpiled my photos for seven years—until I started showing them off as the bug shows.”

The 2017 Omaha Bug Symposium takes place at OutrSpaces (528 S. 24th St.) on October 7. It will be Crane’s fifth (and fourth annual) bug show. The inaugural event in 2014 went by the name “Nebraska Insect Showcase” because it was held at Midtown Art Supply the weekend following the Nebraska Hardcore Showcase.*

That first year of the event consisted of Crane “giving a two-hour presentation, followed by multiple sets of bug-themed noise bands, and topped off with one of the most bizarre, horrifying bug worship performance art piece I have ever witnessed,” he says. “It was a blast, so we started planning the second one instantly.”

The event’s format has since remained essentially the same. Bug food, bug art, and dance competitions joined the lineup in 2015.

The original Nebraska Insect Showcase co-organizer, Ethan Happe, parted ways with the event to focus more on entomophagy (eating insects). But Crane wasn’t ready to call it quits. He met Andy Matz in 2016 while planning his third bug show.

Matz, who has a degree in entomology, became a co-lecturer and co-organizer for the 2016 event, the first to go by the name “Omaha Bug Symposium.” Joining the party were bug costume contests, insect snacks prepared by local chefs, and kegs sponsored by Upstream Brewing Co.

Crane and Matz continued their collaboration in planning a special 2017 Omaha Moth Night to coincide with National Moth Week in July (which, despite the name, is a worldwide citizen science initiative encouraging the public to learn more about moths). Omaha Moth Night used the same Bug Symposium format with music, art, lecture, and costume contest.

“Ours had to be the weirdest National Moth Week event, but it fit right in with the spirit of the week, as well as the concept of the Omaha Bug Symposium,” Crane says. “The moth night really was a bit of an experiment just as much as it was something we were genuinely excited to put on. The turnout was similar to last year’s symposium, and I’d say we were highly successful in our attempts to interweave moth art, information, music, and the human connection with moths into a fun night for all.”

Attendance grows each year. Insect artworks continue to surprise. Meanwhile, Crane is thrilled to encourage others to share his love for bugs and the greater outdoors.

“A lot of people go ‘birding,’ but I go ‘bugging,’” Crane says, describing his photo-shooting sessions. “The most important part of bugging is to do it frequently. I think as you start out you’re just fascinated by everything, you’ll see a lot of things from angles and magnifications that you’ve never seen before. It’s like seeing the world the way it really is for the first time.”

Crane has developed what he refers to as “bug-eyes.” He’s usually the first (or only) person to spot a bug while out walking the streets or out in the field.

“If I’m walking through a field of weeds, I’m not searching for the next pretty flower, I’m subconsciously scanning every bit of green for that one bug-shaped discrepancy,” he says. “After so many years, I’m still fascinated with snapping a photo just to look at something around me close up. I love using my camera as a portable, photographic microscope, revealing truth that’s just beyond the naked eye.”

Visit facebook.com/omahabugsymposium for more information.

This article published in the 2017 September/October edition of Encounter Magazine.

*UPDATE: The host venue moved from Midtown Art and Harney Street Gallery to OutrSpaces after the publication of the issue. OutrSpaces is located at 528 S. 24th St. 

Visual Narrator

September 21, 2017 by
Photography by Bill Sitzmann

Kristin Zahra says she knew from a young age that she wanted to work in film. “Maybe, 12 to 13ish? I remember really loving Pixar animation film shorts,” she says. “So I had a desire to do more of the 3D animation work.”

Despite her dad’s urging to go into engineering, Zahra attended College of Saint Mary and earned her bachelor’s degree in computer graphics.

“He was a civil engineer and also tried to get all my sisters to pursue that path,” she says. “He was one in four for that battle.”

After graduation, Zahra went on to Vancouver Film School, which she says was a great option for her.

Kristin Zahra

“Their program is unique in that it’s essentially a condensed version of traditional four-year film schools. It made a lot of sense to me, being able to invest one year solely to focusing on film, and I viewed it as an opportunity to really do something challenging and completely out of my comfort zone.”

While at film school, she studied 3D animation and visual effects, and kind of fell in love with the city and Canada.

“Vancouver’s film scene was really apparent when I was there, which heightened the experience in a lot of ways,” she says. “My two roommates were extras and had boyfriends that were stuntmen, one was a screenwriter—I’m guessing a lot like L.A. in that way.”

