December 25, 2012 by
Photography by Bill Sitzmann

Updating modern architecture from 50 to 60 years ago with interior design true to the period was an exciting prospect for me as a designer. The style was in vogue as I was finishing college…in 1969. I love the design concepts [of Mid-Century Modern], form follows function, the simplicity of design, bringing the outdoors in. Famous architects of the period, such as LaCorbusier, inspired me so much that I was married in one of his French churches, built in 1955. In 1977, my husband Rob and I traveled to France, and we were married on July 7, 1977 (7-7-77) at Notre Dame du Haute. Fast-forward and 43 years have flown by, but there’s still a spot in my heart for the era.

When asked to help Dr. Paul and Kim Coleman of Omaha update their Mid-Century Modern home in Indian Hills, it wasn’t necessary for me to visit a library or go online to research what would be appropriate. I found the Colemans’ residence a wonderful canvas to execute the flavor of the architect’s design and re-emphasize the mood, materials, and focus of the home. Incorporating some of the same tiles available during those years, but with an updated color scheme, we brought the home’s bathrooms into the present. (Unfortunately, the tile company has just recently gone out of business.)

It was popular to use “scrim” style casements for draperies…sheer enough to see the garden through them. This year, the final touch was installing new draperies on the glass walls that cover the entire backside of the home. The Colemans’ style is exactly what would have been considered the best choice for this architecture.

All the furniture of the home takes its inspiration from the styles popular at the time, lighter-colored fabrics and leathers and touches of black as accent. Lighting that is functional, such as by Omaha’s own famous lighting designer, Cederic Hartman, created floats in front of the windows. Large, colorful but minimal art and hand-crafted accessories supplement the more modern-style accessories to compliment the space and bring color to the quiet, restful spaces.

Another influence popular during this era was the use of Oriental themes for simplicity…usually more Japanese than Chinese. The sleek, minimal styles blended well and the colors were wonderfully compatible. In this case, I worked in Celedon vases and branches that compliment the Oriental theme and drew the nature influence into the mix. (I am told the home was decorated with an Oriental style originally.)

The materials common in flooring were practical and durable, such as tile, stone, wood, cork, and in this case, terrazzo. We repaired the materials when possible or found similar materials to replace them.

The over-scale landscape by Nebraskan Hal Holoun was a perfect touch. The scene of Nebraska’s big sky at sunset is stunning and serene, casting a spell of calm as evening comes on. The classic fireplace at the opposite end of the living room flickers with it’s comforting glow.

The home’s architect, Stan How, understood the idea of simple elegance and function in his design. This sleek, clean design, spare and open to the sunlit garden, reflects the outdoors and unites the interior to the patio year round. The glass walls include nature in daily living while the extended roofline protects it from the summer’s sun. The winter sun’s warmth flows in when the sun lowers in the sky. During the ‘60s, these design concepts were strong and the beautiful Colemans’ residence is an accurate reflection of the period. We have much we could learn from this practice.

Today, with the desire of many homeowners to be conscious of living conservatively, the examples of the Colemans’ home are a perfect solution.

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