After film school, Zahra moved around the country—Chicago, Houston, New York City, Norfolk (yes, Nebraska)—but she ended up back in Omaha in 2011. She says she knew she would be “calling this home again for quite a while.”

Like most creatives, Zahra struggled when she first started working in the industry. Since she didn’t live in Los Angeles or a place more conducive to filmmaking, she was using her animation degree more in advertising and motion graphics than anything else.

“I realized there was something missing for me,” she says. “What drew me into film was just how alive I felt when I was able to tell stories.”

Over the last few years, she’s been trying to get back into that. She started reaching out to, and trying to work with, local filmmakers.

Which is how she ended up working with Shelly Hollis on his project, The Black O, a film about black crime in Omaha.

Strangely enough, the two happened to run into each other on the street. Zahra says they met one night at a falafel truck downtown. They started talking while waiting for their food and he told her he was in town visiting his family and filming a documentary.

“It piqued my interest and we got to talking more about the work I did and wanting to be involved in film here in Omaha,” she says. “I had been searching for people to collaborate with, especially on film projects that come from a sincere and honest place.”

Hollis’ background is rooted more in the documentary format, which Zahra says brought her back to some of that storytelling she was missing.

For his documentary, Hollis says they spoke with people in the black community—victims of gang violence, ex-gang members, and city council members—and asked them what they thought the issues were.

“We wanted to give the people their voice, to identify their own problems,” he says.

His passion for the project interested Zahra from the start.

“Shelly is that person, void of ego, and his intentions for the film had inspired me from our first conversation,” she says. She adds that working with Hollis, whom she describes as an “exceptional filmmaker,” has been an honor and he has reminded her not to underestimate her skills.

The admiration is mutual. Hollis says Zahra helped him out a lot with the film. “She’s awesome,” he says. “Just incredible.”

“So yeah,” Zahra says, “it seems we were meant to meet, being that we shared an interest in both film and a good falafel pita.”

While The Black O is in its editing process, Zahra still has to make her money. “I keep moving with my projects, that’s for sure.”

She says she continues to do a lot of animation designs that are strictly for income, but adds that she is currently working on a new passion project with a production/animation studio, Edison Creative.

“For me, the passion I have for filmmaking includes that feeling I get when I’m on a set collaborating with a crew or in a studio working on animation or post-production.”

She says this current project is more of a cartoon piece. “It’s got a lot of potential. I’m really excited for it.”

Visit kristinzahra.com for more information.

This article published in the September/October 2017 edition of Encounter magazine.

Have Marcey

September 14, 2017 by
Photography by Scott Drickey

When North Omaha native Marcey Yates talks about music, his face lights up and it’s as if everything makes sense in his world. From conversations swirling around hip-hop to his wild tales of past encounters with various artists, the 31-year-old lives and breathes his passion for music—and it all started at church.

Yates grew up on 49th and Fort streets, just north of Ames Avenue, where religion played an integral role in his community. The young Yates would often spend time with grandparents, who lived on 19th and Sprague streets, not too far from the home he shared with his mother and father. His grandfather was a pastor at the Church of God and Christ, and would routinely take him to service, where Yates started singing.

“I would say religion was big in my family and the black community,” Yates says. “It was definitely passed on through generations. Church got me into music on both sides of family, and it kept me in church until I was in high school. I sang in the choir.”

After graduating from Benson High School in 2003, he went on to take a few classes at the University of Nebraska-Omaha before leaving for Arizona, where he enrolled at the Conservatory School of Recording Arts and Sciences. By this time, his older brother Jeff had already introduced him to underground hip-hop and artists like Mobb Deep, Wu-Tang Clan, Slum Village, Jay-Z, and Pete Rock & C.L. Smooth. He felt it was time to learn how to make his own signature style of music and establish himself as a credible MC/producer.

“I wanted to focus more on the tech side of music and the other side of the industry,” he explains. “I learned how to make this a business and not just be a rapper. I was able to get a lot practice working on my skill and style doing shows. I got turned down in Arizona, but I had some great experiences. I met Canibus [rapper], who told me about his beef with LL Cool J, and once I was with Method Man passing around a joint in the VIP section.”

Shortly after, the self-proclaimed hip-hop head relocated back to Omaha in 2012. Since then has put much of his energy into the hip-hop collective Raleigh Science Project, which he founded in 2009.

“I established the Raleigh Science Project after my last son [Raleigh] was born,” he explains. “It started as my imprint for my music, but I expanded into a collective after bringing artists on board who shared my vision on hard work and good music. [We had] a focus on building up the hip-hop scene in a positive light, so I wanted to strip the negative vibe associated with hip-hop in my community. That means consistency, quality, showmanship, and being professional.”

The father of three is currently working on the annual New Generation Music Festival—now in its second year—an all-inclusive concert that promotes community awareness, drives traffic and support to other local nonprofits, and provides a platform to retain local talent.

“Our mission is to provide a world-class music festival that promotes inclusion and provides economic opportunities for local businesses, organizations and artists,” he says. “We want to cultivate local talent and artistry as a means to a more secure and sustainable economy in the urban core communities. There are so many resources out here that the people don’t know about because information isn’t made readily available
to everyone.”

Aside from the festival, which is scheduled for Sept. 16 at Aksarben’s Stinson Park, the busy creative is working on a documentary about the life and times of Marcey Yates, a solo EP, a mixtape series titled Chicken Soup, and the Flamboyant Gods II project with local rapper Mars Black.

“I’m constantly working on a new project,” he says. “I want to be one of the hardest-working guys in
the industry.

“Music is the only freedom that is really free,” he continues. “There are no rules to making music. It’s total creativity and a space you can go to anytime. Music is your life soundtrack for every genre in your life—from comedy to drama to suspense. When I get depressed or really bugged out, I create music to pull myself out of the sunken place. Everyone should have a creative hobby or passion because what is important to you, you will cherish and be passionate about.”

Visit op2mus.bandcamp.com to hear Yates’ work.

Roots Down

September 5, 2017 by
Photography by Bill Sitzmann

Ask Keith Rodger where he got his sharp musical tastes and his answer will be simple—from his mother. The 28-year-old Omaha musician, recording engineer, and co-owner of Make Believe Recordings grew up with an eclectic range of influences, which truly shaped his preferences.

“My mother always had a solid taste in music,” Rodger explains. “She gave birth to me as a teenager and I think that had a huge difference on what I was exposed to compared to other kids my age. She was never a musician, but always had an ear for interesting music. She introduced me to the reality of Prince’s lyrics, the anger of Prodigy’s sound, and the essence of Bjork’s personality. There were few limits in our household.”

He also credits his older brother, Alan, with inspiring him to pursue music despite the fact they grew up in separate households.

“When he visited with a guitar and amp one day is when I really wanted to become a musician,” he recalls. “He also introduced me to computer software that was used to make beats, which was what really changed my life forever.”

As he stumbled through various phases of what he refers to as “extreme attachment” to a bevy of different musical genres, he quickly realized there was an infinite amount of exploring to do. He tasked himself with learning the history and adapting to the culture as a young, inquisitive student.

Rodger eventually met Motor City native Rick Carson, another aspiring entrepreneur who was obsessed with music and had recently completed a course in recording/audio engineering at Full Sail University in Winter Park, Florida. The two would establish Make Believe Records and Make Believe Studios in 2012.

“I met Rick in a dusty basement when I was in a band called Lightning Bug while recording our first record,” he says. “I really enjoyed his vision for the music industry and Omaha. What he was trying to build aligned with what I was interested in pursuing as a career. We came from completely different backgrounds and share very different interests in music, but our goals and views are very similar.”

Make Believe Records has been steadily working its way into the publishing realm. The masterminds behind the label have hit a point where their catalog is ready to be launched into the musical stratosphere. With artists like rapper Conny Franko, hip-hop duo BOTH, and soul group Sam Ayer & The Lover Affair—as well as Rodger himself—on the roster, there are several full-length projects on the horizon.

Similarly, Make Believe Studios is buzzing. Carson recently engineered Grammy Award-nominated artist Terrace Martin’s 2016 album Velvet Portraits, and recently mixed and mastered Danny Worsnop’s 2017 effort The Long Road Home. There’s a sense of exciting things coming together behind the scenes.

“We are busy, busy, busy,” he says. “We have some projects coming through this year that I never would’ve imagined getting the opportunity to experience.”

For now, Rodger, Carson, and Tristan Costanzo are hard at work on one of their latest endeavors, the Kismet production team, which recently scored a documentary series for boxing promotions company Top Rank about boxer Terence Crawford and his team at B&B Boxing Academy. That’s just the tip of the iceberg.

“I’ve also been working on an EP and film titled Evoleno,” he says. “This has been a project years in the making. It took me several attempts to try to lock in a concept that was worth pursuing to become my first release. Over time, I got the opportunity to work with a wide variety of musicians that helped me shape my ideas into the concept it has become.”

“I also recently locked in a very small crew for this film to keep our ideas consistent and confident without our own bubble,” he adds. “I tapped Miguel Cedillo to direct and Maria Corpuz as one of our main characters. These people believe in the project as much as I do, and I believe we will make something that challenges everything we know about making a film that is timeless.”

Rodger has undoubtedly blossomed into a key player in Omaha’s consistently evolving music and art scenes. From touring with The Faint as a stage technician and DJing for Omaha Fashion Week to writing music and co-helming the Make Believe Records empire, his tireless work ethic parallels that of any successful artist or entrepreneur. However, he always sees room for improvement.

“I think it’s growing into a scene that is more diverse sonically,” he says. “I’ve noticed there are more younger people embracing new types of popular music, and putting down guitars and picking up synthesizers. My inbox is usually filled with musicians asking me about sound design and I find it exciting and refreshing.

“I truly wish there were more women creating electronic music,” he continues. “I always try to encourage parents to allow their daughters to learn how to program and edit in a DAW (digital audio workstation). Fair balance between genders, race, and cultures helps create better ideas within communities.”

The ambitious Rodger finds surrounding himself with creative individuals, staying focused on his goals, adopting routines that exercise his mental and physical health, and teaching others is the way to reach his ultimate nirvana. He’s ready to put in whatever amount of work it takes.

“Omaha still has a long way to go as far as musicians’ and DJs’ careers being taken seriously by people outside of the music industry,” he says. “We plant seeds and starve during their growth, but when they bloom, we will have a garden to feed families. Music is about to change very drastically for consumers and creators. I’m very excited about the future and want to be a part of it when it happens.”

Visit soundcloud.com/kethro to hear some of Rodger’s music.

This article was printed in the September/October 2017 edition of Encounter Magazine.

Keith Rodger

Eye Vibe

August 30, 2017 by
Photography by Sarah Lemke

Twenty-six-year-old Omaha native Michael Garrett isn’t simply a photographer—he’s a visual communicator. “I’m a photographer, graphic designer, content creator, and  overall creative,” he says.

The son of a hardworking single mother, the University of Nebraska-Omaha senior grew up around 18th and Pinkney streets and the now-defunct projects near 30th and Lake streets. Eventually, he transferred to South High School, where he experienced yet another segment of Omaha’s  diverse demographic. Despite his challenging circumstances, he managed to beat the odds and will soon be the first college graduate in his family.

As the founder of MGPhotog and co-founder of The Creative Genius collective, the burgeoning entrepreneur is clearly becoming a master of his own destiny, and he understands photography is more than meets the eye.

“Photography is oversaturated. I think it’s due to social media,” Garrett says. “Everyone feels they can do it. But in doing so, they don’t really know what it takes to be a photographer. The goal should be more than taking a picture. As a visual communicator, I treat it more like an experience. And what I’m trying to capture, it depends on the client, but I go in with a strong idea of what I want to do to communicate visually. When you see it, you should feel exactly what I want you to feel from the image.”

With a firm grasp on what it takes to set him apart from other photographers and graphic designers, Garrett takes the time to truly get to know his clients, which he believes is one of his defining characteristics.

“I kind of put me as a person first,” he says. “If I need to do work with a client, I meet with them and go into who I am, just so they’re a little more comfortable with me. To me, I’m building a relationship. I feel good communication is more effective and delivering the work becomes a little easier once you have that open communication with your clients.”

It all started the day he was fired from his job at a bank. Four years after he graduated from high school, Garrett was at a crossroads in his life and not quite sure what he wanted to do next. Getting fired, he says, was the best thing to happen to him. It was from that moment, he realized what he wanted to pursue.

Michael Garrett

“It was a random thing,” he says. “I got into an argument with my manager, and she wasn’t too fond of the things I said. The same day I lost my job, I went to the camera store at Nebraska Furniture Mart and bought a camera. I figured it would give me something to do and get my mind off of losing my job.”

It didn’t take him long to put his camera to use. He was a huge sneakers aficionado and  loved taking pictures of them. As an avid collector, he jumped on the Instagram trend of posting an array of specialty shoes online. Subsequently, owning a camera made perfect sense. His love affair with the lens had begun.

“Sneakers on Instagram took off,” he says. “That started it all. As far as my work, I model some of my work after some [photographers], but I’m very versatile. I can shoot a wedding, food, children, shoes—everything.”

In 2013, he was invited to a celebrity basketball game at the Mid-America Center. At the encouragement of a few of his predecessors, he quickly realized he could make a living out of his passion.

“I met a few other photographers at the tournament, and they took me under their wings. They said I should start charging for my work. From there, it took off.”

While he predominately grew up with his mom in a single-parent household, Garrett says it was difficult not having a male role model around.

“It affected me in a way, but I had to learn to be a man about things,” he says. “I had a bunch of mentors in school because I was active. I did journalism, basketball, track. I had male figures there, but they weren’t an authoritative figure outside of the sport. I could do what I want, but on the leadership side, it was good.”

His life circumstances forced him to grow up quickly, which undoubtedly led to his fierce work ethic. In addition to school, graphic design, and his photography business, he also works part-time at the Boys and Girls Club as he continues to garner more and more attention for his work. The sky is the limit, he says.

“For me, I’m more in love with the process of communication…I’m just living. I want to leave my plate open to the possibilities.”

Visit facebook.com/thecreativegeniuscollective for more information.

This article appears in the July/August 2017 edition of Encounter.

A Glamorous, Functional Basement Remodel

August 14, 2017 by
Photography by Tom Grady

Seeking a grand basement remodel, a client came to me with hopes of creating a unified space with smaller intimate areas instead of an open floor plan. The original space felt very disconnected with no visual interest.

My solution focused on two separate spaces of the floor plan. Both sections of the basement would feature multiple functions: one area revolved around a sunken kitchenette/bar, and the other was an empty space transformed into a theater/display area.

The first part of the challenge was to create a properly lit display while providing storage within the bar area. We needed to add a dynamic visual element without altering the integrity of the existing brick veneer.

Our solution was to add horizontal reclaimed wood panels that pull the whole space together while providing a pub-like entertaining area. The resulting contemporary space makes use of layers of depth and dimension to provide a central focal point for social gatherings.

The asymmetrical design of the sunken bar area is enhanced with LED lighting, which further enhances the sophisticated environment. Bespoke finishes infuse rustic charm into the modern basement, forming the perfect union of domestic utility and alluring elegance. Displayed sentimental objects stand in harmonious contrast with time-worn salvaged materials and the interplay of light and shadow.

A large circle on the bar wall offers a crucial design element unifying the space. The scale of the circle balances the weightiness of the massive bar. Radiant light offsets and enhances the circle, giving the illusion that it is floating in air. The circle’s LED under-lit shelves provides plenty of space for the liquor bottles, and the offset shelving allows for additional personal items to be displayed.

By adding the walnut shell and lights to the existing metallic wood console table, it became repurposed and connected to the bar area.

Two guitars on an adjacent wall, mounted on a wooden circle, became a piece of art grounding the empty space leading to the guest bathroom.

To satisfy the clients, who are avid sports fans, the most challenging part of the basement’s theater space was to showcase their collection of jerseys while allowing the ability to watch multiple televisions at once. At the center of this design, I strived to cultivate a sensory experience that transcends the utilitarian functionality of the theater setting. Contemporary aesthetics find a careful balance of personal whims and fancies in the second of the basement’s main spaces. Relaxing here, the homeowners feel like they are in a high-end Las Vegas casino private suite while watching their favorite teams play.

The design conceptualization for the theater and display area stems from a faithful adherence to well-defined boundaries. JaDecor wall covering offers remarkable appearance with excellent acoustical properties. The round custom fiber optics and the dark-oak Melinga panels in the ceiling add spectacular visual interest to the space that once was a rectangle tray.

I really wanted the sports theater walls to properly light their jersey collection—which changes annually—while not interfering with the theater environment. Back-lighting the twelve individual panels with LED strip lights cleverly works into the overall aesthetic. The picture lights illuminate the symmetry of the jerseys and provide a side drop for the TV wall.

The purposeful ornamentation of the jerseys provides a dramatic display satisfying even the most discerning homeowner.

The experience of the finished project is such an amazing space to entertain and enjoy life with family and friends.

From the bar to the theater, and across the entire basement, the overall design embodies simplicity and modern functionality, leaving a lasting impression that makes you want to enjoy the space in good company.

The end result achieves the client’s goal of balancing personal expression and functional glamour with youthful exuberance. It is a welcoming space for any time of the day—and any season—for many years to come.

Visit artisticodesign.net to see more of the designer’s work.

This article was printed in the July/August 2017 Edition of Omaha Home.

Weird Is Good

July 14, 2017 by
Photography by Bill Sitzmann

Since transplanting from Pennsylvania nearly a decade ago, Christopher Vaughn Couse has made the observation that Omaha is downright weird—but in a good way.

From the hipster-laden streets of Benson to the apex of West Omaha’s suburbs, where cul-de-sacs meet cornfields—and of course there’s our friendly local billionaire, Mr. Buffett, who you may just spot snacking on a Dilly Bar—Couse is right: There’s no place like Homaha. As an artist, to pay homage to all the things that make Omaha, well, Omaha, Couse painted a simple black-and-white design with text that reads “Keep Omaha Good Weird.” It was part of Benson First Friday’s Tiny Mural Project.

“It’s about celebrating the city’s diversity and everyone’s willingness to embrace others for doing their own thing,” Couse says. Of course, it’s also a mix of the almost-revoked Nebraska mantra, “The Good Life,” and the “Keep Austin/Portland Weird” slogans.

If you’ve walked the streets of Benson or Dundee, stopped in at one of the latest oh-so-trendy and oh-so-healthy Eat Fit Go restaurants, or are familiar with the Omaha Chamber of Commerce’s “We Don’t Coast” campaign, you’ve likely seen Couse’s work. He may not be a Nebraska native, but with roots firmly planted in this city, his work as a freelancer, photographer, and illustrator seems to be sprouting up everywhere.

And that’s pretty darn good for a self-described “art school dropout.” It took just two years of classes in the art photography program at Edinboro University of Pennsylvania for Couse to discover he needed to try a different path —and eventually a different city—to forge his career. Determined to utilize his keen eye and knack for creative styling as a professional artist, he knew it was time to move on from the world of lectures and syllabi when a professor told him art photography was a dead-end job.

“Just like that, tuition money became payments for nicer photography equipment,” Couse says.

Just because Couse was done with school didn’t mean he was done with education. He took his lack of professional training as a chance to personally develop his craft and began learning new mediums.

While he had been taking photographs since his teen years, the next evolution of his artistry came when he began combining his shots with handwritten notes to make collages. Then came illustrating and painting, then printmaking, and even working on zines. One glance at his Instagram, @christography, and you could argue he’s made social media his next canvas.

“I delve into different genres of art, figure out what I like, and begin incorporating these aesthetics into my own work,” Couse says. “I’ll admit, I have a bad problem of not sticking with one thing and instead trying to tackle a lot of things.”

But that doesn’t mean there aren’t any similarities across mediums. Stylistically, his work is usually filled with color, idiosyncratic humor, and his emotions as each piece reflects what he was feeling when it was created. Thematically, he regularly combines text with imagery, and he’s often inspired by the conversations, people, and the city surrounding him.

For one of his most popular series, a combination of party gossip and local lore inspired him. Shortly after moving, he heard boozed-up friends describing metro movers and shakers as “Omaha Famous.” Using his love for pop culture, he decided to borrow this phrase and started illustrating portraits of actual famous people who were born in Omaha. Perhaps nowhere else will you find a collection that includes the likes of activist Malcolm X, President Gerald R. Ford, and Lady Gaga’s ex and “cool Nebraska guy” Lüc Carl. There’s even a coloring book available online, so you too can shade the mugs of Conor Oberst and Marlon Brando for only $4.

“What I love about Omaha—and why it inspires me—is it has a small-town feel but in a big-city atmosphere. I haven’t found that elsewhere,” Couse says.

Couse has further made an impact in the community through his creative freelance work. Often collaborating with branding agency Secret Penguin, he’s helped design packaging for Eat Fit Go, design signs for Flagship Commons, and developed promotional material for
“We Don’t Coast.”

As if all that combined with balancing a full-time retail job and playing daddy to a newborn wasn’t enough, he also preps collections of his work to show at local galleries, with a recent exhibit at Harney Street Gallery.

“I’m always searching for ways I can do better in life, better in my craft,” Couse says.

With Omaha and all of its oddities keeping him so busy, art projects get done when he can find the time. If one makes him a sweet penny, then great. If not, that’s A-OK with Couse, too.

“My end goal is to have fun and inspire other people to create things,” Couse says. “It’s not complicated. I just hope my art makes people smile for even a second.”

And there’s nothing downright weird about that at all.

Visit christophervaughncouse.com for more information.

This article appears in the July/August 2017 edition of Encounter.

Christopher Couse

June 15-18 Weekend Picks

June 15, 2017 by

PICK OF THE WEEK—Thursday, June 15: David Sedaris is back in Omaha and ready to draw you a little something to remember him by. Sedaris will be speaking and signing books at The Bookworm TONIGHT, promoting his latest book, Theft by Finding: Diaries 1977-2002. The line forms at 5 p.m. Outside seating will be available and he will sign autographs. The acclaimed author is always a big draw, so be prepared to wait in line for one of his signature “signatures.” But regardless of how far back you are, don’t worry: He’s there for as long as it takes to greet everyone. To find out more, go here.

Friday, June 16: The standup scene in Omaha is slowly but surely growing, with special help from The Backline comedy theater downtown. But this weekend you can head to The Sydney in Benson to catch Gay Standup Comedy: Pride Edition. This is a recurring show that normally happens on the third Saturday of every month at The Backline and includes LGBT comics and allies of the LGBTQIA community. If you haven’t had a chance to check out the scene, now is the time. Show starts at 9 p.m. For more information, click here.

Friday, June 16: It’s that time of  year again, when Omaha becomes the home of college baseball and you start overhearing Southern drawls asking for sweet tea. And since the CWS moved to NoDo, Slowdown has been a go-to spot for all the fans looking for a break from the stands. This Friday DJ Werd and Satchel Grande play a free “dance party” for those fans and for anyone else willing to brave the heat and the crowds. To check out all Slowdown has to offer during the series, click here.

Saturday, June 17: If you want to avoid the crowds downtown this weekend, now is the perfect time to check out what Stinson Park in Aksarben has to offer this summer. The Stinson Concert Series brings local bands to the park for free Saturday evening shows throughout the summer. This week’s free show starts at 7 p.m. and will feature cover band Finest Hour. So get out and get down this weekend. To see what else is going on at Aksarben, take a look at the calendar here.

Saturday, June 17: Start Pride Week off right by checking out the Heartland Pride Parade in Council Bluffs this Saturday at 10 a.m. The parade kicks off a week-long celebration of LGBTQIA people and culture here in the Midwest, but it is just the beginning. To find out about other Pride events or to volunteeer, head here and see how you can become “alive with pride.”

Sunday, June 18: For those whose fathers could care less about baseball, the Strategic Air Command and Aerospace Museum is offering free admission this Sunday for Dads who want to spend Father’s Day checking out some cool planes and maybe taking a crawl through the C-47 Skytrain. This is a family outing, so sorry if you were looking to escape, Dads. The kids have to be with you if you want to qualify for the free entry. For full details, buzz on over here.

Sunday, June 11: Still trying to figure out what to get your dad for Father’s Day? How about a rescue dog? This Sunday, Taysia Blue Rescue will have volunteers hanging out from 1 p.m. to 3 p.m. at The Green Spot with some of their adoptable huskies and malamutes. They will answer any questions you might have about what it takes to become a rescue parent for these lovable creatures. For more info, click here.

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Mural Man

June 2, 2017 by
Photography by Bill Sitzmann

Visual artist Mike Giron’s creative life spans studio practice, teaching, and working with A Midsummer’s Mural and South Omaha Mural Project teams.

“In my studio work, I have no idea what’s going to happen—I just go. I’m not forcing or insisting on anything. The work creates itself in some crazy way,” Giron says. “When it comes to murals, it’s a lot more deliberate. You have to propose a design before you begin. So, I live in these two different worlds, and I think it’s keeping me balanced.”

The New Orleans native came to Omaha in the early 1990s by way of Colorado, where he met his ex-wife, an Omaha native. After her father died, the couple moved here with the intent of restoring her family home, selling it, and returning to Colorado. But Omaha proved a good place to raise their two children, so they stayed.

Giron, 45, taught art at Bellevue University and ran the campus gallery. Today, he’s a Metropolitan Community College adjunct instructor.

Without knowing it, he prepared to be a muralist through his experience painting Mardi Gras floats in New Orleans. Walls are not so different from float structures—they’re big and imperfect. And just as he used cut-out panels on floats, he does the same with murals.

“The Polish mural is the clearest example,” he says. “There was a downspout, a chimney, and a fence around an air conditioning unit, and we used cut-outs to hide those things. It gave a 3D pop-up look effect. It also breaks the frame to extend beyond the box of the building.”

Patience is a virtue for a muralist.

“Murals take a long time—maybe two months,” he says. “Unless you really practice your Zen, you’ve got to make it enjoyable to keep on doing it every day.”

The social contract of public art and the collaborative nature of murals means you’d better like people. He does. You’d better like working big, too.

“Once you experience large-scale production, it’s hard to go back to small paintings,” he says. “Although I still consider myself a studio painter, there’s also something about doing large work. You can’t help but see a wall and go, ‘Oh, that would be perfect for this statement.’ And then the physicality of the work feels good. You’re carrying stuff all the time; you’re up and down ladders. The brush strokes are not just a flick of the wrist.”

But Giron says the real reason he and his fellow muralists do it is because “we’re channeling the voices of people who can’t do this, and we take pride in that.” He says, “We feel good about delivering something that people feel does express them.”

The process for the South Omaha murals involves deep community immersion.

“The more you immerse and personally connect with the people on a street level, the more you’re going to be trusted by that community, and the more they’ll open up and allow you in,” he says.

The South O murals feature diverse looks.

“Some fall into naturalism, and others go into some other place,” he says, “That’s interesting to me because it’s not the same. Rather than a signature style, I would prefer they look like they were done by different people.”

They are. Giron works with Richard Harrison, Rebecca Van Orman, and Hugo Zamorano. Neighbors contribute stories and ideas at community meetings. Residents and students participate in paint days and attend unveiling celebrations.

The works are an extension of the new South Omaha Museum, whose director, historian Gary Kastrick, conceived the murals project. Giron serves on the museum board. He enjoys digging through Kastrick’s artifact collection and preparing exhibits, including a replica of an Omaha Stockyards pen.

The idea is for the museum, the murals, and Kastrick’s history tours to spark a South O renaissance keying off the district’s rich heritage and culture. Muralists like Giron share a bigger goal to “make Omaha a destination for public art.” He says murals are a great way to enhance the city’s visual aesthetic and to engage the community. Besides, he says, murals “demonstrate to the public there is an arts community here” in a visible way galleries cannot.

Giron is impressed by the Omaha arts explosion. “There’s so much going on and so many young artists hitting the scene making a big impact,” he says.

Meanwhile, he continues to create studio art. His series On the Brighter Side of Post-Apocalyptic Minimalism employed fire-singed materials to make their satirical marks.

“With the process-oriented stuff I’m doing now, there’s a huge amount of variety, even though I’m just using grids,” he says, explaining that his personal artworks have moved away from rules of perspective and representational dictates of realism.

“When you don’t use any of that, all you have is the process and the visual reality of things—line, shape, value, color, texture, and space,” he says. “When you start playing in that area, where there’s no limits in terms of defining what things should be or should look like, you find it’s actually inexhaustible.”

He intends to follow “the course of my curiosity,” adding, “If you are really free as an artist, then you just follow whatever’s interesting to you.”

New murals keep beckoning, though. “I get pulled into all this work. You set yourself up for a fall, but the fall is where all the good stuff happens,” he says.

Having completed Czech, Lithuanian, Polish, Mexican, Metropolitan Community College, and Magic City murals for the South O project, Giron and company are now working on a Croatian mural. Irish, Italian, African-American, and Stockyards murals are still to come.

Visit amidsummersmural.com for more information.

This article was published in the May/June 2017 edition of Omaha Magazine.